Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Joe Bataan shot to popularity in Latin music circles by covering soul hits, starting with a radical revision of Curtis Mayfield and the Impression's "Gypsy Woman" that's brassy and built around the chorus. He also ethnicity-switches Aretha Franklin to "Young, Gifted and Brown," and his version of "Shaft" floats Latin horns and flute over that circular rhythm undercurrent. The liner notes focus on his "Joe the Rebel" persona, and one trademark is a rowdier edge than most Latin musicians. Tracks like "Muneca" and "Mambo de Bataan" fall within the canon but their energy (check the former's rat-a-tat-tat bridge) and blowsy trombones add an extra kick, just as the ragged loose ends in the vocals don't detract from the locked-down-in-clave-city pocket of "Aguanta La Lengua." "Magic Rose" has a brassy trombone solo over a strong piano hook that's off-kilter from the Latin norm, but totally killer at hip level, while "Chili Beans" is just a fine example of a lean, clean Latin soul instrumental. "Riot (It's a Good Feeling)" is pretty oddball, though, since it seems to celebrate dancing in the streets more than running wild in them. "Good good feeling" is the chorus over a bring-it-on-home gospel foundation riff and the very Latin R&B/rock & roll feel recalls Mitch Ryder & the Detroit Wheels' take on "Little Latin Lupe Lu." "Subway Joe" is a pure N.Y.C. street life tale about hitting the subway for Chinese food and getting into a funny subway battle with a pretty girl who physically kicks his butt with blaring trombones over a frenetic rhythm. "My Opera" is a story song that builds drama with dynamics and tempo shifts but doesn't rate the "sicko song" label it gets in the liners (which are sketchy, marred by inaccuracies, and spend more time on Bataan's later career than his Fania stint or these tracks.) "Special Girl" is a nice salsa ballad, and "What Good Is a Castle" goes from slow part one to rip it up a bit on part two. The CD version of Mr. New York takes the original LP -- Joe Bataan's debut Fania LP -- and tacks on seven of his most popular songs from his eight albums for the label at the end. Good move -- the original LP selections are solid enough, but they lack the catchiness of the hits, and the extra tracks add a lot, especially for Bataan neophytes. Mr. New York winds ups a bit scattershot, but adding those hits from the latter stages of his Fania stay turn this disc into a makeshift, de facto, best-of collection. It's not the comprehensive one Joe Bataan probably deserves, or maybe not even an ideal introduction to his music, but it's a good one with a lot of strong performances that illuminate the late-'60s Latin soul era.
© Don Snowden /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, Vocals, MainArtist, AssociatedPerformer - Johnny Pacheco, Producer, Recording Producer - Dean Rudland, Producer, Recording Producer - Bataan Nitollano, ComposerLyricist - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, MainArtist - Johnny Pacheco, Producer, Recording Producer - Bataan Nitollano, ComposerLyricist - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Freddie Delgado, Vocals, AssociatedPerformer, ComposerLyricist - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, MainArtist - Johnny Pacheco, Producer, Recording Producer - Bataan Nitollano, ComposerLyricist - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Freddie Delgado, Vocals, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, MainArtist - Johnny Pacheco, Producer, Recording Producer - Bataan Nitollano, ComposerLyricist - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Freddie Delgado, Vocals, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, Vocals, MainArtist, AssociatedPerformer - Johnny Pacheco, Producer, Recording Producer - Valerie Capers, ComposerLyricist - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, Vocals, MainArtist, AssociatedPerformer - JAMES PANKOW, ComposerLyricist - Johnny Pacheco, Producer, Recording Producer - Dean Rudland, Producer, Recording Producer - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir - DJ Rumor, Mixer, StudioPersonnel
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Donald Hogan, ComposerLyricist - Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, Vocals, MainArtist, AssociatedPerformer - Johnny Pacheco, Producer, Recording Producer - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, Vocals, MainArtist, AssociatedPerformer - Johnny Pacheco, Producer, Recording Producer - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir - Peter Upton, ComposerLyricist
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, Vocals, MainArtist, AssociatedPerformer - Johnny Pacheco, Producer, Recording Producer - Bataan Nitollano, ComposerLyricist - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Robert Rodriguez, Flute, Saxophone, AssociatedPerformer - Joe Bataan, MainArtist - Johnny Pacheco, Producer, Recording Producer - Bataan Nitollano, ComposerLyricist - Eddie Hernandez, Trombone, Chorus, AssociatedPerformer - Jerry Masucci, Producer, Executive Producer - Pat Jaques, Mastering Engineer, StudioPersonnel - Latin Joe Colon, Conga, AssociatedPerformer - Eddie Nater, Drums, Timbales , AssociatedPerformer - Louie Devies, Bass Guitar, Electric Guitar, AssociatedPerformer - Milton Albino, Percussion, AssociatedPerformer - Robert Lemas, Trombone, AssociatedPerformer - Freddie Delgado, Vocals, AssociatedPerformer, ComposerLyricist - Willie "Newark" Sinclair, Acoustic Guitar, AssociatedPerformer - Celso "Ceasar" Galarga, Choir
℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Albumbeschreibung
Joe Bataan shot to popularity in Latin music circles by covering soul hits, starting with a radical revision of Curtis Mayfield and the Impression's "Gypsy Woman" that's brassy and built around the chorus. He also ethnicity-switches Aretha Franklin to "Young, Gifted and Brown," and his version of "Shaft" floats Latin horns and flute over that circular rhythm undercurrent. The liner notes focus on his "Joe the Rebel" persona, and one trademark is a rowdier edge than most Latin musicians. Tracks like "Muneca" and "Mambo de Bataan" fall within the canon but their energy (check the former's rat-a-tat-tat bridge) and blowsy trombones add an extra kick, just as the ragged loose ends in the vocals don't detract from the locked-down-in-clave-city pocket of "Aguanta La Lengua." "Magic Rose" has a brassy trombone solo over a strong piano hook that's off-kilter from the Latin norm, but totally killer at hip level, while "Chili Beans" is just a fine example of a lean, clean Latin soul instrumental. "Riot (It's a Good Feeling)" is pretty oddball, though, since it seems to celebrate dancing in the streets more than running wild in them. "Good good feeling" is the chorus over a bring-it-on-home gospel foundation riff and the very Latin R&B/rock & roll feel recalls Mitch Ryder & the Detroit Wheels' take on "Little Latin Lupe Lu." "Subway Joe" is a pure N.Y.C. street life tale about hitting the subway for Chinese food and getting into a funny subway battle with a pretty girl who physically kicks his butt with blaring trombones over a frenetic rhythm. "My Opera" is a story song that builds drama with dynamics and tempo shifts but doesn't rate the "sicko song" label it gets in the liners (which are sketchy, marred by inaccuracies, and spend more time on Bataan's later career than his Fania stint or these tracks.) "Special Girl" is a nice salsa ballad, and "What Good Is a Castle" goes from slow part one to rip it up a bit on part two. The CD version of Mr. New York takes the original LP -- Joe Bataan's debut Fania LP -- and tacks on seven of his most popular songs from his eight albums for the label at the end. Good move -- the original LP selections are solid enough, but they lack the catchiness of the hits, and the extra tracks add a lot, especially for Bataan neophytes. Mr. New York winds ups a bit scattershot, but adding those hits from the latter stages of his Fania stay turn this disc into a makeshift, de facto, best-of collection. It's not the comprehensive one Joe Bataan probably deserves, or maybe not even an ideal introduction to his music, but it's a good one with a lot of strong performances that illuminate the late-'60s Latin soul era.
© Don Snowden /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:40:30
- Künstler: Joe Bataan
- Komponist: Various Composers
- Label: Fania
- Genre: World Music
© 1971 Craft Recordings, a division of Concord Music Group, Inc. ℗ 1971 Craft Recordings, a division of Concord Music Group, Inc.
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.