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Taj Mahal|Blue Light Boogie

Blue Light Boogie

Taj Mahal

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Blue Light Boogie is a compilation drawn from Taj Mahal's work for the Private Music label during the '90s, specifically the albums Like Never Before (1991) and Dancing the Blues (1993); there's also an ample and varied helping of covers ranging from traditional, rural blues to rock & roll. It's sort of an odd tactic for a compilation, given that The Best of the Private Years, released a year later, doesn't duplicate any of this material; as a result, that supposedly balanced introduction ends up skewed away from Blue Light Boogie's sources, not featuring any songs from Like Never Before. Still, even if all of this is a ham-handed way for a record company to handle an artist's discography, Blue Light Boogie is overall a pretty decent sampler and an entertaining listen. Just don't expect an introduction to Mahal's '90s recordings that has any sense of completeness.

© Steve Huey /TiVo

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Blue Light Boogie

Taj Mahal

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1
River Of Love
Various Interprets
00:04:05

Taj Mahal, Vocal - Jimmy Scott, Composer - Porter Carroll, Assistant Producer - Porter Carroll, Background Vocal - Porter Carroll, Composer - Richard Feldman, Composer - Hiram Bullock, Guitar - Donald Robinson, Keyboards - Jerry Cohen, Organ - Andy Kravitz, Drums - Doug Grigsby, Bass - Bill Summers, Congas - Bill Summers, Drums - Augie Johnson, Background Vocal - Louis Patton, Background Vocal - Reggie Ellis, Background Vocal - Willie Green, Background Vocal - Greg Maha, Background Vocal - Jay "Jammin" Davidson, Baritone Saxophone - Jay "Jammin" Davidson, Performer - Jay "Jammin" Davidson, Tenor Saxophone - Ron Kerber, Alto Saxophone - Jeff Lego, Trombone - Gary McKeen, Trumpet - Ed Kalney, Trumpet - Skip Drinkwater, Producer - Jamie Cohen, Executive Producer

(P) 1991 BMG Music

2
Honky Tonk Women
Various Interprets
00:04:38

Taj Mahal, Vocal - Mick Jagger, Composer - Keith Richards, Composer - James Cotton, Harmonica - John Snyder, Producer - Jay Newland, Co-Producer - Jay Newland, Engineer - Mark Johnson, Assistant Engineer

(P)1997 Platinum Entertainment, Inc. Distributed by Polygram Group Distribution.

3
Don't Call Us
Various Interprets
00:04:18

Taj Mahal, Composer - Taj Mahal, Guitar - Taj Mahal, Harmonica - Taj Mahal, Vocal - Andy Kravitz, Drums - Doug Grigsby, Bass - Daryl Hall, Background Vocal - John Oats, Background Vocal - Sheryl Crow, Background Vocal - Eric Bazilian, Steel Guitar - Rob Hyman, Organ - Mark Goodman, Piano - Mark Goodman, Synthesizer - Bill Summers, Congas - Bill Summers, Percussion - Bill Summers, Triangle - Skip Drinkwater, Producer - Jamie Cohen, Executive Producer - Richard Feldman, Composer

(P) 1991 BMG Music

4
Take A Giant Step
Various Interprets
00:04:37

Taj Mahal, Guitar - Taj Mahal, Vocal - Gerry Goffin, Composer - Carole King, Composer - Bill Summers, Drums - Skip Drinkwater for Brooke Productions, Inc., Producer - Jamie Cohen, Executive Producer - Phil Nicolo, Engineer - Phil Nicolo, Mixing Engineer - Skip Drinkwater, Mixing Engineer - Greg Fulginiti at Artisan Sound Recordings, Miami, FL, Mastering Engineer

(P) 1991 BMG Music

5
Down Home Girl
Various Interprets
00:03:41

Taj Mahal, Vocal - Jerry Leiber, Composer - Artie Butler, Composer - Tony Braunagel, Drums - Bob Glaub, Bass - Johnny Lee Schell, Guitar - John Porter, Guitar - John Porter, Producer - Bill Payne, Organ - Joseph Sublett, Horn - Marty Grebb, Horn - Darrell Leonard, Horn - Ron Goldstein, Executive Producer - Joe McGrath, Engineer - Helick Hadar, Assistant Engineer - Jerry Finn, Assistant Engineer - Rich Veltrop, Assistant Engineer - Stephen Marcussen at Precision Mastering, Los Angeles, CA, Mastering Engineer

(P) 1993 BMG Music

6
Feets Don't Fail Me Now
Various Interprets
00:03:18

Taj Mahal, Guitar - Taj Mahal, Vocal - Paul Barrère, Composer - Lowell George, Composer - Martin Kibbee, Composer - Tony Braunagel, Drums - Larry Fulcher, Bass - Joseph Sublett, Saxophone - Darrell Leonard, Trumpet - Mick Weaver, Organ - Jon Cleary, Piano - John Porter, Engineer - John Porter, Guitar - John Porter, Producer - Hitoshi Adachi, Executive Producer - Jamie Cohen, Executive Producer - David A. Helfant, Executive Producer - Bill Cooper, Assistant Engineer

(P)1997 Kaigan Entertainment, Inc.

7
Dark Angel
Various Interprets
00:03:24

Taj Mahal, Performer - Steven Seagal, Composer - Steven Seagal, Performer - Steven Seagal, Producer - Marty Grebb, Composer

(P)1997 Warner Bros. Records Inc., a Time Warner Company

8
Big Legged Mamas Are Back In Style
Various Interprets
00:04:17

Taj Mahal, Composer - Taj Mahal, Piano - Taj Mahal, Vocal - Skip Drinkwater, Producer - Jamie Cohen, Executive Producer - Tony Jones, Bass - Sonny Rhodes, Steel Guitar - Myric "Freeze" Guillory, Percussion

(P) 1991 BMG Music

9
John The Revelator
Various Interprets
00:03:53
10
Blue Light Boogie
Various Interprets
00:04:04

Taj Mahal, Organ - Taj Mahal, Vocal - Jesse Mae Robinson, Composer - Tony Braunagel, Drums - Bob Glaub, Bass - Johnny Lee Schell, Guitar - Ian McLagan, Piano - Joseph Sublett, Horn - Marty Grebb, Horn - Darrell Leonard, Horn - John Porter, Producer - Ron Goldstein, Executive Producer - Joe McGrath, Engineer - Helick Hadar, Assistant Engineer - Jerry Finn, Assistant Engineer - Rich Veltrop, Assistant Engineer - Stephen Marcussen at Precision Mastering, Los Angeles, CA, Mastering Engineer

(P) 1993 BMG Music

11
She Caught The Katy
Various Interprets
00:03:38
12
Mercedes Benz
Various Interprets
00:03:12

Albumbeschreibung

Blue Light Boogie is a compilation drawn from Taj Mahal's work for the Private Music label during the '90s, specifically the albums Like Never Before (1991) and Dancing the Blues (1993); there's also an ample and varied helping of covers ranging from traditional, rural blues to rock & roll. It's sort of an odd tactic for a compilation, given that The Best of the Private Years, released a year later, doesn't duplicate any of this material; as a result, that supposedly balanced introduction ends up skewed away from Blue Light Boogie's sources, not featuring any songs from Like Never Before. Still, even if all of this is a ham-handed way for a record company to handle an artist's discography, Blue Light Boogie is overall a pretty decent sampler and an entertaining listen. Just don't expect an introduction to Mahal's '90s recordings that has any sense of completeness.

© Steve Huey /TiVo

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