Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
For this record, Phil Keaggy and his band of cohorts were attempting to re-create one of those classic albums from the mid-'60s à la the Byrds or the Beatles, using only vintage guitars played through vintage amplifiers. They even used Ringo's old drum set. And they did a fair job with their little anthropological exercise. Many of the licks and chord changes simply were not around back in the day -- and the keyboard sounds on "Everything Is Alright" could not have been created with any instrument in the '60s. However, on its own merits, the album is Keaggy's strongest ever -- and a landmark for the Christian music industry. Opening with a brilliant, heartfelt, happy-go-lucky "Tell Me How You Feel," Sunday's Child rocks one punchy number after another. The title track comes closest to an early Beatles sound, with its jangly lyrics and simple 1-4-5 major blues progression. Others, such as "Big Eraser" or the opening to "I've Just Begun (Again)" hark back to a more psychedelic time. Keaggy's guitar sounds amazing (as usual) and his playing is very refreshing to hear on these old fat guitars. There also is excellent bass work by Rick Cua throughout. Other standout tracks include "Walk in Two Worlds" and "This Could Be the Moment." This is a timeless record that always manages to sound fresh with each listen.
© Adrian M. Kamwell /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Phil Keaggy, MainArtist
1988 Word Incorporated 1988 Word Incorporated
Albumbeschreibung
For this record, Phil Keaggy and his band of cohorts were attempting to re-create one of those classic albums from the mid-'60s à la the Byrds or the Beatles, using only vintage guitars played through vintage amplifiers. They even used Ringo's old drum set. And they did a fair job with their little anthropological exercise. Many of the licks and chord changes simply were not around back in the day -- and the keyboard sounds on "Everything Is Alright" could not have been created with any instrument in the '60s. However, on its own merits, the album is Keaggy's strongest ever -- and a landmark for the Christian music industry. Opening with a brilliant, heartfelt, happy-go-lucky "Tell Me How You Feel," Sunday's Child rocks one punchy number after another. The title track comes closest to an early Beatles sound, with its jangly lyrics and simple 1-4-5 major blues progression. Others, such as "Big Eraser" or the opening to "I've Just Begun (Again)" hark back to a more psychedelic time. Keaggy's guitar sounds amazing (as usual) and his playing is very refreshing to hear on these old fat guitars. There also is excellent bass work by Rick Cua throughout. Other standout tracks include "Walk in Two Worlds" and "This Could Be the Moment." This is a timeless record that always manages to sound fresh with each listen.
© Adrian M. Kamwell /TiVo
Informationen zu dem Album
- 1 Disc(s) - 13 Track(s)
- Gesamte Laufzeit: 00:52:40
- Künstler: Phil Keaggy
- Label: Word Entertainment
- Genre: Pop/Rock Pop
1988 Word Incorporated 1988 Word Incorporated
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.