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Audra McDonald|How Glory Goes

How Glory Goes

Audra McDonald

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On her debut album, Way Back to Paradise, Audra McDonald made a point of championing the work of a new generation of musical theater composers. Having made her point, she turned, on her second album, How Glory Goes, to a mixture of the same kind of material and older songs by established theater talents, particularly Harold Arlen. Her performances of Arlen's "Any Place I Hang My Hat Is Home," "I Had Myself a True Love," "A Sleepin' Bee," "I Never Has Seen Snow," and "The Man That Got Away" confirmed that Arlen had found yet another champion among great women singers. McDonald's versions of the songs didn't make you forget those of predecessors such as Barbra Streisand and Judy Garland, but they had a theatrical precision and art-song esthetic those showier singers could never touch. McDonald brought the same attributes to musical theater standards like "Bill" from Show Boat and "Somewhere" from West Side Story, as well as less-well-known but worthy selections such as "Come Down from the Tree" from Once on This Island and "When Did I Fall in Love?" from Fiorello! She reserved five spaces on the album for contemporary composers, notably Adam Guettel whose "Was That You?" and "How Glory Goes" got sympathetic readings. The album's most moving song was "I Won't Mind," which treated the unusual subject of the love felt for a child by a family friend. It was such songs, on this and McDonald's previous release, that made listeners want to hear the whole scores of the works from which they were excerpted, or even see productions of them -- and, of course, that was the idea.

© William Ruhlmann /TiVo

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How Glory Goes

Audra McDonald

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1
Any Place I Hang My Hat Is Home
00:03:27

Audra McDonald, MainArtist - Johnny Mercer, Lyricist - Harold Arlen, Composer - Eric Stern, Arranger - JOHN MCCLURE, Engineer - Tommy Krasker, Producer

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

2
Bill
00:03:33

Audra McDonald, MainArtist - P.G. Wodehouse, Lyricist - Jerome Kern, Composer - Oscar Hammerstein II , Lyricist - Eric Stern, Arranger - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - P. G. Wodehouse & Oscar Hammerstein II, Lyricist

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

3
I Had Myself a True Love
00:03:52

Audra McDonald, MainArtist - Johnny Mercer, Lyricist - Harold Arlen, Composer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

4
I Hid My Love
00:02:50

Audra McDonald, MainArtist - Steve Marzullo, Composer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - poem by John Clare, Lyricist

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

5
Was That You?
00:02:38

Audra McDonald, MainArtist - Lindy Robbins, Lyricist - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - Adam Guettel, Composer

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

6
I Won't Mind
00:04:01

Audra McDonald, MainArtist - Jeff Blumenkrantz, Composer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - Annie Kessler & Libby Saines, Lyricist

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

7
A Sleepin' Bee
00:03:56

Audra McDonald, MainArtist - Harold Arlen, Composer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - Truman Capote & Harold Arlen, Lyricist

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

8
Come Down from the Tree
00:03:09

Audra McDonald, MainArtist - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - Lynn Ahrens, Lyricist - Stephen Flaherty, Composer

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

9
I Never Has Seen Snow
00:04:13

Audra McDonald, MainArtist - Harold Arlen, Composer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - Truman Capote & Harold Arlen, Lyricist

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

10
When Did I Fall in Love?
00:03:20

Audra McDonald, MainArtist - Jerry Bock, Composer - Sheldon Harnick, Lyricist - JOHN MCCLURE, Engineer - Tommy Krasker, Producer

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

11
The Man That Got Away
00:03:50

Audra McDonald, MainArtist - Ira Gershwin, Lyricist - Harold Arlen, Composer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

12
Somewhere
00:02:31

Audra McDonald, MainArtist - Leonard Bernstein, Writer - Stephen Sondheim, Writer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

13
How Glory Goes
00:03:31

Audra McDonald, MainArtist - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - Adam Guettel, Composer, Lyricist

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

14
Lay Down Your Head
00:02:24

Audra McDonald, MainArtist - Jeanine Tesori, Composer - JOHN MCCLURE, Engineer - Tommy Krasker, Producer - Brian Crawley, Lyricist

© 2000 Nonesuch Records ℗ 2000 Nonesuch Records

Albumbeschreibung

On her debut album, Way Back to Paradise, Audra McDonald made a point of championing the work of a new generation of musical theater composers. Having made her point, she turned, on her second album, How Glory Goes, to a mixture of the same kind of material and older songs by established theater talents, particularly Harold Arlen. Her performances of Arlen's "Any Place I Hang My Hat Is Home," "I Had Myself a True Love," "A Sleepin' Bee," "I Never Has Seen Snow," and "The Man That Got Away" confirmed that Arlen had found yet another champion among great women singers. McDonald's versions of the songs didn't make you forget those of predecessors such as Barbra Streisand and Judy Garland, but they had a theatrical precision and art-song esthetic those showier singers could never touch. McDonald brought the same attributes to musical theater standards like "Bill" from Show Boat and "Somewhere" from West Side Story, as well as less-well-known but worthy selections such as "Come Down from the Tree" from Once on This Island and "When Did I Fall in Love?" from Fiorello! She reserved five spaces on the album for contemporary composers, notably Adam Guettel whose "Was That You?" and "How Glory Goes" got sympathetic readings. The album's most moving song was "I Won't Mind," which treated the unusual subject of the love felt for a child by a family friend. It was such songs, on this and McDonald's previous release, that made listeners want to hear the whole scores of the works from which they were excerpted, or even see productions of them -- and, of course, that was the idea.

© William Ruhlmann /TiVo

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