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Franz Halász|J.S. Bach: The Lute Suites

J.S. Bach: The Lute Suites

Franz Halasz

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There is no reason not to play Bach's solo lute suites on a guitar. Even beyond the usual Baroque propensity for transcribing and arranging works freely, the lute suites were not composed as a set and are of murky origins; it's not even known whether they were originally for the lute at all. Guitar heavyweights including John Williams have played these pieces, but Franz Halász here delivers beautiful, highly expressive readings that can stand with any other out there. Halász takes each movement as its own expressive whole. He applies a good deal of tempo rubato, but he always establishes a basic tempo firmly, and sometimes he dispenses with the rubato for the most part. Sample the liquid Prelude of the Suite for lute in E minor, BWV 996, which harks back to the prelude's improvisatory origins. On the other hand, the Sarabande from the late Suite (or Partita) in C minor, BWV 997, is a somber, passionate piece, with the tempo varied expressively but held in perfect control by Halász. He adds substantial ornamentation on repeats, but it neither draws attention to itself nor lets you hear the effort on the part of the performer. These are performances that respect both Bach's grace and his depth, and they are augmented by superior sound engineering from BIS, accomplished at the Großer Saal of the Hochschule für Musik und Theater in Munich. A standout Bach recording.

© TiVo

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J.S. Bach: The Lute Suites

Franz Halász

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Lute Suite in G Minor, BWV 995 (Johann Sebastian Bach)

1
I. Prelude
00:05:27

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

2
II. Allemande
00:05:40

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

3
III. Courante
00:02:20

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

4
IV. Sarabande
00:02:43

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

5
V. Gavotte I & II
00:05:03

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

6
VI. Gigue
00:02:48

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

Lute Suite in C Minor, BWV 997 "Partita" (Arr. A. Krause) (Johann Sebastian Bach)

7
I. Prelude "Fantasia"
00:03:20

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

8
II. Fugue
00:07:08

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

9
III. Sarabande
00:04:49

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

10
IV. Gigue - V. Double
00:06:15

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

Violin Partita No. 3 in E Major, BWV 1006 (Arr. A. Krause for Guitar) (Johann Sebastian Bach)

11
I. Prelude
00:03:45

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

12
II. Loure
00:03:37

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

13
III. Gavotte en rondeau
00:03:12

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

14
IV. Menuett I - V. Menuett II
00:05:08

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

15
VI. Bourrée
00:01:53

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

16
VII. Gigue
00:02:11

Johann Sebastian Bach, Composer - Ansgar Krause, Arranger - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

Lute Suite in E Minor, BWV 996 (Johann Sebastian Bach)

17
I. Prelude
00:02:42

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

18
II. Allemande
00:03:14

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

19
III. Courante
00:02:36

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

20
IV. Sarabande
00:03:52

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

21
V. Bourrée
00:01:21

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

22
VI. Gigue
00:03:28

Johann Sebastian Bach, Composer - Franz Halasz, MainArtist, AssociatedPerformer

2019 BIS 2019 (P) BIS

Albumbeschreibung

There is no reason not to play Bach's solo lute suites on a guitar. Even beyond the usual Baroque propensity for transcribing and arranging works freely, the lute suites were not composed as a set and are of murky origins; it's not even known whether they were originally for the lute at all. Guitar heavyweights including John Williams have played these pieces, but Franz Halász here delivers beautiful, highly expressive readings that can stand with any other out there. Halász takes each movement as its own expressive whole. He applies a good deal of tempo rubato, but he always establishes a basic tempo firmly, and sometimes he dispenses with the rubato for the most part. Sample the liquid Prelude of the Suite for lute in E minor, BWV 996, which harks back to the prelude's improvisatory origins. On the other hand, the Sarabande from the late Suite (or Partita) in C minor, BWV 997, is a somber, passionate piece, with the tempo varied expressively but held in perfect control by Halász. He adds substantial ornamentation on repeats, but it neither draws attention to itself nor lets you hear the effort on the part of the performer. These are performances that respect both Bach's grace and his depth, and they are augmented by superior sound engineering from BIS, accomplished at the Großer Saal of the Hochschule für Musik und Theater in Munich. A standout Bach recording.

© TiVo

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