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George Fenton|You've Got Mail (Original Motion Picture Score)

You've Got Mail (Original Motion Picture Score)

George Fenton

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You've Got Mail is standard romantic comedy fare, for better or for worse -- composer George Fenton creates a lightweight score as self-consciously cute and saccharine as the film's co-star Meg Ryan, and while it's not exactly boring, it's by no means engaging, either. There's no doubting the consummate skill at work here, just as there's no mistaking the soullessness of the whole endeavor -- this is music as paint-by-numbers, as predictable as the sun's rise each morning and interchangeable with dozens of other breezy, soufflé-light evocations of modern love. Perhaps it's the ideal soundtrack for a lazy day curled up on the couch with a Danielle Steel novel and a cup of Taster's Choice, but otherwise its willful inoffensiveness is completely offensive.

© Jason Ankeny /TiVo

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You've Got Mail (Original Motion Picture Score)

George Fenton

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1
Butterflies In The Subway
George Fenton
00:02:09

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

2
Kathleen Computer Sneak
George Fenton
00:01:22

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

3
What A Beautiful Day!
George Fenton
00:01:15

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

4
Goodnight Dear Void
George Fenton
00:01:06

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

5
Books Are Cocktails
George Fenton
00:01:09

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

6
To The Mattresses
George Fenton
00:01:57

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

7
Meet Me At Cafe Lalo
George Fenton
00:01:51

Harold Arlen, Writer, Artist, AssociatedPerformer - E.Y. HARBURG, Writer, Artist, AssociatedPerformer - Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

8
You Weren't There
George Fenton
00:01:40

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

9
I Was In Vancouver
George Fenton
00:01:45

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

10
Dear Friend
George Fenton
00:01:26

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

11
To The Movies And Back
George Fenton
00:01:10

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

12
Remember
Harry Nilsson
00:03:01
13
Empty Store
George Fenton
00:02:50

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

14
For Years To Come
George Fenton
00:00:38

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

15
Are You Married?
George Fenton
00:00:30

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

16
NY 152
George Fenton
00:01:25

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

17
I'll Be Waiting
George Fenton
00:00:38

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

18
If Only
George Fenton
00:01:06

Michael Lang, Piano, AssociatedPerformer - George Fenton, Conductor, MainArtist, ComposerLyricist

℗ 1998 Warner Bros.

19
Over The Rainbow
Harry Nilsson
00:03:57

Albumbeschreibung

You've Got Mail is standard romantic comedy fare, for better or for worse -- composer George Fenton creates a lightweight score as self-consciously cute and saccharine as the film's co-star Meg Ryan, and while it's not exactly boring, it's by no means engaging, either. There's no doubting the consummate skill at work here, just as there's no mistaking the soullessness of the whole endeavor -- this is music as paint-by-numbers, as predictable as the sun's rise each morning and interchangeable with dozens of other breezy, soufflé-light evocations of modern love. Perhaps it's the ideal soundtrack for a lazy day curled up on the couch with a Danielle Steel novel and a cup of Taster's Choice, but otherwise its willful inoffensiveness is completely offensive.

© Jason Ankeny /TiVo

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