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Dolly Parton|Just Because I'm A Woman

Just Because I'm A Woman

Dolly Parton

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Just Because I'm a Woman was Dolly Parton's first album for RCA Victor after a few modest hits for Monument and (more importantly) becoming a regular on Porter Wagoner's television show and his frequent duet partner both on-stage and in the studio. One might have figured that, between Chet Atkins' trademark "countrypolitan" production style and Wagoner's influence, Parton's musical personality would be lost in the shuffle, but thankfully quite the opposite was true -- Just Because I'm a Woman turned out to be one of Parton's best early albums, and a superb showcase for her gifts as both a singer and songwriter. Bob Ferguson, Atkins' second-in-command at RCA, took a subdued and natural approach to the production, with a refined but organic honky tonk sound dominating many of the arrangements, though he knew when to take a more ambitious approach on the dark tale of adultery and abandonment "The Bridge." And while Dolly only gets songwriting credit on four of the album's 12 songs, they're four of the real standouts, including "You're Gonna Be Sorry," "The Bridge," and the title tune, with the rest of the selections fitting Parton's trademark blend of fragility and strength just right, and her versatile soprano voice displaying the confidence, power, and emotional range that would make her a country superstar within a few years. While Parton was not always well-served by the Nashville music factories (ironically enough, this became an even bigger problem for her after she crossed over to mainstream stardom), Just Because I'm a Woman was one of those rare examples of the bigwigs getting it right the first time out, and the album still sounds like a winner decades after its initial release.

© Mark Deming /TiVo

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Just Because I'm A Woman

Dolly Parton

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1
You're Gonna Be Sorry
00:02:14

Dolly Parton, Composer - Dolly Parton, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

2
I Wish I Felt This Way At Home
00:02:28

Howard, Composer - Howard, Lyricist - Dolly Parton, Performer

(P) 1975 BMG Music

3
False Eyelashes
00:02:29

Tubert, Composer - Tubert, Lyricist - Bob Ferguson, Producer - Tapp, Composer - Tapp, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

4
I'll Oilwells Love You
00:02:15

Owens, Composer - Owens, Lyricist - Dolly Parton, Composer - Dolly Parton, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

5
The Only Way Out (Is To Walk Over Me)
00:02:54

Victor Merritt, Composer - Victor Merritt, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

6
Little Bit Slow To Catch On
00:02:18

Putman, Composer - Putman, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

7
The Bridge
00:02:33

Dolly Parton, Composer - Dolly Parton, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

8
Love And Learn
00:02:32

Owens, Composer - Owens, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

9
I'm Running Out Of Love
00:02:05

Owens, Composer - Owens, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

10
Just Because I'm a Woman
00:03:03

Bob Ferguson, Producer - Dolly Parton, Composer - Dolly Parton, Lyricist - Dolly Parton, Performer

Originally released 1967. All rights reserved by Sony Music Entertainment

11
Baby Sister
00:02:38

Shirl Milete, Composer - Shirl Milete, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

12
Try Being Lonely
00:02:41

Charles W. Trent, Composer - Charles W. Trent, Lyricist - George McCormick, Composer - George McCormick, Lyricist - Dolly Parton, Performer

(P) Originally recorded prior to 1972. All rights reserved by BMG Music

13
Just Because I'm A Woman (Live Version)
00:03:25

Bob Ferguson, Producer - Dolly Parton, Composer - Dolly Parton, Lyricist - Dolly Parton, Performer

Originally released 1970. All rights reserved by Sony Music Entertainment

14
Coat Of Many Colors (Live Version)
00:03:19

Bob Ferguson, Producer - Dolly Parton, Composer - Dolly Parton, Lyricist - Dolly Parton, Performer

Originally released 1970. All rights reserved by Sony Music Entertainment

Albumbeschreibung

Just Because I'm a Woman was Dolly Parton's first album for RCA Victor after a few modest hits for Monument and (more importantly) becoming a regular on Porter Wagoner's television show and his frequent duet partner both on-stage and in the studio. One might have figured that, between Chet Atkins' trademark "countrypolitan" production style and Wagoner's influence, Parton's musical personality would be lost in the shuffle, but thankfully quite the opposite was true -- Just Because I'm a Woman turned out to be one of Parton's best early albums, and a superb showcase for her gifts as both a singer and songwriter. Bob Ferguson, Atkins' second-in-command at RCA, took a subdued and natural approach to the production, with a refined but organic honky tonk sound dominating many of the arrangements, though he knew when to take a more ambitious approach on the dark tale of adultery and abandonment "The Bridge." And while Dolly only gets songwriting credit on four of the album's 12 songs, they're four of the real standouts, including "You're Gonna Be Sorry," "The Bridge," and the title tune, with the rest of the selections fitting Parton's trademark blend of fragility and strength just right, and her versatile soprano voice displaying the confidence, power, and emotional range that would make her a country superstar within a few years. While Parton was not always well-served by the Nashville music factories (ironically enough, this became an even bigger problem for her after she crossed over to mainstream stardom), Just Because I'm a Woman was one of those rare examples of the bigwigs getting it right the first time out, and the album still sounds like a winner decades after its initial release.

© Mark Deming /TiVo

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