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Ernestine Anderson|Ballad Essentials

Ballad Essentials

Ernestine Anderson

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No doubt because of her bluesy signature tune, "Never Make Your Move Too Soon," vocalist Ernestine Anderson has been typecast as a home-fried, worldy-wise vampster, and there's no question that this Houston-born songbird can get down with the best of them. But Anderson always has strived for sophisticated elegance, as well, her initial inspiration being Sarah Vaughan. With perfect intonation and a voice Seattle contemporary Quincy Jones once described as sounding like "honey at dusk," Anderson often succeeds. On this collection of ballads, pulled from eight albums made for Concord with top of the line pianists between 1979 and 1990, she often hits the mark. Anderson offers a touching delivery of "Old Folks," a liberally improvised "Skylark" (recorded live, with a chirping alto saxophone solo by Marshal Royal), a sassy, swinging "Tain't Nobody's Bizness if I Do," an expressive "Body and Soul," and a piquant "Some Other Time." (These last two come from the lovely 1998 album with piano giant George Shearing, A Perfect Match.) Elsewhere, Anderson's attention seems to drift -- a problem that plagues her live shows, as well. "Time After Time" (by Sammy Cahn, not Cyndi Lauper), with Monty Alexander, is short on conviction; a soggy "Spring Is Here" misses the song's winsome irony; "I'm Just a Lucky So and So," with saxophonist Red Holloway greasing its bluesy wheels, gets excessive; and "I Remember Clifford" (also with Shearing) lacks pathos, which is odd, considering that it is a requiem. "Wait Till You See Him," from the awful album Boogie Down, is gummed up with Hollywood pretension (cello, bass clarinet, and English horn); "I Should Care," with vocal reverb; and "Summertime" -- well, what do you do with this warhorse? Even Anderson doesn't seem to have an answer. Die-hard Anderson fans may find enough to like here, but others will probably want to stick to albums such as Hello, Like Before and Never Make Your Move Too Soon.

© Paul de Barros /TiVo

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Ballad Essentials

Ernestine Anderson

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1
Body And Soul (Album Version)
George Shearing
00:04:42

Edward Heyman, Composer - Frank Eyton, Composer - Robert Sour, Composer - Johnny Green, Composer - George Shearing, MainArtist

℗ 1988 Concord Records, Inc.

2
Time After Time
Ernestine Anderson
00:05:15

Jule Styne, ComposerLyricist - Sammy Cahn, ComposerLyricist - RAY BROWN, Upright Bass, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Monty Alexander, Piano, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Engineer, Mix Engineer, StudioPersonnel - George Horn, Mastering Engineer, StudioPersonnel - Carl Jefferson, Producer, Recording Producer

℗ 1980 Concord Jazz

3
Skylark (Live At The Concord Pavilion, Concord, CA / August 18, 1990)
Ernestine Anderson
00:06:53

Harold Jones, Drums, AssociatedPerformer - Johnny Mercer, Author - HOAGY CARMICHAEL, Composer - RAY BROWN, Upright Bass, AssociatedPerformer - George Shearing, Piano, AssociatedPerformer - Monty Alexander, Piano, AssociatedPerformer - Gene Harris, Piano, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Supervisor, StudioPersonnel - Lynn Seaton, Upright Bass, AssociatedPerformer - Marshal Royal, Alto Saxophone, FeaturedArtist, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Ed Bickert, Guitar, AssociatedPerformer - Carl Jefferson, Producer, Recording Producer

℗ 1991 Concord Jazz

4
Spring Is Here
Ernestine Anderson
00:04:07

Richard Rodgers, ComposerLyricist - Lorenz Hart, ComposerLyricist - Hank Jones, Piano, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Monty Budwig, Upright Bass, AssociatedPerformer - Phil Edwards, Recording Engineer, Remix Engineer, StudioPersonnel - George Horn, Mastering Engineer, StudioPersonnel - Carl Jefferson, Producer, Recording Producer

℗ 1983 Concord Jazz

5
I'm Just A Lucky So And So
Ernestine Anderson
00:06:21

Duke Ellington, Composer - Mack David, Author - Ernestine Anderson, MainArtist

℗ 1985 Concord Jazz, Inc.

6
I Remember Clifford
George Shearing
00:04:52

Benny Golson, ComposerLyricist - George Shearing, Piano, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Engineer, Remix Engineer, StudioPersonnel - Neil Swainson, Upright Bass, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Carl Jefferson, Producer, Recording Producer - Jim Hilson, Asst. Recording Engineer, StudioPersonnel

℗ 1988 Concord Jazz

7
Summertime
Ernestine Anderson
00:04:30

George Gershwin, ComposerLyricist - Ira Gershwin, ComposerLyricist - Dorothy Heyward, ComposerLyricist - Dubose Heyward, ComposerLyricist - RAY BROWN, Upright Bass, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Monty Alexander, Piano, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Engineer, Mix Engineer, StudioPersonnel - George Horn, Mastering Engineer, StudioPersonnel - Carl Jefferson, Producer, Recording Producer

℗ 1980 Concord Jazz

8
Old Folks
Ernestine Anderson
00:07:13

Willard Robinson, ComposerLyricist - Ernestine Anderson, MainArtist - Dedette Lee Hill, ComposerLyricist

℗ 1981 Concord Jazz, Inc.

9
Wait Till You See Him
Ernestine Anderson
00:03:23

William Green, Clarinet, Alto Saxophone, AssociatedPerformer - John Clayton, Producer, Upright Bass, Recording Producer, AssociatedPerformer - Nick Phillips, Producer, Assistant Producer - George Bohanon, Trombone, AssociatedPerformer - Oscar Brashear, Flugelhorn, Trumpet, AssociatedPerformer - Lorenz Hart, Author - RAY BROWN, Flugelhorn, Trumpet, AssociatedPerformer - Richard Rogers, Composer - Maurice Spears, Bass Trombone, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Darren Mora, Asst. Recording Engineer, StudioPersonnel - Ira Nepus, Trombone, AssociatedPerformer - Rickey Woodard, Clarinet, Tenor Saxophone, AssociatedPerformer - Snooky Young, Flugelhorn, Trumpet, AssociatedPerformer - Jack Nimitz, Bass Clarinet, Baritone Saxophone, AssociatedPerformer - Clay Jenkins, Flugelhorn, Trumpet, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Engineer, Remix Engineer, StudioPersonnel - Herman Riley, Clarinet, Tenor Saxophone, AssociatedPerformer - JEFF CLAYTON, Flute, Oboe, Alto Saxophone, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Thurman Green, Trombone, AssociatedPerformer - Jim Hershman, Guitar, AssociatedPerformer - Larry Fuller, Piano, AssociatedPerformer - Carl Jefferson, Producer, Recording Producer - Herb Mickman, Upright Bass, AssociatedPerformer

℗ 1990 Concord Jazz

10
T'Ain't Nobody's Bizness If I Do
Ernestine Anderson
00:04:31

RAY BROWN, Upright Bass, AssociatedPerformer - Clarence Williams, ComposerLyricist - Hank Jones, Piano, AssociatedPerformer - George Shearing, Piano, AssociatedPerformer - Monty Alexander, Piano, AssociatedPerformer - Jimmy Witherspoon, ComposerLyricist - Robert Graham Prince, ComposerLyricist - Porter Grainger, ComposerLyricist - Gene Harris, Piano, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Engineer, Remix Engineer, StudioPersonnel - Jimmie Smith, Drums, AssociatedPerformer - Marshal Royal, Alto Saxophone, AssociatedPerformer - Carl Jefferson, Producer, Recording Producer

℗ 1977 Concord Jazz

11
I Should Care (Live At The Concord Pavilion, Concord, CA / August 18, 1990)
Ernestine Anderson
00:09:06

Harold Jones, Drums, AssociatedPerformer - Frank Wess, Tenor Saxophone, FeaturedArtist, AssociatedPerformer - Sammy Cahn, ComposerLyricist - Paul Weston, ComposerLyricist - Axel Stordahl, ComposerLyricist - Gene Harris, Piano, AssociatedPerformer - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Supervisor, StudioPersonnel - Lynn Seaton, Upright Bass, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Ed Bickert, Guitar, AssociatedPerformer - Carl Jefferson, Producer, Recording Producer

℗ 1991 Concord Jazz

12
Some Other Time
George Shearing
00:02:21

Leonard Bernstein, ComposerLyricist - George Shearing, Piano, MainArtist, AssociatedPerformer - Jeff Hamilton, Drums, AssociatedPerformer - Adolph Green, ComposerLyricist - Betty Comden, ComposerLyricist - Ernestine Anderson, Vocals, MainArtist, AssociatedPerformer - Phil Edwards, Recording Engineer, Remix Engineer, StudioPersonnel - Neil Swainson, Upright Bass, AssociatedPerformer - George Horn, Mastering Engineer, StudioPersonnel - Carl Jefferson, Producer, Recording Producer - Jim Hilson, Asst. Recording Engineer, StudioPersonnel

℗ 1988 Concord Jazz

Albumbeschreibung

No doubt because of her bluesy signature tune, "Never Make Your Move Too Soon," vocalist Ernestine Anderson has been typecast as a home-fried, worldy-wise vampster, and there's no question that this Houston-born songbird can get down with the best of them. But Anderson always has strived for sophisticated elegance, as well, her initial inspiration being Sarah Vaughan. With perfect intonation and a voice Seattle contemporary Quincy Jones once described as sounding like "honey at dusk," Anderson often succeeds. On this collection of ballads, pulled from eight albums made for Concord with top of the line pianists between 1979 and 1990, she often hits the mark. Anderson offers a touching delivery of "Old Folks," a liberally improvised "Skylark" (recorded live, with a chirping alto saxophone solo by Marshal Royal), a sassy, swinging "Tain't Nobody's Bizness if I Do," an expressive "Body and Soul," and a piquant "Some Other Time." (These last two come from the lovely 1998 album with piano giant George Shearing, A Perfect Match.) Elsewhere, Anderson's attention seems to drift -- a problem that plagues her live shows, as well. "Time After Time" (by Sammy Cahn, not Cyndi Lauper), with Monty Alexander, is short on conviction; a soggy "Spring Is Here" misses the song's winsome irony; "I'm Just a Lucky So and So," with saxophonist Red Holloway greasing its bluesy wheels, gets excessive; and "I Remember Clifford" (also with Shearing) lacks pathos, which is odd, considering that it is a requiem. "Wait Till You See Him," from the awful album Boogie Down, is gummed up with Hollywood pretension (cello, bass clarinet, and English horn); "I Should Care," with vocal reverb; and "Summertime" -- well, what do you do with this warhorse? Even Anderson doesn't seem to have an answer. Die-hard Anderson fans may find enough to like here, but others will probably want to stick to albums such as Hello, Like Before and Never Make Your Move Too Soon.

© Paul de Barros /TiVo

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