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Romanesca|Phantasticus: 17th Century Italian Violin Music

Phantasticus: 17th Century Italian Violin Music

Romanesca, Andrew Manze

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Harmonia Mundi's Phantasticus, featuring the excellent period performance ensemble Romanesca, was released in 1996. Phantasticus takes as its point of departure an extract from the writings of seventeenth century theorist Athanasius Kircher, who among his classification of musical styles includes reference to "stylus Phantasticus," the "most liberated form of composition, free from any constraints of text or predetermined harmony to display genius." A selection of works drawn from early Baroque composers, some barely known, but all worthy to some degree of revival illustrate this point: works by Giovanni Antonio Pandolfi Meali, Giovanni Paolo Cima, Dario Castello, and Giovanni Battista Fontana appear, among others. What ties them together is their looseness of form, bizarre gestures, wandering harmony, and fragmented sense of the pulse. All of these pieces are expertly played by Romanesca, and lutenist Nigel North and harpsichordist John Toll are featured in generous solo outings, as well. Phantasticus is an ideal choice for those in need of an introduction to what Manze aptly calls "a cabinet of curiosities," the avant-garde of the early Baroque. In 2005, Harmonia Mundi re-released Phantasticus as part of a two-for-the-price-of-one combination entitled Fantastic Style.
© TiVo

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Phantasticus: 17th Century Italian Violin Music

Romanesca

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1
Violin Sonata No. 3 in F Major, Op. 4 "La Monella Romanesca"
Andrew Manze
00:06:10

Giovanni Antonio Pandolfi Mealli, Composer - Andrew Manze, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

2
Concerti Ecclesiastici: No. 49, Sonata per il Violino
Romanesca
00:05:20

Giovanni Paolo Cima, Composer - Andrew Manze, Violin, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

3
"Sonate concertate in stil moderno," Libro II: Sonata I
Romanesca
00:04:58

Dario Castello, Composer - Andrew Manze, Violin, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

4
"Intavolatura di liuto," Lib. I: Romanesca con partite variate
Romanesca
00:07:38

Alessandro Piccinini, Composer - Andrew Manze, Violin, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

5
Concerti Ecclesiastici: Sonata a tre
Romanesca
00:04:58

Giovanni Paolo Cima, Composer - Andrew Manze, Violin, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

6
"Sonate concertate in stil moderno," Lib. II: Sonata II
Andrew Manze
00:05:31

Dario Castello, Composer - Andrew Manze, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

7
"Toccate e partite," Lib. I: Partite sopra l'aria della romanesca
Romanesca
00:12:58

Girolamo Frescobaldi, Composer - Andrew Manze, Violin, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

8
Violin Sonata No. 5 in C Major
Romanesca
00:05:47

Giovanni Battista Fontana, Composer - Andrew Manze, Violin, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

9
Libro IV d'intavolatura di chitarrone: Toccata I
Romanesca
00:07:10

Andrew Manze, Violin, MainArtist - Giovanni Girolamo Kapsberger, Composer - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

10
Sonate à 1. 2. 3., Op. post: Sonata VI
Romanesca
00:07:10

Giovanni Battista Fontana, Composer - Andrew Manze, Violin, MainArtist - Romanesca, MainArtist

1998 harmonia mundi usa 1998 harmonia mundi usa

11
"Il primo libro de canzoni francese": Sonata "La Sfondrata"
Romanesca
00:05:05

Andrew Manze, Violin, MainArtist - Romanesca, MainArtist - Nicolò Corradini, Composer

1998 harmonia mundi usa 1998 harmonia mundi usa

Albumbeschreibung

Harmonia Mundi's Phantasticus, featuring the excellent period performance ensemble Romanesca, was released in 1996. Phantasticus takes as its point of departure an extract from the writings of seventeenth century theorist Athanasius Kircher, who among his classification of musical styles includes reference to "stylus Phantasticus," the "most liberated form of composition, free from any constraints of text or predetermined harmony to display genius." A selection of works drawn from early Baroque composers, some barely known, but all worthy to some degree of revival illustrate this point: works by Giovanni Antonio Pandolfi Meali, Giovanni Paolo Cima, Dario Castello, and Giovanni Battista Fontana appear, among others. What ties them together is their looseness of form, bizarre gestures, wandering harmony, and fragmented sense of the pulse. All of these pieces are expertly played by Romanesca, and lutenist Nigel North and harpsichordist John Toll are featured in generous solo outings, as well. Phantasticus is an ideal choice for those in need of an introduction to what Manze aptly calls "a cabinet of curiosities," the avant-garde of the early Baroque. In 2005, Harmonia Mundi re-released Phantasticus as part of a two-for-the-price-of-one combination entitled Fantastic Style.
© TiVo

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