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Bebe|Pafuera Telarañas

Pafuera Telarañas

Bebe

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It took about a year for Bebe's debut, Pafuera Telarañas, to get the attention it deserves. A colorful, creative, and catchy album that brazenly defies gender stereotypes as they exist in the Spanish-speaking world, Pafuera Telarañas shot from near-obscurity to become one of the most talked-about Latin albums of the year when it notched five Grammy nominations for the singer/songwriter, far and away the most nominations for anyone and reminiscent of the out-of-nowhere acclaim that helped catapult Juanes to superstar status years earlier when he too notched numerous Grammy nominations after languishing in obscurity for a while. The Grammy hype aside, Pafuera Telarañas doesn't really fit neatly into any existing stylistic category -- alternative singer/songwriter dance-pop with a feminist-flamenco flair, perhaps? -- but it does bear a resemblance to a couple similarly striking Latin alternative albums of recent years: Natalia LaFourcade's perky self-titled debut and Julieta Venegas' commercial breakthrough, Sí. Like those albums, Pafuera Telarañas at its core is a dance-pop album, but with its incredible range of rhythms, sounds, and styles as well as its well-written, outspoken lyrics, there's significant depth, enough to make it radio-ready while also tickling the ears of discerning listeners looking for substance in addition to spice. Bebe starts the album on a high note, opening with a few really catchy songs driven by great dance-lite beats and singalong hooks. Pafuera Telarañas then takes quite a turn with the fifth song, "Malo," which cuts quite deeply and ups the intensity level significantly. From there, the album twists and turns through different moods and styles, without ever coming to a lull before the album-closing "Razones," which concludes the festivities on a serious, stunning a cappella note. Overall, Pafuera Telarañas has all the trappings of a pop album -- a reasonably short playing time, every song but one in the three-minute range, a plethora of hooks -- but its myriad stylistic twists and turns and its lyrical substance make it much more than that, so it ends up being the best of both worlds, an album that's rich in confection as well as creativity. Thankfully, it got the attention it deserves.

© Jason Birchmeier /TiVo

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Pafuera Telarañas

Bebe

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1
Men señará
00:03:37

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Programmer - John Parsons, Guitar - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Javier Rojas, Bass - Carlos Jean Arriaga, Producer, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

2
Ella
00:03:34

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Guitar, Programmer - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Matute, Drums - Carlos Jean Arriaga, Producer, Electric Guitar, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

3
Con mis manos
00:02:56

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Guitar, Programmer - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Javier Rojas, Bass - Juni Linga, Drums - Carlos Jean Arriaga, Producer, Acoustic Guitar, Electric Guitar, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

4
Siempre me quedará
00:03:26

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder, RecordingEngineer - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer, RecordingEngineer - Carlos Jean, Producer, Choir, Programmer, Produced by, Chorus - John Parsons, Guitar - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Carlos Jean Arriaga, Producer, Programmer, Chorus

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

5
Malo Explicit
00:03:36

Juan Maya, Guitar - Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder, RecordingEngineer - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer, RecordingEngineer - Carlos Jean, Producer, Guitar, Programmer, Produced by - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Javier Rojas, Bass - Juni Linga, Drums - Guillermo Domercq, Keyboards - Markos Bayón, Guitar - Robert J, Beats and Scratches Beats, Scratching - Carlos Jean Arriaga, Producer, Acoustic Guitar, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

6
Ska de la tierra
00:03:42

Arturo Soriano, Arranger, Saxophone - Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Programmer, Chorus - PACO IBAÑEZ, Trumpet - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Owe Larsson, Trombone - Javier Rojas, Bass - Juni Linga, Drums - Guillermo Domercq, Keyboards - Markos Bayón, Guitar - José Antonio Rebolledo, Chorus - Carlos Jean Arriaga, Producer, Programmer, Chorus

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

7
El golpe
00:03:56

Arturo Soriano, Saxophone - Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Arranger, Guitar, Programmer - PACO IBAÑEZ, Trumpet - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Owe Larsson, Trombone - Javier Rojas, Bass - Juni Linga, Drums - Guillermo Domercq, Keyboards - Markos Bayón, Guitar - Carlos Jean Arriaga, Producer, Guitar, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

8
Revolvió
00:03:45

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Programmer - John Parsons, Guitar - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Javier Rojas, Bass - Guillermo Domercq, Keyboards - Carlos Jean Arriaga, Producer, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Grabacion Sonora original EMI Music Spain,S.A.

9
Como los olivos
00:03:55

Arturo Soriano, Arranger, Saxophone - Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Programmer - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Javier Rojas, Bass - Juni Linga, Drums - Guillermo Domercq, Keyboards - Markos Bayón, Guitar - Candido Avelló García, Composer, Music - Carlos Jean Arriaga, Producer, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

10
Cuidándote
00:03:50

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Guitar, Piano, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Programmer - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Juni Linga, Drums - Carlos Jean Arriaga, Producer, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

11
Siete horas
00:03:24

Nena, Chorus - Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Guitar, Programmer - Joaquin Pizarro, Engineer - Cecília Nena, Chorus - Ruben Suarez, Engineer - Javier Rojas, Bass - Juni Linga, Drums - Guillermo Domercq, Keyboards - Markos Bayón, Guitar - Robert J, Beats and Scratches Beats, Scratching - José Antonio Rebolledo, Composer, Lyricist - Carlos Jean Arriaga, Producer, Acoustic Guitar, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

12
Tu silencio
00:03:49

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Guitar, Piano, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer, Guitar, Programmer - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Javier Rojas, Bass - Juni Linga, Drums - Guillermo Domercq, Keyboards - Markos Bayón, Guitar - Carlos Jean Arriaga, Producer, Acoustic Guitar, Programmer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

13
Razones (A Capella)
00:02:44

Bebe, Composer, MainArtist - Raúl Quílez, Engineer, Recorder - José Luis Crespo, Mixer, Engineer, Masterer, Recorder, MasteringEngineer - Carlos Jean, Producer - Joaquin Pizarro, Engineer - Ruben Suarez, Engineer - Carlos Jean Arriaga, Producer

© 2004 Parlophone Music Spain, S.A. (C) 2004 Parlophone Music Spain, S.A. ℗ 2004 Warner Music Spain SL

Albumbeschreibung

It took about a year for Bebe's debut, Pafuera Telarañas, to get the attention it deserves. A colorful, creative, and catchy album that brazenly defies gender stereotypes as they exist in the Spanish-speaking world, Pafuera Telarañas shot from near-obscurity to become one of the most talked-about Latin albums of the year when it notched five Grammy nominations for the singer/songwriter, far and away the most nominations for anyone and reminiscent of the out-of-nowhere acclaim that helped catapult Juanes to superstar status years earlier when he too notched numerous Grammy nominations after languishing in obscurity for a while. The Grammy hype aside, Pafuera Telarañas doesn't really fit neatly into any existing stylistic category -- alternative singer/songwriter dance-pop with a feminist-flamenco flair, perhaps? -- but it does bear a resemblance to a couple similarly striking Latin alternative albums of recent years: Natalia LaFourcade's perky self-titled debut and Julieta Venegas' commercial breakthrough, Sí. Like those albums, Pafuera Telarañas at its core is a dance-pop album, but with its incredible range of rhythms, sounds, and styles as well as its well-written, outspoken lyrics, there's significant depth, enough to make it radio-ready while also tickling the ears of discerning listeners looking for substance in addition to spice. Bebe starts the album on a high note, opening with a few really catchy songs driven by great dance-lite beats and singalong hooks. Pafuera Telarañas then takes quite a turn with the fifth song, "Malo," which cuts quite deeply and ups the intensity level significantly. From there, the album twists and turns through different moods and styles, without ever coming to a lull before the album-closing "Razones," which concludes the festivities on a serious, stunning a cappella note. Overall, Pafuera Telarañas has all the trappings of a pop album -- a reasonably short playing time, every song but one in the three-minute range, a plethora of hooks -- but its myriad stylistic twists and turns and its lyrical substance make it much more than that, so it ends up being the best of both worlds, an album that's rich in confection as well as creativity. Thankfully, it got the attention it deserves.

© Jason Birchmeier /TiVo

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