Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Robert Charlebois' follow-up to his groundbreaking 1968 psychedelic rock album Robert Charlebois/Louise Forestier, Québec Love was less extreme musically, as the singer/songwriter was finding a compromise between his folk influences and the American psychedelic movement. Most of the songs' lyrics were written by Marcel Sabourin and are, for the most part, incomprehensible even for native Québecers. His surrealistic imagery and hermetic puns give the music an almost pataphysical aura. "Te V'la" (Here Y'are), "Tout Écartillé" (All Spread), and "Sûrement Hong Kong" (Surely Hong Kong) feature a hot horn section, funky beats, and manic delivery by Charlebois. "Les Ailes d'un Ange" (Wings of an Angel) is folkier and because of that became a classic tune, with its chorus "If I had the wings of an angel/I'd go to Québec City" sung by all Québec teenagers able to play three chords on a guitar for decades to come. "Sensation," written on a poem by French 19th Century poet Arthur Rimbaud, shows the man's talent for delicate arrangements. "ÔÔÔ Margo," another off-the-wall psychedelic number, introduces the bombastic (almost Liberace-like) piano playing that would become Charlebois' signature in the mid-'70s. The album ends with "La Fin du Monde" (The End of the World), an orgiastic piece that was part of the singer's landmark stage performance "L'Osstidshow," performed with Mouffe, Louise Forestier, and Yvon Deschamps. Quoting the Book of Revelations, the piece starts with a faint theme and escalates to total freeform screaming, only to cut abruptly -- a stunning finale.
© François Couture /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Robert Charlebois, Performer, Composer, Writer - Louise Forestier, Performer
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Albumbeschreibung
Robert Charlebois' follow-up to his groundbreaking 1968 psychedelic rock album Robert Charlebois/Louise Forestier, Québec Love was less extreme musically, as the singer/songwriter was finding a compromise between his folk influences and the American psychedelic movement. Most of the songs' lyrics were written by Marcel Sabourin and are, for the most part, incomprehensible even for native Québecers. His surrealistic imagery and hermetic puns give the music an almost pataphysical aura. "Te V'la" (Here Y'are), "Tout Écartillé" (All Spread), and "Sûrement Hong Kong" (Surely Hong Kong) feature a hot horn section, funky beats, and manic delivery by Charlebois. "Les Ailes d'un Ange" (Wings of an Angel) is folkier and because of that became a classic tune, with its chorus "If I had the wings of an angel/I'd go to Québec City" sung by all Québec teenagers able to play three chords on a guitar for decades to come. "Sensation," written on a poem by French 19th Century poet Arthur Rimbaud, shows the man's talent for delicate arrangements. "ÔÔÔ Margo," another off-the-wall psychedelic number, introduces the bombastic (almost Liberace-like) piano playing that would become Charlebois' signature in the mid-'70s. The album ends with "La Fin du Monde" (The End of the World), an orgiastic piece that was part of the singer's landmark stage performance "L'Osstidshow," performed with Mouffe, Louise Forestier, and Yvon Deschamps. Quoting the Book of Revelations, the piece starts with a faint theme and escalates to total freeform screaming, only to cut abruptly -- a stunning finale.
© François Couture /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:37:02
- Künstler: Robert Charlebois
- Komponist: Robert Charlebois
- Label: Unidisc
- Genre: Pop/Rock
1969 Unidisc Music Inc. 1969 Unidisc Music Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.