Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
The title -- The Harrow & the Harvest, Gillian Welch's first album of new material in eight years -- reflects a creative drought: she and David Rawlings simply weren't writing songs they liked. The music is steeped in the early country, bluegrass, and Appalachian mountain traditions that are her trademark --though it engages rock and roll and blues motifs albeit acoustically--while the melodies and lyrics reflect the darkness and melancholy of Gothic Americana. Produced by Rawlings, this set returns to the sparse instrumentation of her earliest recordings: guitars, banjos, harmonica, and hand-and-knee slaps. The album illustrates a near-symbiotic guitar interplay; rhythms, melodies, and even countermelodies are exchanged organically, interlocked in the moment. The protagonists in these ten songs are desperate, broken, and hurt individuals; some stubbornly cling to shreds of hope while others resign themselves to tragedy even as they go on; still others, like the one in the opener "Scarlet Town," reflect anger and the wish for vengeance. What they hold in common is their need to tell their stories through Welch's plaintive contralto. "Dark Turn of Mind," a painful love song, embodies the truth in confessing the past as a warning even as its subject wills a new future. "The Way It Will Be," a fatalistic folk ballad, is the first of three songs with the words "The Way..." in their titles; its line "You've got me walking backwards/Into my home town..." sum up each of their sentiments, albeit in different ways. "Tennessee" is among the finest songs Welch has ever written. A sultry, darkly sexual ballad that has more in common with rock than country in its musical framework, its subject is conflicted between learned morality and an instinctive desire that expresses no need for redemption: "I kissed you cause I've never been an angel/I learned to say hosannas on my knees...I always try to be a good girl/It's only what I want that makes me weak....Of all the ways I've found to hurt myself, you may be my favorite one of all...." The knee slaps, banjo, vocal harmony, and harmonica in "Six White Horses" is startlingly, and paradoxically, mournful and defiant; its melody rooted in the Appalachian tradition, she transcends it with a particularly poignant lyric. Despite its gentle presentation, "Hard Times" is steely and determined, even as its languid presentation displays evidence to challenge the protagonist's spirit. "Silver Dagger" is not the Joan Baez song of the same name, but a midtempo murder ballad that proclaims "I can't remember when I felt so free"; so much so that the subject welcomes her killer. The set closes on "The Way the Whole Thing Ends," a shimmering blues, with Welch's protagonist leaning wryly into the lyric with an ironic shrugged-shoulders acceptance at the inevitable return of a faithless lover. The Harrow & the Harvest is stunning for its intimacy, its lack of studio artifice, its warmth and its timeless, if hard won, songcraft. Its only equal in her catalog is Time (The Revelator), making it well worth the long wait. (Note: the provocative cover art by Baroness guitarist and vocalist John Dyer Baizley is peerlessly brilliant.)
© Thom Jurek /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Gillian Welch, Banjo, Vocals, Writer, Harmonica, MainArtist - David Rawlings, Banjo, Guitar, Vocals, Writer
© 2011 Acony Records, LLC ℗ 2011 Acony Records Inc. Under Exclusive License To Warner Music UK Limited For The World Excluding North America.
Albumbeschreibung
The title -- The Harrow & the Harvest, Gillian Welch's first album of new material in eight years -- reflects a creative drought: she and David Rawlings simply weren't writing songs they liked. The music is steeped in the early country, bluegrass, and Appalachian mountain traditions that are her trademark --though it engages rock and roll and blues motifs albeit acoustically--while the melodies and lyrics reflect the darkness and melancholy of Gothic Americana. Produced by Rawlings, this set returns to the sparse instrumentation of her earliest recordings: guitars, banjos, harmonica, and hand-and-knee slaps. The album illustrates a near-symbiotic guitar interplay; rhythms, melodies, and even countermelodies are exchanged organically, interlocked in the moment. The protagonists in these ten songs are desperate, broken, and hurt individuals; some stubbornly cling to shreds of hope while others resign themselves to tragedy even as they go on; still others, like the one in the opener "Scarlet Town," reflect anger and the wish for vengeance. What they hold in common is their need to tell their stories through Welch's plaintive contralto. "Dark Turn of Mind," a painful love song, embodies the truth in confessing the past as a warning even as its subject wills a new future. "The Way It Will Be," a fatalistic folk ballad, is the first of three songs with the words "The Way..." in their titles; its line "You've got me walking backwards/Into my home town..." sum up each of their sentiments, albeit in different ways. "Tennessee" is among the finest songs Welch has ever written. A sultry, darkly sexual ballad that has more in common with rock than country in its musical framework, its subject is conflicted between learned morality and an instinctive desire that expresses no need for redemption: "I kissed you cause I've never been an angel/I learned to say hosannas on my knees...I always try to be a good girl/It's only what I want that makes me weak....Of all the ways I've found to hurt myself, you may be my favorite one of all...." The knee slaps, banjo, vocal harmony, and harmonica in "Six White Horses" is startlingly, and paradoxically, mournful and defiant; its melody rooted in the Appalachian tradition, she transcends it with a particularly poignant lyric. Despite its gentle presentation, "Hard Times" is steely and determined, even as its languid presentation displays evidence to challenge the protagonist's spirit. "Silver Dagger" is not the Joan Baez song of the same name, but a midtempo murder ballad that proclaims "I can't remember when I felt so free"; so much so that the subject welcomes her killer. The set closes on "The Way the Whole Thing Ends," a shimmering blues, with Welch's protagonist leaning wryly into the lyric with an ironic shrugged-shoulders acceptance at the inevitable return of a faithless lover. The Harrow & the Harvest is stunning for its intimacy, its lack of studio artifice, its warmth and its timeless, if hard won, songcraft. Its only equal in her catalog is Time (The Revelator), making it well worth the long wait. (Note: the provocative cover art by Baroness guitarist and vocalist John Dyer Baizley is peerlessly brilliant.)
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:46:03
- Künstler: Gillian Welch
- Label: Acony Records
- Genre: Blues/Country/Folk Folk
© 2011 Acony Records, LLC ℗ 2011 Acony Records, LLC
Auszeichnungen:
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.