Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
It must have become clear at some point in the beginning stages of planning their fourth album that something had to change for Black Moth Super Rainbow, that perhaps they had taken their sound as far as they could and needed an upgrade. It sounds like they got tired of making music in a dingy basement filled with melted candles and old pizza boxes and figured it was time to move to the big leagues. To that end, on Eating Us they've paired with Flaming Lips/Mercury Rev producer Dave Fridmann and made a record that is far slicker and pro sounding than anything they've done before. Whether you, as a fan of their previous work, want to follow along might depend on how you feel about the opening track, "Born on a Day the Sun Didn't Rise," sounding like it's a Robert Plant vocal shy of being a track from Led Zeppelin's In Through the Out Door. The drums are thunderous, the synths are clear and soaring, and the song is crisply hooky; in fact, if it weren't for Tobacco's vocodered vocals you might not even peg it as a BMSR song right away. As the album goes along, though, the band's unique vision asserts itself despite the application of a fair amount of studio gloss. They still hand out enough sticky sweet, slightly creepy pop candy to supply a whole neighborhood's worth of Halloween treats, and provide more than enough glowing melody and sonic weirdness to satisfy the basic requirements of a BMSR record. The addition of organic instruments like acoustic guitar and live drums seems like a bad move at first, but they end up meshing with the cheap synths very well, and Tobacco's vocals are somehow more effective when juxtaposed with them. The contrast gives songs like the elegiac "Gold Splatter" some emotional power that was unavailable on previous albums. It certainly doesn't make the record boring or overblown to have a little more scale and dimension given to the group's sound -- you can see how a little of that might come in handy when writing songs about "Tooth Decay" and "Iron Lemonade" -- not enough pomp to make them sound like Coldplay for sure, but enough to show that they won't just keep making the same (admittedly great) record over and over. On Eating Us, Black Moth Super Rainbow prove that they can grow up a little without growing boring, and still deliver exactly the same amount of unhealthy sweetness as before.
© Tim Sendra /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Dave Fridmann, Producer - Black Moth Super Rainbow, Composer, Lyricist, MainArtist - Waxploitation, MusicPublisher
2009 Memphis Industries 2009 Memphis Industries
Albumbeschreibung
It must have become clear at some point in the beginning stages of planning their fourth album that something had to change for Black Moth Super Rainbow, that perhaps they had taken their sound as far as they could and needed an upgrade. It sounds like they got tired of making music in a dingy basement filled with melted candles and old pizza boxes and figured it was time to move to the big leagues. To that end, on Eating Us they've paired with Flaming Lips/Mercury Rev producer Dave Fridmann and made a record that is far slicker and pro sounding than anything they've done before. Whether you, as a fan of their previous work, want to follow along might depend on how you feel about the opening track, "Born on a Day the Sun Didn't Rise," sounding like it's a Robert Plant vocal shy of being a track from Led Zeppelin's In Through the Out Door. The drums are thunderous, the synths are clear and soaring, and the song is crisply hooky; in fact, if it weren't for Tobacco's vocodered vocals you might not even peg it as a BMSR song right away. As the album goes along, though, the band's unique vision asserts itself despite the application of a fair amount of studio gloss. They still hand out enough sticky sweet, slightly creepy pop candy to supply a whole neighborhood's worth of Halloween treats, and provide more than enough glowing melody and sonic weirdness to satisfy the basic requirements of a BMSR record. The addition of organic instruments like acoustic guitar and live drums seems like a bad move at first, but they end up meshing with the cheap synths very well, and Tobacco's vocals are somehow more effective when juxtaposed with them. The contrast gives songs like the elegiac "Gold Splatter" some emotional power that was unavailable on previous albums. It certainly doesn't make the record boring or overblown to have a little more scale and dimension given to the group's sound -- you can see how a little of that might come in handy when writing songs about "Tooth Decay" and "Iron Lemonade" -- not enough pomp to make them sound like Coldplay for sure, but enough to show that they won't just keep making the same (admittedly great) record over and over. On Eating Us, Black Moth Super Rainbow prove that they can grow up a little without growing boring, and still deliver exactly the same amount of unhealthy sweetness as before.
© Tim Sendra /TiVo
Informationen zu dem Album
- 1 Disc(s) - 11 Track(s)
- Gesamte Laufzeit: 00:34:16
- Künstler: Black Moth Super Rainbow
- Komponist: Black Moth Super Rainbow
- Label: Memphis Industries
- Genre: Electronic
2009 Memphis Industries 2009 Memphis Industries
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.