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Rolfe Kent|17 Again (Rolfe Kent)

17 Again (Rolfe Kent)

Rolfe Kent

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Director Burr Steers' 17 Again is a romantic comedy, specifically, one of that subgenre of rom-coms in which an older person and a younger person magically exchange bodies. Composer Rolfe Kent says that Steers explained to him "that this movie was about a man in crisis, a man who had lost his way and was energetically trying to figure it all out." The same clichés could be said about, say, Casablanca or Friday the 13th or My Man Godfrey or several thousand other movies, of course, but the message Kent took from it "was to take the drama seriously, while having a lot of fun with the energy and humour of the film." That may help explain why his score, heard by itself on this soundtrack album, doesn't really sound like the music one would expect to accompany a comedy starring Zac Efron. It does sound, at various moments, like music that could accompany Casablanca or Friday the 13th or My Man Godfrey, however. It's almost as if Kent, who has scored over 40 feature films, simply went through his library of music and randomly picked out a bunch of cues. One minute, stirring anthemic music is heard, then adventurous chase music or an action cue or a wistful, romantic interlude. Using a full-scale orchestra (billed as the Skywalker Symphony Orchestra and consisting of players recruited from around San Francisco), Kent writes agreeable enough string-based music that would function adequately in any one of many different Hollywood movies. For this one, however, it must go against type.
© William Ruhlmann /TiVo

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17 Again (Rolfe Kent)

Rolfe Kent

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1
Opening (Game Theme)
00:00:44

Rolfe Kent, Performer

2009 Silva Screen Records

2
Scarlett (Scarlett Theme)
00:01:38

Rolfe Kent, Performer

2009 Silva Screen Records

3
Mike Realises
00:01:55

Rolfe Kent, Performer

2009 Silva Screen Records

4
The Big Promotion
00:00:27

Rolfe Kent, Performer

2009 Silva Screen Records

5
Mike Is Wistful
00:01:21

Rolfe Kent, Performer

2009 Silva Screen Records

6
Mike Sees the Janitor
00:03:09

Rolfe Kent, Performer

2009 Silva Screen Records

7
Mark and Ned Fight
00:02:40

Rolfe Kent, Performer

2009 Silva Screen Records

8
Tracking the Janitor / The Trail
00:01:42

Rolfe Kent, Performer

2009 Silva Screen Records

9
Mark Starts School
00:01:57

Rolfe Kent, Performer

2009 Silva Screen Records

10
Stan Appears
00:00:25

Rolfe Kent, Performer

2009 Silva Screen Records

11
It's Not About Basketball
00:01:51

Rolfe Kent, Performer

2009 Silva Screen Records

12
Sex Ed
00:00:52

Rolfe Kent, Performer

2009 Silva Screen Records

13
Stan Beats Up Mark
00:00:53

Rolfe Kent, Performer

2009 Silva Screen Records

14
Scarlett's Garden
00:01:40

Rolfe Kent, Performer

2009 Silva Screen Records

15
Alex Saves the Game
00:01:58

Rolfe Kent, Performer

2009 Silva Screen Records

16
Mark Cheers Maggie
00:01:30

Rolfe Kent, Performer

2009 Silva Screen Records

17
Elfish at Dinner
00:00:40

Rolfe Kent, Performer

2009 Silva Screen Records

18
Punch / Deer and Lioness
00:01:32

Rolfe Kent, Performer

2009 Silva Screen Records

19
Manchild Kiss
00:01:32

Rolfe Kent, Performer

2009 Silva Screen Records

20
Race to the Courthouse
00:01:06

Rolfe Kent, Performer

2009 Silva Screen Records

21
I Lost My Way
00:03:35

Rolfe Kent, Performer

2009 Silva Screen Records

22
Mark Practices
00:00:51

Rolfe Kent, Performer

2009 Silva Screen Records

23
Suddenly She Knows
00:03:05

Rolfe Kent, Performer

2009 Silva Screen Records

Albumbeschreibung

Director Burr Steers' 17 Again is a romantic comedy, specifically, one of that subgenre of rom-coms in which an older person and a younger person magically exchange bodies. Composer Rolfe Kent says that Steers explained to him "that this movie was about a man in crisis, a man who had lost his way and was energetically trying to figure it all out." The same clichés could be said about, say, Casablanca or Friday the 13th or My Man Godfrey or several thousand other movies, of course, but the message Kent took from it "was to take the drama seriously, while having a lot of fun with the energy and humour of the film." That may help explain why his score, heard by itself on this soundtrack album, doesn't really sound like the music one would expect to accompany a comedy starring Zac Efron. It does sound, at various moments, like music that could accompany Casablanca or Friday the 13th or My Man Godfrey, however. It's almost as if Kent, who has scored over 40 feature films, simply went through his library of music and randomly picked out a bunch of cues. One minute, stirring anthemic music is heard, then adventurous chase music or an action cue or a wistful, romantic interlude. Using a full-scale orchestra (billed as the Skywalker Symphony Orchestra and consisting of players recruited from around San Francisco), Kent writes agreeable enough string-based music that would function adequately in any one of many different Hollywood movies. For this one, however, it must go against type.
© William Ruhlmann /TiVo

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