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Studio Cast of Oklahoma! (1964)|Oklahoma! (Studio Cast Recording (1964))

Oklahoma! (Studio Cast Recording (1964))

Studio Cast of Oklahoma! (1964)

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Composer Richard Rodgers once praised Florence Henderson as the ideal vehicle for his kind of music -- pretty, extroverted, and gifted with a very natural-sounding voice. In this studio recording of the groundbreaking musical Oklahoma!, Henderson sang the role of Laurey, a part she'd previously performed in a road company of the show. Joining her as Curly was John Raitt, who had originated the role of Billy in Rodgers & Hammerstein's Carousel. Also receiving top billing on this recording was Phyllis Newman (a Tony award winner for Subways Are for Sleeping) as Ado Annie, the gal who "cain't say no." Each of these stars was in fine form, singing in a style -- unforced and full of personality -- that would no doubt please Rodgers. What mars this recording, however, is an echoey sound that ends up being too studio-bound for its own good. The voices are also saddled with unnecessarily cartoonish "new orchestrations" by Philip J. Lang. Unlike the straightforward and effective orchestrations created by Robert Russell Bennett for the original stage production, Lang overloaded the music with banjos, brass hits, and other '50s-era overkill, creating a sound more at home in a Lawrence Welk or Ferrante & Teicher arrangement than in a production of Oklahoma. Effectively, this recording remains a curious relic too tied to its 1964 recording date, thus negating the underlying timelessness of the material.

© TiVo

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Oklahoma! (Studio Cast Recording (1964))

Studio Cast of Oklahoma! (1964)

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1
Overture
Various Interprets
00:04:07

Franz Allers, Conductor - Franz Allers, Performer - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

2
Oh, What a Beautiful Mornin'
Various Interprets
00:02:58

John Raitt, Performer - Franz Allers, Conductor - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

3
The Surrey with the Fringe on Top
Various Interprets
00:04:27

John Raitt, Performer - Franz Allers, Conductor - Florence Henderson, Performer - Thomas Z. Shepard, Producer - Irene Carroll, Performer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 Sony Music Entertainment Inc.

4
Kansas City
Various Interprets
00:02:14

Men's Chorus, Performer - Jack Elliott, Performer - Franz Allers, Conductor - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

5
I Cain't Say No
Various Interprets
00:02:57

Franz Allers, Conductor - Thomas Z. Shepard, Producer - Phyllis Newman, Performer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

6
Many a New Day
Various Interprets
00:04:27

Women's Chorus, Performer - Franz Allers, Conductor - Florence Henderson, Performer - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

7
People Will Say We're in Love
Various Interprets
00:04:27

John Raitt, Performer - Franz Allers, Conductor - Florence Henderson, Performer - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

8
Pore Jud Is Daid
Various Interprets
00:03:28

John Raitt, Performer - Franz Allers, Conductor - Ara Berberian, Performer - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

9
Lonely Room
Various Interprets
00:02:36

Franz Allers, Conductor - Franz Allers, Performer - Ara Berberian, Performer - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

10
Out of My Dreams
Various Interprets
00:02:49

Women's Chorus, Performer - Franz Allers, Conductor - Florence Henderson, Performer - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

11
The Farmer and the Cowman
Various Interprets
00:04:06

Franz Allers, Conductor - Franz Allers, Performer - Thomas Z. Shepard, Producer - Leonard Stokes, Performer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer - Ensemble, Performer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

12
All er Nothin'
Various Interprets
00:03:19

Jack Elliott, Performer - Franz Allers, Conductor - Thomas Z. Shepard, Producer - Phyllis Newman, Performer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

13
Finale: Oklahoma
Various Interprets
00:03:50

John Raitt, Performer - Franz Allers, Conductor - Florence Henderson, Performer - Thomas Z. Shepard, Producer - Oscar Hammerstein II, Lyricist - Orchestra, Performer - Richard Rodgers, Composer - Ensemble, Performer

Originally released 1964 SONY BMG MUSIC ENTERTAINMENT

Albumbeschreibung

Composer Richard Rodgers once praised Florence Henderson as the ideal vehicle for his kind of music -- pretty, extroverted, and gifted with a very natural-sounding voice. In this studio recording of the groundbreaking musical Oklahoma!, Henderson sang the role of Laurey, a part she'd previously performed in a road company of the show. Joining her as Curly was John Raitt, who had originated the role of Billy in Rodgers & Hammerstein's Carousel. Also receiving top billing on this recording was Phyllis Newman (a Tony award winner for Subways Are for Sleeping) as Ado Annie, the gal who "cain't say no." Each of these stars was in fine form, singing in a style -- unforced and full of personality -- that would no doubt please Rodgers. What mars this recording, however, is an echoey sound that ends up being too studio-bound for its own good. The voices are also saddled with unnecessarily cartoonish "new orchestrations" by Philip J. Lang. Unlike the straightforward and effective orchestrations created by Robert Russell Bennett for the original stage production, Lang overloaded the music with banjos, brass hits, and other '50s-era overkill, creating a sound more at home in a Lawrence Welk or Ferrante & Teicher arrangement than in a production of Oklahoma. Effectively, this recording remains a curious relic too tied to its 1964 recording date, thus negating the underlying timelessness of the material.

© TiVo

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