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Anne Sofie von Otter|Music for a While

Music for a While

Anne Sofie von Otter

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Text in englischer Sprache verfügbar

Anne-Sofie von Otter's Music for a While finds her diving into geographically diverse songs of the Baroque period with the same flair and joyful curiosity that animate all of her projects. She shows a refreshing willingness to change her vocal sound and technique to suit the task at hand, leaving whatever operatic ego she carries with her at the door. Not that her work here would ever be confused with that of an early music specialist: listeners with strong opinions on the "correct" sound for this music may find themselves unable to accept the obvious warmth, flexibility, and potential amplitude of von Otter's sumptuous pipes. But it would be hard to accuse her of approaching this music with anything but respect, love, and the clear intention to realize it on its own terms. Anything else is academic.
The croony cooing, bent tones, and occasional chesty brashness of the opening track, Benedetto Ferrari's Amanti, io vi so dire (Lovers, I can tell you), should be enough to alert listeners that they're in for a different kind of Anne-Sofie experience; delivered over a danceable Baroque guitar ostinato (eventually joined by harpsichord and theorbo), it sets an amiable tone for the album. It also puts the energetic and finely textured playing of lutenist/theorbist Jakob Lindberg and harpsichordist Jory Vinikour on display; their inventive instrumental realizations are the sonic glue binding the entire album together. Among the solo instrumental selections they contribute, Giovanni Kapsberger's Arpeggiata stands out as particularly interesting, since it casts the theorbo in a very different light from that of its usual role as a basso continuo component.
Overall the album succeeds well on its own terms, although the Dowland songs and some of the Purcell selections sound too easygoing, too emotionally uncomplicated. The intimacy is present, but the intensity is often missing, undercut by the deliberately scaled down nature of von Otter's delivery. But her sense of phrasing and general affect is spot on, as is her English diction.

© TiVo

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Music for a While

Anne Sofie von Otter

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Amanti io vo se dire (Anonyme)

1
Ferrari: Amanti io vo se dire
Anne Sofie von Otter
00:04:51

Anonymous, Author - Jakob Lindberg, Guitar, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Benedetto Ferrari, Composer - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Anders Ericson, Theorbo, MainArtist, AssociatedPerformer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Se l'aura spira (Girolamo Frescobaldi)

2
Frescobaldi: Se l'aura spira
Anne Sofie von Otter
00:02:32

Anonymous, Author - Jakob Lindberg, Guitar, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Girolamo Frescobaldi, Composer - Sid McLauchlan, Producer, Recording Producer - Anders Ericson, Theorbo, MainArtist, AssociatedPerformer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Dovrè dunque morire (Giulio Caccini detto Romano)

3
Caccini: Dovrè dunque morire
Anne Sofie von Otter
00:02:30

Jakob Lindberg, Theorbo, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Giulio Caccini, ComposerLyricist - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Scherzi Musicali (1607) (Claudio Monteverdi)

4
Ecco di dolce raggi
Anne Sofie von Otter
00:02:16

Anonymous, Author - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Claudio Monteverdi, Composer - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Quel sguardo sdegnosetto (Claudio Monteverdi)

5
Monteverdi: Quel sguardo sdegnosetto - Madrigali, Canzonette e Scherzi musicali (Book X)
Anne Sofie von Otter
00:01:57

Anonymous, Author - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Claudio Monteverdi, Composer - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

La Capona (Giovanni Girolamo Kapsberger)

6
Kapsberger: La Capona
Jakob Lindberg
00:01:26

Jakob Lindberg, Theorbo, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

L'incoronazione di Poppea / Act 2 (Claudio Monteverdi)

7
Adagiati, Poppea - Oblivion soave (Arnalta)
Anne Sofie von Otter
00:03:34

Jakob Lindberg, Theorbo, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Claudio Monteverdi, Composer - Jory Vinikour, Organ, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Giovanni Francesco Busenello, Author - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Cantate, Ariette e Duetti, Op. 2 (Barbara Strozzi)

8
L'Eraclito amoroso (Udite amanti)
Anne Sofie von Otter
00:07:05

Anonymous, Author - Jakob Lindberg, Lute, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Barbara Strozzi, Composer - Sid McLauchlan, Producer, Recording Producer - Anders Ericson, Theorbo, MainArtist, AssociatedPerformer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Ciaccone (Bernardo Storace)

9
Storace: Ciaccone
Jory Vinikour
00:06:13

Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Bernardo Storace, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Saraband with Division, Z 654 (Henry Purcell)

10
Purcell: Saraband with Division, Z 654
Jory Vinikour
00:01:15

Henry Purcell, Composer - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Sweeter than roses (Henry Purcell)

11
Purcell: Sweeter Than Roses, Z.585
Anne Sofie von Otter
00:03:14

Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Henry Purcell, Composer - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Richard Norton, Author - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

'Dear pretty youth' (Henry Purcell)

12
Purcell: "Dear pretty youth"
Anne Sofie von Otter
00:02:00

Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Henry Purcell, Composer - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Thomas Shadwell, Author - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Oedipus, Z.583 (Henry Purcell)

13
Music for a While
Anne Sofie von Otter
00:02:51

Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Henry Purcell, Composer - John Dryden, Author - Nathaniel Lee, Author - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Rule a Wife and Have a Wife (Henry Purcell)

14
There's not a swain
Anne Sofie von Otter
00:01:29

Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Henry Purcell, Composer - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - John Fletcher, Author - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

An Evening Hymn, Z 193 (Henry Purcell)

15
Purcell: An Evening Hymn, Z 193
Anne Sofie von Otter
00:03:41

Jakob Lindberg, Theorbo, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Henry Purcell, Composer - Jory Vinikour, Organ, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Bishop William Fuller, Author - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Arpeggiata (Giovanni Girolamo Kapsberger)

16
Kapsberger: Arpeggiata
Jakob Lindberg
00:02:18

Jakob Lindberg, Theorbo, MainArtist, AssociatedPerformer - Giovanni Girolamo Kapsberger, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

In darkness let me dwell (John Dowland)

17
Dowland: In darkness let me dwell
Anne Sofie von Otter
00:04:26

Anonymous, Author - Jakob Lindberg, Lute, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - John Dowland, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

First Booke of Songes, 1597 (John Dowland)

18
5. Can she excuse my wrongs
Anne Sofie von Otter
00:02:39

Anonymous, Author - Jakob Lindberg, Lute, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - John Dowland, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Weepe you no more, sad fountaines (John Dowland)

19
Dowland: Weepe you no more, sad fountaines
Anne Sofie von Otter
00:05:24

Anonymous, Author - Jakob Lindberg, Lute, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - John Dowland, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

What if I never speed? (John Dowland)

20
Dowland: What if I never speed?
Anne Sofie von Otter
00:02:16

Anonymous, Author - Jakob Lindberg, Lute, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - John Dowland, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Fantasia (Robert Johnson)

21
Johnson: Fantasia
Jakob Lindberg
00:03:41

Jakob Lindberg, Lute, MainArtist, AssociatedPerformer - Robert Johnson, Composer - Sid McLauchlan, Producer, Recording Producer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

King Arthur, or The British Worthy (1691) / Act 5 (Henry Purcell)

22
Fairest Isle (Venus)
Anne Sofie von Otter
00:01:53

Jakob Lindberg, Lute, MainArtist, AssociatedPerformer - Anne Sofie von Otter, Mezzo-Soprano, MainArtist, AssociatedPerformer - Henry Purcell, Composer - John Dryden, Author - Jory Vinikour, Harpsichord, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Anders Ericson, Theorbo, MainArtist, AssociatedPerformer - Andrew Wedman, Balance Engineer, Recording Engineer, StudioPersonnel - Mark Buecker, Editor, StudioPersonnel - Dr. Marion Thiem, Producer, Executive Producer

℗ 2004 Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

Anne-Sofie von Otter's Music for a While finds her diving into geographically diverse songs of the Baroque period with the same flair and joyful curiosity that animate all of her projects. She shows a refreshing willingness to change her vocal sound and technique to suit the task at hand, leaving whatever operatic ego she carries with her at the door. Not that her work here would ever be confused with that of an early music specialist: listeners with strong opinions on the "correct" sound for this music may find themselves unable to accept the obvious warmth, flexibility, and potential amplitude of von Otter's sumptuous pipes. But it would be hard to accuse her of approaching this music with anything but respect, love, and the clear intention to realize it on its own terms. Anything else is academic.
The croony cooing, bent tones, and occasional chesty brashness of the opening track, Benedetto Ferrari's Amanti, io vi so dire (Lovers, I can tell you), should be enough to alert listeners that they're in for a different kind of Anne-Sofie experience; delivered over a danceable Baroque guitar ostinato (eventually joined by harpsichord and theorbo), it sets an amiable tone for the album. It also puts the energetic and finely textured playing of lutenist/theorbist Jakob Lindberg and harpsichordist Jory Vinikour on display; their inventive instrumental realizations are the sonic glue binding the entire album together. Among the solo instrumental selections they contribute, Giovanni Kapsberger's Arpeggiata stands out as particularly interesting, since it casts the theorbo in a very different light from that of its usual role as a basso continuo component.
Overall the album succeeds well on its own terms, although the Dowland songs and some of the Purcell selections sound too easygoing, too emotionally uncomplicated. The intimacy is present, but the intensity is often missing, undercut by the deliberately scaled down nature of von Otter's delivery. But her sense of phrasing and general affect is spot on, as is her English diction.

© TiVo

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