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Burnt Taters|Strange But True

Strange But True

Burnt Taters

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Burnt Taters' follow-up to 1997's Vox Box continues with the laid-back mid-tempo roots country balladry that made up much of their debut and finds the band branching out into other, more adventurous sounds. They still wear the Roy Orbision and Everly Brothers influences proudly, but here occasional jangly guitar has been brought up in the mix, though the band remains primarily an acoustic three-piece group. A bouncy Western vibe enters into "Across the Alley" and "Slowpoke," which apes George Strait smoothness, with the straightforward steel guitar-drenched honky tonk of "Anywhere That's Pretty," showing the band making stronger forays into traditional country sounds. Still, the harder-edged distorted guitar lines of "Little Bit Left in Me" come as the closest approximation the band has made to a standard alternative country sound, which seems to be nearer to where the band is progressing. The jazzy kitchen sink clattering of "By Myself," employing crowbars and pie pans, is an interesting detour in psychedelic, Tom Waits-ish sounds. The band still returns to their classic dreamy, '50s-inspired country-pop sound on more than one occasion here, with similar results. All in all, Strange but True! is everything a second album should be, showing enough artistic growth so as to avoid becoming stagnant and retaining enough of the familiar sound to keep old fans satisfied.
© Matt Fink /TiVo

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Strange But True

Burnt Taters

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1
Without Your Love
00:03:15

Burnt Taters, MainArtist - Craig Evans, Composer

2000 Planetary Records 2000 Planetary Records

2
Truth Is
00:02:56

Burnt Taters, MainArtist - Craig Evans & George Garrett, Composer

2000 Planetary Records 2000 Planetary Records

3
Across the Alley From the Alamo
00:03:07

Joe Greene, Composer - Burnt Taters, MainArtist

2000 Planetary Records 2000 Planetary Records

4
Do You Dream
00:04:02

Burnt Taters, MainArtist - Craig Evans & Gary Walker, Composer

2000 Planetary Records 2000 Planetary Records

5
I Don't Want to Know
00:03:50

Burnt Taters, MainArtist - Craig Evans, Composer

2000 Planetary Records 2000 Planetary Records

6
Anywhere That's Pretty
00:03:46

Burnt Taters, MainArtist - Craig Evans, Composer

2000 Planetary Records 2000 Planetary Records

7
Little Bit Left in Me
00:05:03

Burnt Taters, MainArtist - Craig Evans & Gary Walker, Composer

2000 Planetary Records 2000 Planetary Records

8
By Myself
00:05:11

Brad Tucker, Composer - Burnt Taters, MainArtist

2000 Planetary Records 2000 Planetary Records

9
Explanation
00:03:28

Burnt Taters, MainArtist - Craig Evans, Composer

2000 Planetary Records 2000 Planetary Records

10
Already Dreaming of You
00:04:41

Burnt Taters, MainArtist - Craig Evans, Composer

2000 Planetary Records 2000 Planetary Records

11
Circle of Love
00:04:51

Burnt Taters, MainArtist - Craig Evans, Composer

2000 Planetary Records 2000 Planetary Records

12
Never Call Me Here
00:02:48

Burnt Taters, MainArtist - Craig Evans, Composer

2000 Planetary Records 2000 Planetary Records

13
Slowpoke
00:03:21

Burnt Taters, MainArtist - King, Chilton, Redd, Composer

2000 Planetary Records 2000 Planetary Records

Albumbeschreibung

Burnt Taters' follow-up to 1997's Vox Box continues with the laid-back mid-tempo roots country balladry that made up much of their debut and finds the band branching out into other, more adventurous sounds. They still wear the Roy Orbision and Everly Brothers influences proudly, but here occasional jangly guitar has been brought up in the mix, though the band remains primarily an acoustic three-piece group. A bouncy Western vibe enters into "Across the Alley" and "Slowpoke," which apes George Strait smoothness, with the straightforward steel guitar-drenched honky tonk of "Anywhere That's Pretty," showing the band making stronger forays into traditional country sounds. Still, the harder-edged distorted guitar lines of "Little Bit Left in Me" come as the closest approximation the band has made to a standard alternative country sound, which seems to be nearer to where the band is progressing. The jazzy kitchen sink clattering of "By Myself," employing crowbars and pie pans, is an interesting detour in psychedelic, Tom Waits-ish sounds. The band still returns to their classic dreamy, '50s-inspired country-pop sound on more than one occasion here, with similar results. All in all, Strange but True! is everything a second album should be, showing enough artistic growth so as to avoid becoming stagnant and retaining enough of the familiar sound to keep old fans satisfied.
© Matt Fink /TiVo

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