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Tamsin Waley-Cohen|Vaughan Williams: The Lark Ascending, Violin Concerto in D Minor - Elgar: Introduction & Allegro, Serenade for Strings

Vaughan Williams: The Lark Ascending, Violin Concerto in D Minor - Elgar: Introduction & Allegro, Serenade for Strings

Tamsin Waley-Cohen

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Classical listeners will find most of the pieces on Tamsin Waley-Cohen's 2014 Signum Classics release quite familiar, except for the opening work, which is inexplicably and unjustly obscure. The Violin Concerto in D minor of Ralph Vaughan Williams, sometimes called the "Concerto Accademico," is seldom found on CD, even though its neo-Baroque style and compelling solo part are instantly appealing, making it the kind of concerto young violinists should play more often. Waley-Cohen is deeply sympathetic to the music, and she plays with an intensity that communicates directly, so the concerto doesn't come across as a dry "Back to Bach" pastiche, but resonates with Vaughan Williams' characteristic lyricism and pensiveness, in much the same manner of The Lark Ascending, one of the composer's most beloved works. The two Elgar selections, Introduction and Allegro, Op. 47, and the Serenade for strings, Op. 20, have their place here, inasmuch as their melancholy tone plainly influenced Vaughan Williams, and the program is unified in its warm string sonorities and crepuscular mood. The Orchestra of the Swan, conducted by David Curtis, gives Waley-Cohen full support and plays with a vibrant tone that prevents the string tone from being too monochromatic. Lest anyone should skip ahead to hear only the last three works, the program's full impact is only felt by hearing the Violin Concerto first, so don't miss it.
© TiVo

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Vaughan Williams: The Lark Ascending, Violin Concerto in D Minor - Elgar: Introduction & Allegro, Serenade for Strings

Tamsin Waley-Cohen

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1
Concerto for Violin and String Orchestra: I. Allegro pesante
00:06:35

David Curtis, Conductor - Ralph Vaughan Williams, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

2
Concerto for Violin and String Orchestra: II. Adagio - Tranquillo
00:06:39

David Curtis, Conductor - Ralph Vaughan Williams, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

3
Concerto for Violin and String Orchestra: III. Presto
00:04:58

David Curtis, Conductor - Ralph Vaughan Williams, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

4
Introduction and Allegro, Op. 47
00:13:50

David Curtis, Conductor - Edward Elgar, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

5
Serenade for Strings, Op. 20: I. Allegro piacevole
00:03:16

David Curtis, Conductor - Edward Elgar, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

6
Serenade for Strings, Op. 20: II. Larghetto
00:04:34

David Curtis, Conductor - Edward Elgar, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

7
Serenade for Strings, Op. 20: III. Allegretto
00:02:43

David Curtis, Conductor - Edward Elgar, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

8
The Lark Ascending
00:16:47

David Curtis, Conductor - Ralph Vaughan Williams, Composer - Orchestra of the Swan, Orchestra - Tamsin Waley-Cohen, MainArtist

(C) 2014 Signum Records (P) 2014 Signum Records

Albumbeschreibung

Classical listeners will find most of the pieces on Tamsin Waley-Cohen's 2014 Signum Classics release quite familiar, except for the opening work, which is inexplicably and unjustly obscure. The Violin Concerto in D minor of Ralph Vaughan Williams, sometimes called the "Concerto Accademico," is seldom found on CD, even though its neo-Baroque style and compelling solo part are instantly appealing, making it the kind of concerto young violinists should play more often. Waley-Cohen is deeply sympathetic to the music, and she plays with an intensity that communicates directly, so the concerto doesn't come across as a dry "Back to Bach" pastiche, but resonates with Vaughan Williams' characteristic lyricism and pensiveness, in much the same manner of The Lark Ascending, one of the composer's most beloved works. The two Elgar selections, Introduction and Allegro, Op. 47, and the Serenade for strings, Op. 20, have their place here, inasmuch as their melancholy tone plainly influenced Vaughan Williams, and the program is unified in its warm string sonorities and crepuscular mood. The Orchestra of the Swan, conducted by David Curtis, gives Waley-Cohen full support and plays with a vibrant tone that prevents the string tone from being too monochromatic. Lest anyone should skip ahead to hear only the last three works, the program's full impact is only felt by hearing the Violin Concerto first, so don't miss it.
© TiVo

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