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Justin Moore|Outlaws Like Me

Outlaws Like Me

Justin Moore

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Shedding some of the big-booted affectations and sticky sentimentalism of his 2009 debut while sharpening his musical attack, Justin Moore takes a leap forward on his second album, 2011’s Outlaws Like Me. Which isn’t to say Moore can’t resist succumbing some small-town pandering -- he fetishizes pickup truck and bait, offers the NRA a potential anthem in “Guns” (“as long as I’m alive and breathing/you won’t take my guns”) -- nor has his voice suddenly gained muscle or grit but, contrary to its title, Outlaws Like Me doesn’t rely heavily on macho boasts, so he’s able to deliver these songs easily with his clean tenor twang. Much of the echoing, arena-ready stomp of his debut has been sanded away, leaving a leaner country-rock that can convincingly dip its toe in hardcore country à la David Allan Coe (“If You Don’t Like My Twang”). These tougher numbers -- the ones written in the outlaw tradition Moore claims to be heir apparent -- are the best moments here because the music packs a punch that carries through on the promise of Moore’s braggadocio, a situation that rarely happened on his debut, but happens enough here to make this a much better record.

© Stephen Thomas Erlewine /TiVo

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Outlaws Like Me

Justin Moore

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1
Redneck Side
00:02:37

Rick Giles, ComposerLyricist - Kris Bergsnes, ComposerLyricist - Jeremy Stover, ComposerLyricist - Justin Moore, MainArtist

℗ 2011 The Valory Music Co., LLC

2
My Kind Of Woman
00:02:47

Jeremy Stover, ComposerLyricist - Brian Dean Maher, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

3
If Heaven Wasn't So Far Away
00:03:46

Brett Jones, ComposerLyricist - Dallas Davidson, ComposerLyricist - Rob Hatch, ComposerLyricist - Justin Moore, MainArtist

℗ 2011 The Valory Music Co., LLC

4
Run Out Of Honky Tonks
00:03:44

Ashe Underwood, ComposerLyricist - Jamie Paulin, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

5
Beer Time
00:02:50

Rhett Akins, ComposerLyricist - Jeremy Stover, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

6
Bait A Hook
00:03:30

Rhett Akins, ComposerLyricist - Jeremy Stover, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

7
Flyin' Down A Back Road
00:03:53

Jeremy Stover, ComposerLyricist - Jamie Paulin, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

8
If You Don't Like My Twang
00:03:43

Rhett Akins, ComposerLyricist - Jeremy Stover, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

9
Guns
00:03:56

Jeremy Stover, ComposerLyricist - Jamie Paulin, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

10
Sunshine Babies
00:03:05

Rhett Akins, ComposerLyricist - Jeremy Stover, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

11
Til My Last Day
00:03:57

Jeremy Stover, ComposerLyricist - Brian Dean Maher, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

12
Bed Of My Chevy
00:03:29

Jeremy Stover, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

13
Outlaws Like Me
00:05:51

Jeremy Stover, ComposerLyricist - Justin Moore, MainArtist, ComposerLyricist

℗ 2011 The Valory Music Co., LLC

Albumbeschreibung

Shedding some of the big-booted affectations and sticky sentimentalism of his 2009 debut while sharpening his musical attack, Justin Moore takes a leap forward on his second album, 2011’s Outlaws Like Me. Which isn’t to say Moore can’t resist succumbing some small-town pandering -- he fetishizes pickup truck and bait, offers the NRA a potential anthem in “Guns” (“as long as I’m alive and breathing/you won’t take my guns”) -- nor has his voice suddenly gained muscle or grit but, contrary to its title, Outlaws Like Me doesn’t rely heavily on macho boasts, so he’s able to deliver these songs easily with his clean tenor twang. Much of the echoing, arena-ready stomp of his debut has been sanded away, leaving a leaner country-rock that can convincingly dip its toe in hardcore country à la David Allan Coe (“If You Don’t Like My Twang”). These tougher numbers -- the ones written in the outlaw tradition Moore claims to be heir apparent -- are the best moments here because the music packs a punch that carries through on the promise of Moore’s braggadocio, a situation that rarely happened on his debut, but happens enough here to make this a much better record.

© Stephen Thomas Erlewine /TiVo

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