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Dakota Moon|A Place To Land

A Place To Land

Dakota Moon

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Dakota Moon doesn't change too much on their second album, A Place to Land, again working with producer Andrew Logan and again going for a somewhat uncanny synthesis of early-2000s urban pop and '70s soft rock. The album-opening title track is perhaps the most typical Dakota Moon moment on the album, sounding like half Backstreet Boys and half Eagles. The foursome then go straight into their most sexually charged song on the album, "Keeps Me Comin' (Addiction)," an album highlight that seems a little out of character for this otherwise well-mannered group. Overall, there aren't too many surprises here. Dakota Moon may have not stormed up the Billboard charts with their debut album, but that album was generally seen as a success. So it's perhaps not that surprising that Dakota Moon tried to duplicate the success of their debut, working again with Logan as the producer and retaining that uncanny synthesis of early-2000s urban pop and '70s soft rock.

© Jason Birchmeier /TiVo

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A Place To Land

Dakota Moon

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1
Looking for a Place to Land (LP Version)
00:03:54

B. MANN, Composer - Tim Pierce, Guitar - T. Taylor, Composer - Kim Bullard, Organ - Pam Reswick, Keyboards - Ty Taylor, Guitar, Vocals - Reggie Hamilton, Bass Guitar - Rusty Anderson, Guitar - Jamie Muhoberac, Keyboards, Organ - Josh Freese, Drums - Malloy, Vocals - Abe Laboriel Jr., Drums - Jon Button, Bass Guitar - J. DEAN, Composer - M Malloy, Composer - Paulino Da Costa, Percussion - Roy Artis, Bass Guitar, Vocals - Zachery Rae, Organ - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2000 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

2
Keeps Me Comin' (Addiction) (LP Version)
00:04:23

Ty Taylor, Guitar, Vocals - Malloy, Vocals - AARON ZIGMAN, Conductor, String Arranger - J. DEAN, Composer - Roy Artis, Bass Guitar, Vocals - Maria Carmen, Contributor - R Artis, Composer - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals - A. Logan, Composer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2000 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

3
I'd Be a Fool (LP Version)
00:04:06

Ty Taylor, Guitar, Vocals - Malloy, Vocals - J. DEAN, Composer - Roy Artis, Bass Guitar, Vocals - R Artis, Composer - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals - A. Logan, Composer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 1999 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

4
Don't Give Up on Me (LP Version)
00:04:19

C. Glover, Composer - T. Taylor, Composer - Ty Taylor, Guitar, Vocals - Malloy, Vocals - Roy Artis, Bass Guitar, Vocals - R Artis, Composer - M Cirince, Composer - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals - A. Logan, Composer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2000 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

5
So Good for You (LP Version)
00:04:01

J. Blades, Composer - Ty Taylor, Guitar, Vocals - Malloy, Vocals - J. DEAN, Composer - Roy Artis, Bass Guitar, Vocals - R Artis, Composer - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2000 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

6
Lonely Days
00:04:14

T. Taylor, Composer - Ty Taylor, Guitar, Vocals - Malloy, Vocals - Roy Artis, Bass Guitar, Vocals - C. Pierce, Composer - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 1999 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

7
Release Me (LP Version)
00:03:41

T. Taylor, Composer - Ty Taylor, Guitar, Vocals - Malloy, Vocals - J. DEAN, Composer - M Malloy, Composer - Roy Artis, Bass Guitar, Vocals - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2000 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

8
Look at Me Now (LP Version)
00:04:15

P. Reswick, Composer - Ty Taylor, Guitar, Vocals - Malloy, Vocals - Roy Artis, Bass Guitar, Vocals - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals - A. Logan, Composer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 2000 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

9
Getaway Car (LP Version)
00:03:33

B. MANN, Composer - Ty Taylor, Guitar, Vocals - Malloy, Vocals - Roy Artis, Bass Guitar, Vocals - G Haase, Composer - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 1999 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

10
Let Me Have It (LP Version)
00:03:41

Lori Perry, Backing Vocals - Ty Taylor, Guitar, Vocals - Malloy, Vocals - J. DEAN, Composer - Roy Artis, Bass Guitar, Vocals - R Artis, Composer - Carol Perry, Backing Vocals - Darlene Perry, Backing Vocals - Sharon Perry, Backing Vocals - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals - A. Logan, Composer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 1999 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

11
My Song (LP Version)
00:04:38

Greg Phillinganes, Piano - T. Taylor, Composer - David Campbell, Orchestral Arranger - Ty Taylor, Guitar, Vocals - Malloy, Vocals - J. DEAN, Composer - M Malloy, Composer - Roy Artis, Bass Guitar, Vocals - R Artis, Composer - Iki Levy, Programmer - Dakota Moon, Arranger, MainArtist - Andrew Logan, Producer, Arranger - Joe DeAn, Guitar, Vocals - A. Logan, Composer

© 2002 Elektra Entertainment for the United States and WEA International Inc. for the world outside of the United States. ℗ 1999 Elektra Entertainment Group Inc. for the United States and WEA International Inc. for the world outside of the United States.

Albumbeschreibung

Dakota Moon doesn't change too much on their second album, A Place to Land, again working with producer Andrew Logan and again going for a somewhat uncanny synthesis of early-2000s urban pop and '70s soft rock. The album-opening title track is perhaps the most typical Dakota Moon moment on the album, sounding like half Backstreet Boys and half Eagles. The foursome then go straight into their most sexually charged song on the album, "Keeps Me Comin' (Addiction)," an album highlight that seems a little out of character for this otherwise well-mannered group. Overall, there aren't too many surprises here. Dakota Moon may have not stormed up the Billboard charts with their debut album, but that album was generally seen as a success. So it's perhaps not that surprising that Dakota Moon tried to duplicate the success of their debut, working again with Logan as the producer and retaining that uncanny synthesis of early-2000s urban pop and '70s soft rock.

© Jason Birchmeier /TiVo

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