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Reggie And The Full Effect|Under the Tray

Under the Tray

Reggie and the Full Effect

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James DeWees' second album as Reggie and the Full Effect eclipses the Get Up Kids' record that immediately preceded it because DeWees has the freedom, with his alter ego, to write whatever he wants. He's not constricted by a famous back catalog to live up to or react against. Under the Tray is infectious, from the new wave grind of "Congratulations Smack & Katy," to the slick, '80s, electro-pop sheen of "MOOD 4 LUV," and the Weezer-metal assault of "What Won't Kill You Eats Gas." It's tongue-in-cheek, and it's silly (down to the hilarious "Drunk Girl At Get Up Kids Show" field recordings), but it's also intelligent, melodic, eclectic, and actually, startlingly sincere. In the end, DeWees is a master of genres, mixing humor and atmosphere into a complex paradox of jokes and serious emotion -- how often do you get that in pop music? Just check the meandering, dark vibe of "Image Is Nothing, Lobsters Are Everything" and how it contrasts the cheeky keyboard death metal tune that follows, "Apocalypse WOW!." More artists should throw caution to the wind and challenge the idea that a record somehow has to adhere to one consistent mood or genre.

© Charles Spano /TiVo

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Under the Tray

Reggie And The Full Effect

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1
Your Bleedin Heart
00:04:39

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

2
Drunk Girl at the Get Up Kids Show
00:00:16

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

3
Congratulations Smack + Katy
00:02:29

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

4
Ain't Gettin' Paid to Dance
00:00:14

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

5
Mood 4 Luv
00:03:31

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

6
What Won't Kill You Eats Gas
00:03:37

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

7
Drunk Girl at Get Up Kids Show (Tatoo'z, B-Day'z, Ass Beatin'z) Explicit
00:00:19

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

8
Getting By With It's
00:03:50

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

9
Image Is Nothing, Lobsters Are Everything
00:03:58

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

10
Apocolypse, Wow
00:03:32

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

11
Drunk Girl at Get Up Kids Show (Guess Jeans, Awnings, Old Navy) Explicit
00:00:44

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

12
F.O.O.D. AKA Aren't You Hungary
00:01:21

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

13
Happy V-Day
00:03:57

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

14
Canadians Switching the Letter P for the Letter V Eh?
00:00:20

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

15
Linkin Verbz
00:01:36

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

16
Drunk Girl At Get Up Kids Show (Drivin' and Cryin' or Broadway Cats Production)
00:00:16

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

17
Megan 2K2 (Even Though It's 2K3 Now)
00:03:19

Reggie And The Full Effect, Performance, MainArtist

© 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records ℗ 2003 BMG Rights Management (US) LLC d/b/a Vagrant Records

Albumbeschreibung

James DeWees' second album as Reggie and the Full Effect eclipses the Get Up Kids' record that immediately preceded it because DeWees has the freedom, with his alter ego, to write whatever he wants. He's not constricted by a famous back catalog to live up to or react against. Under the Tray is infectious, from the new wave grind of "Congratulations Smack & Katy," to the slick, '80s, electro-pop sheen of "MOOD 4 LUV," and the Weezer-metal assault of "What Won't Kill You Eats Gas." It's tongue-in-cheek, and it's silly (down to the hilarious "Drunk Girl At Get Up Kids Show" field recordings), but it's also intelligent, melodic, eclectic, and actually, startlingly sincere. In the end, DeWees is a master of genres, mixing humor and atmosphere into a complex paradox of jokes and serious emotion -- how often do you get that in pop music? Just check the meandering, dark vibe of "Image Is Nothing, Lobsters Are Everything" and how it contrasts the cheeky keyboard death metal tune that follows, "Apocalypse WOW!." More artists should throw caution to the wind and challenge the idea that a record somehow has to adhere to one consistent mood or genre.

© Charles Spano /TiVo

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