Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Lush|Topolino

Topolino

Lush

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Despite lacking two songs included on its Japanese counterpart, the Canadian version of Topolino is the better one, thanks to a lengthier track listing and a couple minor highlights not found on the other. Like its sister, this version is mainly for completists. With rare occasion, the material isn't on a par with Lovelife, which is expected with all extras collections. It's no Hatful of Hollow, but what is? It shares seven of the same songs with the other Topolino, including the brilliant "Ex," the sunny and chirpy "I Wanna Be Your Girlfriend," and the Stephin Merritt cover "I Have the Moon." Amongst the tracks exclusive to this version are an outstanding cover of Zounds' "Demystification," retaining all the defiant spirit of the original while building on its singalong catchiness. Otherwise, Emma Anderson's somber acoustic tunes "Shut Up" and "Outside World" along with the pleasant lounge jazz of "Cul de Sac" and equally lighthearted "Tinkerbell" set this apart from the Japanese version. One major grumble is that similar compilations didn't crop up after the releases of Spooky and Split. The B-sides from the singles off those records, while not quite as vast in material, would have been equally beneficial for the fans, if not more so. In terms of quality, they arguably would have been better. But such compilations didn't come into fruition at the time because Lovelife brought Lush more popularity outside its native Britain, thus upping the demand for a collection like Topolino. The band's morph into more straight-ahead pop appealed to more ears, while thankfully not representing a pandering to the existing Brit-pop scene (since Lush had been there long before it started). Lush only increased its focus on the songs more than the sounds; burying the vocals and adding layers of distortion would cause this material to sound just like the band's earlier material. Perhaps Lush's later songs weren't as unique, but the group did show a level of confidence and ability to not get set in its ways. More importantly, there's nothing wrong with well-done, three-minute pop songs.

© Andy Kellman /TiVo

Weitere Informationen

Topolino

Lush

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
500 (Shake Baby Shake)
00:03:27

Giles Hall, Engineer - Philip King, AssociatedPerformer - Emma Anderson, AssociatedPerformer, ComposerLyricist - Lush, MainArtist - Domino Music Publishing, MusicPublisher - BMG rights Management (UK) Ltd., a BMG Chrysalis company., MusicPublisher - Miki Berenyi, AssociatedPerformer - Chris Acland, AssociatedPerformer

1996 4AD Ltd 2000 4AD Ltd

2
I Have the Moon
00:03:58

Stephin Merritt, ComposerLyricist - Lush, MainArtist - Miki Berenyi, AssociatedPerformer - Notting Hill Music (UK), MusicPublisher - Peter Bartlett, Programmer, StudioMusician - CMRRA, MusicPublisher

1996 4AD Ltd 1996 4AD Ltd

3
Ex
00:03:18

Emma Anderson, AssociatedPerformer - Lush, MainArtist - BMG Rights Management, MusicPublisher - BMG rights Management (UK) Ltd., a BMG Chrysalis company., MusicPublisher - Miki Berenyi, AssociatedPerformer, ComposerLyricist - Peter Bartlett, StudioMusician - Chris Acland, AssociatedPerformer - CMRRA, MusicPublisher

1996 4AD Ltd 1996 4AD Ltd

4
I Wanna Be Your Girlfriend
00:03:23

Philip King, AssociatedPerformer - Emma Anderson, AssociatedPerformer - Lush, MainArtist - Carlin Music, MusicPublisher - Miki Berenyi, AssociatedPerformer - Tommy Dunbar, ComposerLyricist - Chris Acland, AssociatedPerformer - CMRRA, MusicPublisher - James Gangwer, ComposerLyricist

1996 4AD Ltd 1996 4AD Ltd

5
Matador
00:03:06

Philip King, Composer, AssociatedPerformer - Emma Anderson, AssociatedPerformer - Lush, MainArtist - Miki Berenyi, AssociatedPerformer - Chris Acland, AssociatedPerformer - CMRRA, MusicPublisher

1996 4AD Ltd 1996 4AD Ltd

6
Outside World
00:04:09

Giles Hall, Engineer, MixingEngineer - Philip King, AssociatedPerformer - Emma Anderson, AssociatedPerformer, ComposerLyricist - Lush, MainArtist - Domino Publishing, MusicPublisher - Domino Music Publishing, MusicPublisher - Miki Berenyi, AssociatedPerformer - Chris Acland, AssociatedPerformer - Katherine Lucy Holmes, StudioMusician

1996 4AD Ltd 1996 4AD Ltd

7
I'd Like to Walk Around in Your Mind
00:02:25

Vashti Bunyan, ComposerLyricist - Lush, MainArtist - Harry Fox Agency, MusicPublisher - Miki Berenyi, AssociatedPerformer - Peter Bartlett, Programmer, StudioMusician - Branch Music Ltd, MusicPublisher - CMRRA, MusicPublisher

1996 4AD Ltd 1996 4AD Ltd

8
Carmen
00:03:26

Giles Hall, Engineer, MixingEngineer - Philip King, AssociatedPerformer - Emma Anderson, AssociatedPerformer, ComposerLyricist - Lush, MainArtist - BMG Rights Management, MusicPublisher - Domino Publishing, MusicPublisher - BMG rights Management (UK) Ltd., a BMG Chrysalis company., MusicPublisher - Miki Berenyi, AssociatedPerformer, ComposerLyricist - Chris Acland, AssociatedPerformer - CMRRA, MusicPublisher

1996 4AD Ltd 1996 4AD Ltd

9
Shut Up
00:03:52

Philip King, AssociatedPerformer - Emma Anderson, AssociatedPerformer, ComposerLyricist - Lush, MainArtist - Domino Publishing, MusicPublisher - Domino Music Publishing, MusicPublisher - Miki Berenyi, AssociatedPerformer - Peter Bartlett, StudioMusician - Chris Acland, AssociatedPerformer

1996 4AD Ltd 1996 4AD Ltd

10
Cul De Sac
00:03:55

Philip King, AssociatedPerformer, ComposerLyricist - Emma Anderson, AssociatedPerformer - Lush, MainArtist - Miki Berenyi, AssociatedPerformer - Chris Acland, AssociatedPerformer - CMRRA, MusicPublisher

1996 4AD Ltd 1996 4AD Ltd

11
Demystification
00:03:45

Philip King, AssociatedPerformer - Emma Anderson, AssociatedPerformer - Lush, MainArtist - Wipe Out Music, MusicPublisher - Steve Lake, ComposerLyricist - Miki Berenyi, AssociatedPerformer - Chris Acland, AssociatedPerformer - CMRRA, MusicPublisher

1996 4AD Ltd 1996 4AD Ltd

12
Tinkerbell
00:03:05

Giles Hall, Engineer - Philip King, AssociatedPerformer - Emma Anderson, AssociatedPerformer - Lush, MainArtist - BMG Rights Management, MusicPublisher - BMG rights Management (UK) Ltd., a BMG Chrysalis company., MusicPublisher - Miki Berenyi, AssociatedPerformer, ComposerLyricist - Peter Bartlett, StudioMusician - CMRRA, MusicPublisher - Daniel William Goodwin, StudioMusician

1996 4AD Ltd 1996 4AD Ltd

Albumbeschreibung

Despite lacking two songs included on its Japanese counterpart, the Canadian version of Topolino is the better one, thanks to a lengthier track listing and a couple minor highlights not found on the other. Like its sister, this version is mainly for completists. With rare occasion, the material isn't on a par with Lovelife, which is expected with all extras collections. It's no Hatful of Hollow, but what is? It shares seven of the same songs with the other Topolino, including the brilliant "Ex," the sunny and chirpy "I Wanna Be Your Girlfriend," and the Stephin Merritt cover "I Have the Moon." Amongst the tracks exclusive to this version are an outstanding cover of Zounds' "Demystification," retaining all the defiant spirit of the original while building on its singalong catchiness. Otherwise, Emma Anderson's somber acoustic tunes "Shut Up" and "Outside World" along with the pleasant lounge jazz of "Cul de Sac" and equally lighthearted "Tinkerbell" set this apart from the Japanese version. One major grumble is that similar compilations didn't crop up after the releases of Spooky and Split. The B-sides from the singles off those records, while not quite as vast in material, would have been equally beneficial for the fans, if not more so. In terms of quality, they arguably would have been better. But such compilations didn't come into fruition at the time because Lovelife brought Lush more popularity outside its native Britain, thus upping the demand for a collection like Topolino. The band's morph into more straight-ahead pop appealed to more ears, while thankfully not representing a pandering to the existing Brit-pop scene (since Lush had been there long before it started). Lush only increased its focus on the songs more than the sounds; burying the vocals and adding layers of distortion would cause this material to sound just like the band's earlier material. Perhaps Lush's later songs weren't as unique, but the group did show a level of confidence and ability to not get set in its ways. More importantly, there's nothing wrong with well-done, three-minute pop songs.

© Andy Kellman /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

Getz/Gilberto

Stan Getz

Getz/Gilberto Stan Getz

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Takin' Off

Herbie Hancock

Takin' Off Herbie Hancock

Blue Train

John Coltrane

Blue Train John Coltrane
Mehr auf Qobuz
Von Lush

Lovelife

Lush

Lovelife Lush

Split

Lush

Split Lush

CRISTALLI

Lush

CRISTALLI Lush

Spooky

Lush

Spooky Lush

Lovelife

Lush

Lovelife Lush

Playlists

Das könnte Ihnen auch gefallen...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

In Times New Roman...

Queens Of The Stone Age

In Times New Roman... Queens Of The Stone Age

Lives Outgrown

Beth Gibbons

Lives Outgrown Beth Gibbons

OK Computer OKNOTOK 1997 2017

Radiohead

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish