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Steve Earle|Shut Up And Die Like An Aviator

Shut Up And Die Like An Aviator

Steve Earle & The Dukes

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After Steve Earle's 1990 album The Hard Way stumbled in the marketplace and his drug addiction became a poorly kept secret in Nashville, he was on the outs with his record label, MCA, who decided to let him out of his contract in the time-honored fashion, with a live album. Shut Up and Die Like an Aviator was recorded in October 1990 during a pair of shows in Ontario, Canada, where Earle had become an arena-level star, and features him and his band rolling through a set of his biggest hits. While Earle's voice was starting to show signs of strain on The Hard Way, here it ranges between sandy and ragged, and there are moments on this album where he sounds like he's running on fumes (most notably "Guitar Town" and "The Other Kind"). At the same time, there are other numbers where he's sharp and committed; he wrenches every ounce of drama he can from "Billy Austin," his short but pointed cover of Jimmie Rodgers' "Blue Yodel #9" is great, and the long, ominous creepy crawl through "West Nashville Boogie" easily trumps the version on The Hard Way. Earle's band is solid and picks up the slack when he gets winded, especially guitarist Zip Gibson and Bucky Baxter on steel and six-string, but while his audience is behind him all the way, Earle himself isn't at his best here. It wasn't until four years after Shut Up and Die Like an Aviator was released that Steve Earle's "vacation in the ghetto" ended and he came back with a vengeance on Train a Comin', and Earle started living up to the potential that the best moments of this album proved he still had in reserve.

© Mark Deming /TiVo

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Shut Up And Die Like An Aviator

Steve Earle

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1
Intro (Steve Earle & The Dukes/Shut Up and Die Like an Aviator)
Steve Earle & The Dukes
00:00:53

Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

2
Good Ol' Boy (Gettin' Tough) (Live)
Steve Earle & The Dukes
00:04:23

Richard Bennett, ComposerLyricist - Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

3
The Devil's Right Hand (Live)
Steve Earle & The Dukes
00:03:06

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

4
I Ain't Ever Satisfied (Live)
Steve Earle & The Dukes
00:04:07

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

5
Someday (Live)
Steve Earle & The Dukes
00:03:54

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

6
West Nashville Boogie (Live)
Steve Earle & The Dukes
00:07:25

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

7
Snake Oil (Live)
Steve Earle & The Dukes
00:03:02

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

8
Blue Yodel #9
Steve Earle & The Dukes
00:01:36

Steve Earle, Producer - Jimmie Rodgers, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

9
The Other Kind (Live)
Steve Earle & The Dukes
00:05:35

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

10
Billy Austin (Live)
Steve Earle & The Dukes
00:07:08

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

11
Copperhead Road (Live)
Steve Earle & The Dukes
00:04:34

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

12
Fearless Heart (Live)
Steve Earle & The Dukes
00:04:36

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

13
Guitar Town (Live)
Steve Earle & The Dukes
00:03:36

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

14
I Love You Too Much (Live)
Steve Earle & The Dukes
00:05:37

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist

℗ 1991 UMG Recordings, Inc.

15
She's About A Mover (Live)
Steve Earle & The Dukes
00:04:14

Doug Sahm, ComposerLyricist - Steve Earle, Producer, Mixer, StudioPersonnel - Steve Earle & The Dukes, MainArtist - Ron St. Germain, Mixer, Recording Engineer, StudioPersonnel

℗ 1991 UMG Recordings, Inc.

16
The Rain Came Down (Live)
Steve Earle & The Dukes
00:04:50

Steve Earle, Producer, ComposerLyricist - Steve Earle & The Dukes, MainArtist - Michael Woody, ComposerLyricist

℗ 1991 UMG Recordings, Inc.

17
Dead Flowers (Live)
Steve Earle & The Dukes
00:08:12

Steve Earle, Producer, Mixer, StudioPersonnel - KEITH RICHARDS, ComposerLyricist - MICK JAGGER, ComposerLyricist - Steve Earle & The Dukes, MainArtist - Ron St. Germain, Mixer, Recording Engineer, StudioPersonnel

℗ 1991 UMG Recordings, Inc.

Albumbeschreibung

After Steve Earle's 1990 album The Hard Way stumbled in the marketplace and his drug addiction became a poorly kept secret in Nashville, he was on the outs with his record label, MCA, who decided to let him out of his contract in the time-honored fashion, with a live album. Shut Up and Die Like an Aviator was recorded in October 1990 during a pair of shows in Ontario, Canada, where Earle had become an arena-level star, and features him and his band rolling through a set of his biggest hits. While Earle's voice was starting to show signs of strain on The Hard Way, here it ranges between sandy and ragged, and there are moments on this album where he sounds like he's running on fumes (most notably "Guitar Town" and "The Other Kind"). At the same time, there are other numbers where he's sharp and committed; he wrenches every ounce of drama he can from "Billy Austin," his short but pointed cover of Jimmie Rodgers' "Blue Yodel #9" is great, and the long, ominous creepy crawl through "West Nashville Boogie" easily trumps the version on The Hard Way. Earle's band is solid and picks up the slack when he gets winded, especially guitarist Zip Gibson and Bucky Baxter on steel and six-string, but while his audience is behind him all the way, Earle himself isn't at his best here. It wasn't until four years after Shut Up and Die Like an Aviator was released that Steve Earle's "vacation in the ghetto" ended and he came back with a vengeance on Train a Comin', and Earle started living up to the potential that the best moments of this album proved he still had in reserve.

© Mark Deming /TiVo

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