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Choir Of The Carmelite Priory, London|Manuel Cardoso: Complete Masses, Vol. 1

Manuel Cardoso: Complete Masses, Vol. 1

Choir Of The Carmelite Priory, London, Simon Lloyd

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Manuel Cardoso (1566-1650) was one of the most important composers of the golden age of Portuguese polyphony around the turn of the seventeenth century. But history has not been kind to him: the 1755 Lisbon earthquake that ruined the Convento do Carmo, where he spent most of his working life, also resulted in the loss of the only attested image of the composer and a good deal of his music – and much of that which survived has been neglected, his Masses included. This series will shed long-overdue light on these forgotten masterpieces, beginning with two "parody" Masses, so called because they are based on existing music, in this instance two Palestrina motets. © Toccata Classics

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Manuel Cardoso: Complete Masses, Vol. 1

Choir Of The Carmelite Priory, London

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Hic est discipulus ille (Palestrina)

1
Hic est discipulus ille
00:04:20

Giovanni Pierluigi da Palestrina, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

Missa hic est discipulus ille (Manuel Cardoso)

2
I. Kyrie
00:04:47

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

3
II. Gloria
00:06:23

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

4
III. Credo
00:09:54

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

5
IV. Sanctus
00:02:23

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

6
V. Benedictus
00:02:36

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

7
VI. Agnus Dei
00:01:52

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

Tradent enim vos (Palestrina)

8
Tradent enim vos
00:04:07

Giovanni Pierluigi da Palestrina, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

Missa tradent enim vos (Manuel Cardoso)

9
I.. Kyrie
00:05:08

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

10
II. Gloria
00:05:53

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

11
III. Credo
00:09:07

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

12
IV. Sanctus
00:02:39

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

13
V. Benedictus
00:02:50

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

14
VI. Agnus Dei
00:01:52

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

15
VII. Agnus Dei II
00:02:40

Manuel Cardoso, Composer - Simon Lloyd, MainArtist - Choir Of The Carmelite Priory, London, Choir, MainArtist

(C) 2021 Toccata Classics (P) 2021 Toccata Classics

Albumbeschreibung

Manuel Cardoso (1566-1650) was one of the most important composers of the golden age of Portuguese polyphony around the turn of the seventeenth century. But history has not been kind to him: the 1755 Lisbon earthquake that ruined the Convento do Carmo, where he spent most of his working life, also resulted in the loss of the only attested image of the composer and a good deal of his music – and much of that which survived has been neglected, his Masses included. This series will shed long-overdue light on these forgotten masterpieces, beginning with two "parody" Masses, so called because they are based on existing music, in this instance two Palestrina motets. © Toccata Classics

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