Partie Traumatic

Black Kids

Erschienen am 01.01.08 bei EMI
Künstler: Black Kids
Genre: Alternativ und Indie

Verfügbar in

16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

For almost a year before the release of their debut record, Florida's Black Kids were reliable music blog fodder. First, the breathless discovery, then the breathless confirmation at 2007's CMJ Conference and then breathless speculation on what label the band would end up on (Almost Gold/Columbia) and finally, the question of whether or not the record could possibly live up to the breathless expectations. The answer to that question is a little tricky. It'd be tough for any band to fully measure up to some of the claims and praise being thrown the Black Kids way and they don't. Not completely, though they give it their all. What the band has done instead is make a solid, sometimes exciting, always interesting debut album. Nothing too groundbreaking or unique because, like many 2000s kids, Black Kids are '80s kids and just about every sound on Partie Traumatic can be traced back to that era. Reggie Youngblood's vocals usually channel the Cure's Robert Smith, as do a large percentage of the songs; the perky, cheerleader vocals from Dawn Watley and Ali Youngblood sound like an All-American version of the girls in the Human League, Kevin Snow seems particularly fond of the drum patterns from David Bowie's "Modern Love" (for good reason), and the group employs a wide variety of wonderfully cheesy synths. Bernard Butler's production captures the energy of the band but also gives them a slick, very '80s-sounding sheen for good measure. What the group brings to the table are a couple of things that help them stand out from the '80s bandwagon. One is the goofy, unpredictable lyrics that knock you off guard from the very first (a knock-knock joke involving underwear that could be a deal-breaker but somehow works thanks to Youngblood's feckless delivery) and remain charmingly off-kilter throughout. Another thing that makes the record good is the songcraft. Youngblood seemingly can't write a song without a sticky-sweet chorus; every song could be a single. The best songs on the album ("I'm Not Going to Teach Your Boyfriend How to Dance With You," "Hit the Heartbrakes," "Look at Me (When I Rock Wichoo)") kick you in the gut with their energy and verve, the rest are only a notch below. By the time the album comes to a frenetic, sweat-soaked close, the sound and the songs add up to something pretty impressive. Surely, the Black Kids backlash is probably getting into gear elsewhere and people are readying words like "underwhelming," but really, Partie Traumatic is a very good debut that manages to earn a huge chunk of the hype that was thrown willy-nilly in the band's direction.

© Tim Sendra /TiVo

Weitere Informationen

Partie Traumatic

Black Kids

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

Hit The Heartbrakes

00:03:43

Bernard Butler, Producer, Recording Engineer, StudioPersonnel - LeXXX, Mixer, StudioPersonnel - Adrian Breakspear, Asst. Recording Engineer, StudioPersonnel - David Emery, Asst. Recording Engineer, StudioPersonnel - Seb Lewsley, Engineer, StudioPersonnel - Black Kids, MainArtist, ComposerLyricist - Matt Paul, Asst. Recording Engineer, StudioPersonnel