Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Once extremely popular among record buyers of the late '70s, live albums had been gradually losing their cultural relevance ever since the early-'80s introduction of MTV, which finally brought music fans a more generous number of looks at their idols on-stage. But hard rock and heavy metal bands who considered concerts to be the ultimate expression of their craft were still pumping out live documents at a decent clip come 1985, when perhaps the last significant batch of "classic" examples of the genre emerged (many of them double sets at that) -- most notably Iron Maiden's Live After Death and the Scorpions' World Wide Live. Sadly, Triumph's similarly sprawling live opus, Stages, didn't have quite the same impact, nor, tellingly, does it headline quite as many critics and fans' fond memories of years gone by. Among other things (the band's declining popularity ultimately taking precedence), this may have partly stemmed from the fact that, whereas other live albums at least attempted to fake the experience of a single, uninterrupted concert from start to finish, Stages was composed of random performances recorded over the previous three years that were then haphazardly sequenced with audience noise fading in and out between songs. Consider as well that Triumph were a power trio whose drummer sang half the songs, and had therefore come to rely heavily on a stunning laser light show to enhance their stage presence, and it's increasingly clear why Stages failed to ignite fan imaginations -- even with the presence of most all of the band's biggest hits: "Lay It on the Line," "Magic Power," "Fight the Good Fight," etc. To their credit, Triumph probably realized this and perhaps that's why they went to the trouble of recording two brand-new studio tracks for Stages. Unfortunately, neither Gil Moore's smart '80s hard rock single confection "Mind Games" nor Rik Emmett's dragging, weepy ballad "Empty Inside" were fated to join the band's repertoire of on-stage standards.
© Eduardo Rivadavia /TiVo
Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen
Downloaden Sie die Qobuz App
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Rik Emmett, Composer - Triumph, MainArtist - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Triumph, MainArtist - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Rik Emmett, Composer - Triumph, MainArtist - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher - Tam Patrick, Composer
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Mark Baker, Composer - Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Gil Moore, Composer - Rik Emmett, Composer - Triumph, MainArtist - Mike Levine, Composer - Universal Music/MGB Songs, MusicPublisher
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Albumbeschreibung
Once extremely popular among record buyers of the late '70s, live albums had been gradually losing their cultural relevance ever since the early-'80s introduction of MTV, which finally brought music fans a more generous number of looks at their idols on-stage. But hard rock and heavy metal bands who considered concerts to be the ultimate expression of their craft were still pumping out live documents at a decent clip come 1985, when perhaps the last significant batch of "classic" examples of the genre emerged (many of them double sets at that) -- most notably Iron Maiden's Live After Death and the Scorpions' World Wide Live. Sadly, Triumph's similarly sprawling live opus, Stages, didn't have quite the same impact, nor, tellingly, does it headline quite as many critics and fans' fond memories of years gone by. Among other things (the band's declining popularity ultimately taking precedence), this may have partly stemmed from the fact that, whereas other live albums at least attempted to fake the experience of a single, uninterrupted concert from start to finish, Stages was composed of random performances recorded over the previous three years that were then haphazardly sequenced with audience noise fading in and out between songs. Consider as well that Triumph were a power trio whose drummer sang half the songs, and had therefore come to rely heavily on a stunning laser light show to enhance their stage presence, and it's increasingly clear why Stages failed to ignite fan imaginations -- even with the presence of most all of the band's biggest hits: "Lay It on the Line," "Magic Power," "Fight the Good Fight," etc. To their credit, Triumph probably realized this and perhaps that's why they went to the trouble of recording two brand-new studio tracks for Stages. Unfortunately, neither Gil Moore's smart '80s hard rock single confection "Mind Games" nor Rik Emmett's dragging, weepy ballad "Empty Inside" were fated to join the band's repertoire of on-stage standards.
© Eduardo Rivadavia /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 01:14:04
- Künstler: Triumph
- Komponist: Various Composers
- Label: Round Hill - Triumph Catalog
- Genre: Metal Hard Rock
(C) 1985 Round Hill Records (P) 1985 Round Hill Records
Verbesserung der Albuminformationen
Warum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.