Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Ana Popovic|Hush!

Hush!

Ana Popovic

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

While the U.S., Britain, and to a lesser extent Canada don't have a stranglehold on the blues, these countries account for the majority of music being produced in that genre. Therefore, when someone from a different nationality releases a strong album in the States, it usually makes news, at least in the rarefied blues universe. Born and raised in Yugoslavia, Ana Popovic would seem to have been brought up in an unusual area to soak in the deep soul, robust swamp rock, and husky R&B she reveals on her first album. But music is a universal language, and Popovic, along with noted blues-rock producer Jim Gaines, has delivered a rugged, confident, and eclectic debut that showcases the artist's many strengths (especially on slide guitar) in songs that shift from jazz ("I Won't Let You Down," "Minute 'Til Dawn") to deep funk (an innovative cover of Tom Waits' "Downtown") and soulful pop ("How Lonely Can a Woman Get?"). With a husky, sensuous voice similar to the Pretenders' Chrissie Hynde, she digs into these tunes with authority, even if English isn't her first language. A duet (guitar and vocal) with Bernard Allison on Johnny Copeland's "Bring Your Fine Self Home" is both sexy and gritty, as the two trade verses and riffs with obvious excitement and mutual respect. A raging version of Buddy Guy's "A Man of Many Words" (here titled "Girl of Many Words") rescues that song from obscurity as Popovic whips out a slimy version with rollicking horns that updates the tune while making it her own. Her originals don't push the limits of the genre, yet they are compressed slices of blues-rock that are excellent showcases for Popovic's tough vocals, wiry, Hendrix-styled leads, and robust stance. The self-penned "Hometown," a greasy, slinky trip down to New Orleans with hypnotic tribal drums, is but one of the album's gripping centerpieces. Recorded in Memphis and sounding like it, Popovic has captured the city's evocative, unvarnished R&B charm on this polished but far-from-slick album. A welcome shot of sex and showmanship in the blues world, Ana Popovic's American debut is a tour de force for this newcomer brimming with sass, brains, and talent.

© Hal Horowitz /TiVo

Weitere Informationen

Hush!

Ana Popovic

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 14.99 CHF/Monat

1
Love Fever
00:04:29

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

2
Mended
00:04:23

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

3
Hometown
00:07:09

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

4
I Won't Let You Down
00:04:22

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

5
The Hustle Is On
00:02:43

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

6
Downtown
00:04:24

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

7
How Lonely Can A Woman Get
00:03:59

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

8
Walk Away
00:03:22

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

9
Girl Of Many Words
00:03:54

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

10
Minute 'Till Dawn
00:05:14

Ana Popovic, MainArtist - bad love music / bmi, MusicPublisher

(C) 2006 Ruf Records (P) 2006 Ruf Records

11
Bring Your Fine Self Home
00:05:12

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

12
How The Mighty Have Fallen
00:04:39

Ana Popovic, MainArtist

(C) 2006 Ruf Records (P) 2006 Ruf Records

Albumbeschreibung

While the U.S., Britain, and to a lesser extent Canada don't have a stranglehold on the blues, these countries account for the majority of music being produced in that genre. Therefore, when someone from a different nationality releases a strong album in the States, it usually makes news, at least in the rarefied blues universe. Born and raised in Yugoslavia, Ana Popovic would seem to have been brought up in an unusual area to soak in the deep soul, robust swamp rock, and husky R&B she reveals on her first album. But music is a universal language, and Popovic, along with noted blues-rock producer Jim Gaines, has delivered a rugged, confident, and eclectic debut that showcases the artist's many strengths (especially on slide guitar) in songs that shift from jazz ("I Won't Let You Down," "Minute 'Til Dawn") to deep funk (an innovative cover of Tom Waits' "Downtown") and soulful pop ("How Lonely Can a Woman Get?"). With a husky, sensuous voice similar to the Pretenders' Chrissie Hynde, she digs into these tunes with authority, even if English isn't her first language. A duet (guitar and vocal) with Bernard Allison on Johnny Copeland's "Bring Your Fine Self Home" is both sexy and gritty, as the two trade verses and riffs with obvious excitement and mutual respect. A raging version of Buddy Guy's "A Man of Many Words" (here titled "Girl of Many Words") rescues that song from obscurity as Popovic whips out a slimy version with rollicking horns that updates the tune while making it her own. Her originals don't push the limits of the genre, yet they are compressed slices of blues-rock that are excellent showcases for Popovic's tough vocals, wiry, Hendrix-styled leads, and robust stance. The self-penned "Hometown," a greasy, slinky trip down to New Orleans with hypnotic tribal drums, is but one of the album's gripping centerpieces. Recorded in Memphis and sounding like it, Popovic has captured the city's evocative, unvarnished R&B charm on this polished but far-from-slick album. A welcome shot of sex and showmanship in the blues world, Ana Popovic's American debut is a tour de force for this newcomer brimming with sass, brains, and talent.

© Hal Horowitz /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?