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La Reverdie - Historia Sancti Eadmundi: De la liturgie dramatique au drame liturgique

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Historia Sancti Eadmundi: De la liturgie dramatique au drame liturgique

La Reverdie / Roberto Spremulli

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Rezension in englischer Sprache verfügbar

Historia Sancti Eadmundi, an account of the martyrdom of a ninth century Saxon king who became the first widely prominent English saint, was written and elaborated upon from the tenth through the twelfth centuries. The subtitle of this CD, "From Dramatic Liturgy to Liturgical Drama," is based on the proposition of the Italian ensemble La Reverdie that by the twelfth century it was not uncommon for narratives like this one to be performed dramatically with music, and they cite as evidence various contemporaneous accounts either praising or deploring the practice. While the "restoration" of this particular Historia does not claim to reconstitute an actual medieval performance, it does attempt to faithfully re-create what a liturgical music drama devoted to St. Eadmund might have sounded like. Given the thoroughness of the scrupulously documented research, and the quality of the resulting performances, this is a CD that should be intriguing for any devotee of early music looking for recordings that are both academically responsible and musically lively and engaging. The group of women's voices supplemented by a broadly colorful assortment of period instruments brings vibrant energy and imaginative realizations to the ancient material. The performance of this Historia, which originally might have lasted a full day, is shortened to fit on one CD, and consists of antiphons, sequences, responsorial, and readings based on the text. The variety of presentations include vocal solos and unison choruses, sometimes a cappella and sometimes underscored by drones, with a variety of imaginative but appropriate accompaniments, as well as instrumental interludes. Among the most astonishing tracks are the readings, often dramatically accompanied by percussion, spoken by a soloist, or by a chorus in a kind of semi-pitched homophonic Sprechstimme, a tremendously effective device. The sound is clear and clean, and nicely atmospheric.

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Historia Sancti Eadmundi: De la liturgie dramatique au drame liturgique

La Reverdie

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1
Vita: Classicum 00:01:07

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

2
Vita: Ave Rex gentis Anglorum / Domine labia mea aperies 00:03:26

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

3
Vita: Exulta sancta ecclesia 00:01:45

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

4
Vita: Stans a longe 00:01:45

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

5
Vita: Sancte indolis puer / Cuius infanciam 00:02:43

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

6
Vita: Egregium decus 00:01:13

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

7
Vita: Lectio 00:01:06

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

8
Vita: Legem dedit rex crudelis 00:00:55

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

9
Vita: Lectio 2 00:03:18

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

10
Vita: Miles Christi Eadmundus / Ignis & ferrum / Gloria 00:03:50

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

11
Vita: Ait autem Eadmundus 00:01:16

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

12
Passio: Tubam bellicosam 00:02:03

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

13
Passio: Vinctus ferro 00:00:47

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

14
Passio: Quo amplior esse 00:01:04

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

15
Passio: Crescit ad penam Sanctus / Rivus sanguinis 00:02:25

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

16
Passio: Martyri adhuc palpitanti / Capud sanctitate plenum 00:02:34

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

17
Passio: Misso spiculatore 00:01:01

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

18
Passio: Lectio 00:01:07

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

19
Passio: Fistula 00:02:18

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

20
Passio: Resectum ergo / Exaudifit Dominus / Heu pastor 00:03:40

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

21
Miracula: Capud martyris verba edidit / Condoluit pater 00:02:54

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

22
Miracula: Peregrinacio 00:02:24

La Reverdie, Performer - Roberto Spremulli, Performer - Claudia Caffagni, Composer

Arcana Arcana

23
Miracula: Admirabilis fuit / Ex iocunditate 00:02:17

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

24
Miracula: Preciosum martyris corpus / Tantum in collo 00:04:27

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

25
Miracula: Lyra 00:02:21

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

26
Miracula: Quidam magne potencie vir Lefstanus 00:01:08

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

27
Miracula: Reserato ergo locello 00:00:56

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

28
Miracula: Gloriosus Dei adleta Eadmundus 00:02:08

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

29
Miracula: O sanctissimi patris Eadmundi 00:02:00

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

30
Miracula: Lectio / Amen 00:02:19

La Reverdie, Performer - Roberto Spremulli, Performer - Anonymous, Composer

Arcana Arcana

Albumbeschreibung

Historia Sancti Eadmundi, an account of the martyrdom of a ninth century Saxon king who became the first widely prominent English saint, was written and elaborated upon from the tenth through the twelfth centuries. The subtitle of this CD, "From Dramatic Liturgy to Liturgical Drama," is based on the proposition of the Italian ensemble La Reverdie that by the twelfth century it was not uncommon for narratives like this one to be performed dramatically with music, and they cite as evidence various contemporaneous accounts either praising or deploring the practice. While the "restoration" of this particular Historia does not claim to reconstitute an actual medieval performance, it does attempt to faithfully re-create what a liturgical music drama devoted to St. Eadmund might have sounded like. Given the thoroughness of the scrupulously documented research, and the quality of the resulting performances, this is a CD that should be intriguing for any devotee of early music looking for recordings that are both academically responsible and musically lively and engaging. The group of women's voices supplemented by a broadly colorful assortment of period instruments brings vibrant energy and imaginative realizations to the ancient material. The performance of this Historia, which originally might have lasted a full day, is shortened to fit on one CD, and consists of antiphons, sequences, responsorial, and readings based on the text. The variety of presentations include vocal solos and unison choruses, sometimes a cappella and sometimes underscored by drones, with a variety of imaginative but appropriate accompaniments, as well as instrumental interludes. Among the most astonishing tracks are the readings, often dramatically accompanied by percussion, spoken by a soloist, or by a chorus in a kind of semi-pitched homophonic Sprechstimme, a tremendously effective device. The sound is clear and clean, and nicely atmospheric.

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