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Creeper|Sex, Death & The Infinite Void

Sex, Death & The Infinite Void

Creeper

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Text in englischer Sprache verfügbar

The sophomore full-length effort from the English collective Sex, Death, & the Infinite Void leans hard into Creeper's affinity for lofty horror-tinged glam rock with the sturm and drang of a Jim Steinman production. Where 2017's Eternity, In Your Arms flirted with Meat Loaf-esque rock & roll pageantry. Sex, Death, & the Infinite Void goes all in, delivering an elaborate yet tightly knit 40-minute set that's spilling over with thespian despair and emo-tinged apocalyptic fervor. It's also a sh*t-ton of fun -- a master class in smudged-eyeliner camp directed by a clutch of vampires masquerading as musical theater majors. The band's darkened pop-punk is as expansive as it is rooted in the genre's snappy-verse/huge-chorus sonic architecture, with sugary barre chord brooders like "Annabelle" and "Be My End" giving way to Lynch-ian sock-hop jams ("Thorns of Love") and Roy Orbison-spun country-pop ("Poisoned Heart"). Frontman Will Gould continues to be a compelling ringleader, peppering his fatalistic anthems with delectable pop culture references, such as describing the protagonist of the crafty, hook-laden "Cyanide" as "Christina Applegate hopelessly beautiful in 1988," while providing melodramatic spoken-word between-song interludes alongside ex-Sister of Mercy Patricia Morrison like some sort of goth-punk Rod Serling. Potentially cringeworthy in lesser hands, Creeper ultimately sell the hell out of the album. Like its predecessor, Sex, Death, & the Infinite Void treats naval-gazing like a spectator sport, with each death-obsessed narrative resolving into a gang-vocal crescendo ("God can't save us, so let's live like sinners") of stale cigarette smoke and beer-can-crushing outsider solidarity.

© James Christopher Monger /TiVo

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Sex, Death & The Infinite Void

Creeper

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1
Hallelujah!
00:00:45

Xandy Barry, Producer, Mixer - Pete Lyman, Masterer - Creeper, MainArtist - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer - Redah Haddioui, Assistant Mixer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

2
Be My End
00:02:38

Wally Gagel, Mixer - Xandy Barry, Producer, Engineer - Richard Woodcraft, Engineer - Pete Lyman, Masterer - Creeper, MainArtist - Matthew Reynolds, Composer - Dan Bratton, Drums - Hannah Greenwood, Piano - Ian Miles, Composer, Guitar - Will Gould, Vocals - WILLIAM GOULD, Composer - Redah Haddioui, Assistant Mixer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

3
Born Cold
00:02:57

Xandy Barry, Producer, Bells, Recorded by - Chris Gehringer, Masterer - Richard Woodcraft, Recorded by - Mark Crew, Mixer - Creeper, MainArtist - Neil Kennedy, Composer, Backing Vocals, Recorded by - Hannah Greenwood, Keyboards, Backing Vocals - Ian Miles, Composer, Guitar - Oliver Burdett, Guitar - Sean Scott, Bass - WILLIAM GOULD, Composer, Vocals

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2019 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

4
Cyanide
00:03:27

Xandy Barry, Composer, Producer, Orchestral Arranger, Engineer, Guitar, Piano, Programmer, Backing Vocals, Bass, Mellotron - Stuart Hawkes, Masterer - Richard Woodcraft, Engineer - Timothy Williams, Orchestral Arranger, Programmer - Creeper, MainArtist - Mark Spike Stent, Mixer - Hannah Greenwood, Keyboards, Background Vocals - Ian Miles, Guitar - Will Gould, Composer, Vocals - Andrew Lappin, Engineer - Matt Wolach, Assistant Mixer - Redah Haddioui, Engineer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

5
Celestial Violence
00:00:17

Xandy Barry, Producer - Creeper, MainArtist - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

6
Annabelle
00:03:48

Wally Gagel, Mixer - Alexander Barry, Composer - Xandy Barry, Producer, Engineer, Guitar, Keyboards, Programmer, Vocals - Richard Woodcraft, Engineer - Pete Lyman, Masterer - Creeper, MainArtist - Dan Bratton, Drums - Hannah Greenwood, Vocals - Ian Miles, Composer, Guitar - Will Gould, Composer, Vocals - Oliver Burdett, Guitar - Sean Scott, Bass - Reda Haddioui, Engineer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

7
Paradise
00:04:02

Xandy Barry, Composer, Producer - Creeper, MainArtist - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

8
Poisoned Heart
00:03:27

Xandy Barry, Composer, Producer, Mixer, Orchestral Arranger, Engineer, Guitar, Keyboards, Programmer, Bass - Richard Woodcraft, Engineer - Pete Lyman, Masterer - Timothy Williams, Orchestral Arranger, Programmer - Creeper, MainArtist - Dan Bratton, Drums - Hannah Greenwood, Piano - Ian Miles, Composer, Guitar - Will Gould, Composer, Vocals - Andrew Lappin, Engineer - Redah Haddioui, Engineer, Assistant Mixer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

9
Thorns of Love
00:03:22

Xandy Barry, Producer - Creeper, MainArtist - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Composer, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

10
Four Years Ago
00:03:25

Xandy Barry, Composer, Producer - Creeper, MainArtist - Hannah Greenwood, Composer, Organ, Piano, Background Vocals - Ian Miles, Vocals - Will Gould, Composer, Vocals

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

11
Holy War
00:00:22

Xandy Barry, Producer - Creeper, MainArtist - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

12
Napalm Girls
00:03:33

Xandy Barry, Producer - Creeper, MainArtist - Matthew Reynolds, Composer - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Composer, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

13
The Crown of Life
00:00:06

Xandy Barry, Producer - Creeper, MainArtist - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

14
Black Moon
00:03:35

Xandy Barry, Producer - Creeper, MainArtist - Matthew Reynolds, Composer - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Composer, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

15
All My Friends (Hidden Track)
00:04:14

Xandy Barry, Producer - Creeper, MainArtist - Hannah Greenwood, Organ, Piano, Background Vocals - Ian Miles, Vocals - Will Gould, Vocals - WILLIAM GOULD, Composer

2019 © 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited ℗ 2020 Roadrunner Records UK / Warner Records UK, a division of Warner Music UK Limited

Albumbeschreibung

The sophomore full-length effort from the English collective Sex, Death, & the Infinite Void leans hard into Creeper's affinity for lofty horror-tinged glam rock with the sturm and drang of a Jim Steinman production. Where 2017's Eternity, In Your Arms flirted with Meat Loaf-esque rock & roll pageantry. Sex, Death, & the Infinite Void goes all in, delivering an elaborate yet tightly knit 40-minute set that's spilling over with thespian despair and emo-tinged apocalyptic fervor. It's also a sh*t-ton of fun -- a master class in smudged-eyeliner camp directed by a clutch of vampires masquerading as musical theater majors. The band's darkened pop-punk is as expansive as it is rooted in the genre's snappy-verse/huge-chorus sonic architecture, with sugary barre chord brooders like "Annabelle" and "Be My End" giving way to Lynch-ian sock-hop jams ("Thorns of Love") and Roy Orbison-spun country-pop ("Poisoned Heart"). Frontman Will Gould continues to be a compelling ringleader, peppering his fatalistic anthems with delectable pop culture references, such as describing the protagonist of the crafty, hook-laden "Cyanide" as "Christina Applegate hopelessly beautiful in 1988," while providing melodramatic spoken-word between-song interludes alongside ex-Sister of Mercy Patricia Morrison like some sort of goth-punk Rod Serling. Potentially cringeworthy in lesser hands, Creeper ultimately sell the hell out of the album. Like its predecessor, Sex, Death, & the Infinite Void treats naval-gazing like a spectator sport, with each death-obsessed narrative resolving into a gang-vocal crescendo ("God can't save us, so let's live like sinners") of stale cigarette smoke and beer-can-crushing outsider solidarity.

© James Christopher Monger /TiVo

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