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Still immersed in the burgeoning electronic jazz-rock explosion of the times, Cannonball Adderley goes further toward a rapprochement with rock and soul audiences than ever before on this fascinating, overlooked double album. For starters, he recorded it live at West Hollywood's Troubadour club, then known as a showcase for folk and rock acts. He also imported additional players into his quintet, expanding into exotic percussion effects with Airto Moreira (whom Miles Davis had previously featured), hard rock guitar with sessionman Mike Deasy, fiery tenor sax from the young Ernie Watts, and occasional seasoning from conguero Buck Clarke and clarinetist Alvin Batiste. "Now I don't give a damn whether you can count or not, we still are the Cannonball Adderley Quintet!," quoted the leader, who is in loose, loquacious form throughout the set (the jazz world badly misses his witty verbal intros). With Joe Zawinul flying off to Weather Report, his replacement is an even more electronically minded pianist, George Duke, who levitates into the outer limits with his Echoplex and ring modulator and proves to be a solid comper. But Zawinul is not forgotten, for the band pursues a long, probing, atmospheric excursion on his tune, "Dr. Honouris Causa." Adderley generously gives Deasy two contrasting feature numbers -- "Little Benny Hen," a raucous, amateurishly sung blues/rock piece and "Zanek," a great countrified tune with an avant-garde freakout at the climax -- and all of the other guests save Clarke get single solo features. Brother Nat Adderley gamely visits the outside on cornet, Cannonball doubles with increasing adventurousness on soprano and alto as bassist Walter Booker and drummer Roy McCurdy deftly handle all of the stylisyic changes. Cannonball adeptly keeps pace with Miles Davis, his former boss -- the driving "The Chocolate Nuisance" could easily be a first cousin of "Pharoah's Dance" on Bitches Brew -- while not abandoning his funky soul-jazz base nor the special audience-friendly ambience of his concerts.
© Richard S. Ginell /TiVo
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David Axelrod, Producer - Non Music Work, Composer - Cannonball Adderley, MainArtist - Not Applicable, ComposerLyricist
℗ 1971 Blue Note Records
Walter Booker, AssociatedPerformer, Bass (Vocal) - Roy McCurdy, Drums, AssociatedPerformer - Airto Moreira, Percussion, AssociatedPerformer - Mike Deasy, Guitar, AssociatedPerformer - David Axelrod, Producer - Cannonball Adderley, Cornet, Alto Saxophone, MainArtist, AssociatedPerformer - George Duke, Composer, Piano, AssociatedPerformer - Buck Clarke, African Percussion, AssociatedPerformer - Alvin Battiste, Clarinet, AssociatedPerformer
℗ 1971 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, MainArtist - NONE, Composer
℗ 1971 Blue Note Records
Mike Deasy, Composer - David Axelrod, Producer - Cannonball Adderley, MainArtist
℗ 1971 Blue Note Records
Mike Deasy, Composer - David Axelrod, Producer - Cannonball Adderley, MainArtist
℗ 1971 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, MainArtist - Joe Zawinul, Composer
℗ 1971 Blue Note Records
DISC 2
Walter Booker, AssociatedPerformer, Bass (Vocal) - Roy McCurdy, Drums, AssociatedPerformer - Nat Adderley, Cornet, AssociatedPerformer - Airto Moreira, Percussion, AssociatedPerformer - Mike Deasy, Guitar, AssociatedPerformer - David Axelrod, Producer - Cannonball Adderley, Alto Saxophone, MainArtist, AssociatedPerformer - George Duke, Piano, AssociatedPerformer - Buck Clarke, Drums, AssociatedPerformer - McCurdy, Composer - Adderley Sr., Composer - Alvin Battiste, Clarinet, AssociatedPerformer
℗ 1971 Blue Note Records
Airto Moreira, Composer - David Axelrod, Producer - Cannonball Adderley, MainArtist
℗ 1971 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, Composer, MainArtist
℗ 1971 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, MainArtist - Watts, Composer
℗ 1971 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, MainArtist - Batiste, Composer
℗ 1971 Blue Note Records
Duke Ellington, Composer - David Axelrod, Producer - Cannonball Adderley, MainArtist
℗ 1971 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, MainArtist - George Duke, Composer
℗ 1971 Blue Note Records
David Axelrod, Producer - Cannonball Adderley, Composer, MainArtist
℗ 1971 Blue Note Records
Nat Adderley, Composer - David Axelrod, Producer - Cannonball Adderley, MainArtist - Josef Zawinul, Composer
℗ 1971 Blue Note Records
Albumbeschreibung
Still immersed in the burgeoning electronic jazz-rock explosion of the times, Cannonball Adderley goes further toward a rapprochement with rock and soul audiences than ever before on this fascinating, overlooked double album. For starters, he recorded it live at West Hollywood's Troubadour club, then known as a showcase for folk and rock acts. He also imported additional players into his quintet, expanding into exotic percussion effects with Airto Moreira (whom Miles Davis had previously featured), hard rock guitar with sessionman Mike Deasy, fiery tenor sax from the young Ernie Watts, and occasional seasoning from conguero Buck Clarke and clarinetist Alvin Batiste. "Now I don't give a damn whether you can count or not, we still are the Cannonball Adderley Quintet!," quoted the leader, who is in loose, loquacious form throughout the set (the jazz world badly misses his witty verbal intros). With Joe Zawinul flying off to Weather Report, his replacement is an even more electronically minded pianist, George Duke, who levitates into the outer limits with his Echoplex and ring modulator and proves to be a solid comper. But Zawinul is not forgotten, for the band pursues a long, probing, atmospheric excursion on his tune, "Dr. Honouris Causa." Adderley generously gives Deasy two contrasting feature numbers -- "Little Benny Hen," a raucous, amateurishly sung blues/rock piece and "Zanek," a great countrified tune with an avant-garde freakout at the climax -- and all of the other guests save Clarke get single solo features. Brother Nat Adderley gamely visits the outside on cornet, Cannonball doubles with increasing adventurousness on soprano and alto as bassist Walter Booker and drummer Roy McCurdy deftly handle all of the stylisyic changes. Cannonball adeptly keeps pace with Miles Davis, his former boss -- the driving "The Chocolate Nuisance" could easily be a first cousin of "Pharoah's Dance" on Bitches Brew -- while not abandoning his funky soul-jazz base nor the special audience-friendly ambience of his concerts.
© Richard S. Ginell /TiVo
Informationen zu dem Album
- 2 Disc(s) - 15 Track(s)
- Gesamte Laufzeit: 01:27:54
- Künstler: Cannonball Adderley
- Komponist: Various Composers
- Label: Stateside
- Genre: Jazz
© 1971 Blue Note Records ℗ 1971 Blue Note Records
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