Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Puns. Puns, puns, puns, puns, puns. There's the title (and the cover art), there's the songtitles -- "The Road to Domestos," "The Taking of Peckham 123" -- there's the endless stream of lyrical references, some hopelessly insular to those not living inLondon, others understandable wherever you go. Puns, then. It's Carter's calling card as much as anything, and is what kept many people from liking them, matched with singer Jim Bob's very Sarf London and generally undulcet tones. Thing is, Carter were never a comedy band per se; buried underneath all the one-off lines like "It was midnight on the murder mile/Wilson Pickett's finest hour" is a huge, beating heart. Empathy for the rejects, go-nowheres and losers of the world is the true Carter ethos, wedded to a fusion of endless cultural references, drum machines and samples, and often blasting guitars. The result wasn't quite the hip-hop/metal fusion of the late nineties, but in the duo's own unusual way, Carter were something of a unique and thrilling prospect at its best, which the highlights of Damnations show. Normally the name of the game is brash, quick, punk/glam via rough early eighties technology pump-it-up pogoers, as the album's late-breaking UK hit "Sheriff Fatman" demonstrated. The song itself may be about a total rat-bastard of a slumlord, but the name of the game is energy and fun. The tender, soppy side of Carter is what eventually comes through the strongest, though, whether it's the familial screw-ups alluded to in "Good Grief Charlie Brown" or the homeless person torched by two strangers in "An All-American National Sport." "G. I. Blues," which closes out Damnations with a lighter-waving end-of-the-concert sweep, may not be the smoothest of anti-war songs, but enough emotion comes through anyway that one can't easily resist it.
© Ned Raggett /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 14.99 CHF/Monat
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Carter, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist - Morrison, Composer, Lyricist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Pet Shop Boys, Composer, Lyricist - Carter The Unstoppable Sex Machine, MainArtist
Big Cat Records UK Ltd Big Cat Records UK Ltd
Albumbeschreibung
Puns. Puns, puns, puns, puns, puns. There's the title (and the cover art), there's the songtitles -- "The Road to Domestos," "The Taking of Peckham 123" -- there's the endless stream of lyrical references, some hopelessly insular to those not living inLondon, others understandable wherever you go. Puns, then. It's Carter's calling card as much as anything, and is what kept many people from liking them, matched with singer Jim Bob's very Sarf London and generally undulcet tones. Thing is, Carter were never a comedy band per se; buried underneath all the one-off lines like "It was midnight on the murder mile/Wilson Pickett's finest hour" is a huge, beating heart. Empathy for the rejects, go-nowheres and losers of the world is the true Carter ethos, wedded to a fusion of endless cultural references, drum machines and samples, and often blasting guitars. The result wasn't quite the hip-hop/metal fusion of the late nineties, but in the duo's own unusual way, Carter were something of a unique and thrilling prospect at its best, which the highlights of Damnations show. Normally the name of the game is brash, quick, punk/glam via rough early eighties technology pump-it-up pogoers, as the album's late-breaking UK hit "Sheriff Fatman" demonstrated. The song itself may be about a total rat-bastard of a slumlord, but the name of the game is energy and fun. The tender, soppy side of Carter is what eventually comes through the strongest, though, whether it's the familial screw-ups alluded to in "Good Grief Charlie Brown" or the homeless person torched by two strangers in "An All-American National Sport." "G. I. Blues," which closes out Damnations with a lighter-waving end-of-the-concert sweep, may not be the smoothest of anti-war songs, but enough emotion comes through anyway that one can't easily resist it.
© Ned Raggett /TiVo
Informationen zu dem Album
- 1 Disc(s) - 15 Track(s)
- Gesamte Laufzeit: 00:55:17
- Künstler: Carter The Unstoppable Sex Machine
- Komponist: Various Composers
- Label: Big Cat Records UK Ltd
- Genre: Pop/Rock Rock Alternativ und Indie
Big Cat Records UK Ltd Big Cat Records UK Ltd
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.