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Deadly Avenger|Deep Red

Deep Red

Deadly Avenger

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Text in englischer Sprache verfügbar

Damon Baxter, a.k.a. Deadly Avenger, has made previous contributions to the club/dance scene as a producer and remix artist, and as the force behind the Illicit label. Here he follows up a handful of single releases under his own name with a full-length debut which includes those three previously-released sides as well as ten new tracks. Baxter's love of film music is the thread that runs most consistently through Deep Red, whether it's the 47-piece orchestra cribbing melodic content from Rocky on "We Took Pelham," or the edgy Mission Impossible bongo drums that open "Punisher." Most of these compositions have an endearingly cheesy whiff of 1970s spy music about them. "In Pursuit of the Pimpmobile" is more jazz-based, with slightly creepy string parts and pervasive electric piano; "Quest Part 2" also comes across as a bit menacing, in a cool and understated sort of way, whereas "Quest Part 1" has something of a Middle Eastern flavor. The moods and textures are leavened throughout by funky breaks, but nothing so heavy as to force you out onto the dancefloor against your will. In fact, if the beats were just a bit heavier this would have been a killer album; as it is, it tops out at very pleasant.
© Rick Anderson /TiVo

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Deep Red

Deadly Avenger

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1
We Took Pelham
00:03:01

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

2
Skit 1
00:00:11

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

3
Punisher
00:05:22

Deadly Avenger, Artist, MainArtist - DE WOLFE LTD & COPYRIGHT CONTROL, MusicPublisher

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

4
Skit Ii
00:01:29

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

5
The Quest
00:04:59

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

6
Blade
00:06:12

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

7
Day One
00:05:31

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

8
Lopez
00:05:39

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

9
The Quest Part Ii
00:05:01

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

10
Love Sounds
00:05:19

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

11
Skit Iii
00:01:29

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

12
Black Sun
00:05:16

Deadly Avenger, Artist, MainArtist - Lisa Gerrard/Brendan Perry, Composer

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

13
Deep Red
00:07:09

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

14
Outro
00:06:23

Deadly Avenger, Artist, MainArtist

2002 ILLICIT RECORDINGS 2002 ILLICIT RECORDINGS

Albumbeschreibung

Damon Baxter, a.k.a. Deadly Avenger, has made previous contributions to the club/dance scene as a producer and remix artist, and as the force behind the Illicit label. Here he follows up a handful of single releases under his own name with a full-length debut which includes those three previously-released sides as well as ten new tracks. Baxter's love of film music is the thread that runs most consistently through Deep Red, whether it's the 47-piece orchestra cribbing melodic content from Rocky on "We Took Pelham," or the edgy Mission Impossible bongo drums that open "Punisher." Most of these compositions have an endearingly cheesy whiff of 1970s spy music about them. "In Pursuit of the Pimpmobile" is more jazz-based, with slightly creepy string parts and pervasive electric piano; "Quest Part 2" also comes across as a bit menacing, in a cool and understated sort of way, whereas "Quest Part 1" has something of a Middle Eastern flavor. The moods and textures are leavened throughout by funky breaks, but nothing so heavy as to force you out onto the dancefloor against your will. In fact, if the beats were just a bit heavier this would have been a killer album; as it is, it tops out at very pleasant.
© Rick Anderson /TiVo

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