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Tar|Toast

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Tar

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Tar has one formula that they stick to, and that is to play very loud power chords, not using more than four or five of them in a single song. Unfortunately, after roughly three tracks, everything on this album begins to sound very generic and stale. On top of this, vocalist/guitarist John Mohr sounds like a tone-deaf musician who's been on a bender for several days whenever he opens his mouth. The only two saving graces are the New York Dolls' trash rock of "Mach Song" and the instrumental hidden track, which comes some 11 minutes after the final cut.
© Stephen Howell /TiVo

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Tar

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1
Altoids, Anyone?
00:02:45

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

2
Barry White
00:03:45

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

3
Quieter Fellow
00:04:05

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

4
Satritis
00:03:29

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

5
Clincher
00:03:45

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

6
Giblets
00:03:59

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

7
Testor's Choice
00:03:38

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

8
Standpipe
00:02:44

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

9
Mach Song
00:03:40

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

10
Theme
00:15:29

Tar, Artist, MainArtist - Tartar Music BMI, MusicPublisher

1993 Touch and Go Records 1993 Touch and Go Records

Albumbeschreibung

Tar has one formula that they stick to, and that is to play very loud power chords, not using more than four or five of them in a single song. Unfortunately, after roughly three tracks, everything on this album begins to sound very generic and stale. On top of this, vocalist/guitarist John Mohr sounds like a tone-deaf musician who's been on a bender for several days whenever he opens his mouth. The only two saving graces are the New York Dolls' trash rock of "Mach Song" and the instrumental hidden track, which comes some 11 minutes after the final cut.
© Stephen Howell /TiVo

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