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Danielle Bradbery|I Don't Believe We've Met (Big Machine Radio Release Special)

I Don't Believe We've Met (Big Machine Radio Release Special)

Danielle Bradbery

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Danielle Bradbery calls her second album I Don't Believe We've Met for a reason: the country singer doesn't believe she's had a proper introduction on record. She released an eponymous debut in 2013, not long after she took home the crown on the fourth season of The Voice, and while it was a hit, it was certainly the product of the Music City machine -- straight-ahead mainstream country that didn't dare take risks. That's not the case with I Don't Believe We've Met. Bradbery makes sure her sophomore album fits into the fluid musical landscape of 2017, adding in hefty doses of electronics, shades of soul, and the occasional retro flashback (best heard on the lead single, "Sway"). All of these accouterments suit a set of songs that alternate between affirmations, inspirations, and confessions. Bradbery dispenses with any old-fashioned notions of country, preferring to sing about the messiness of modern life, which can include such inconveniences as sipping red wine on a white couch. Occasionally, her words can be a little too on the nose -- "I'm in love with your potential" seems like a dismissal -- but the lyrical ambition is nearly as admirable as the shifting, multidimensional pop on I Don't Believe We've Met.

© Stephen Thomas Erlewine /TiVo

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I Don't Believe We've Met (Big Machine Radio Release Special)

Danielle Bradbery

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1
Radio Intro (Commentary)
00:05:32

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

2
Sway (Commentary)
00:03:38

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

3
Sway
00:03:33

Johan Fransson, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist - Emily Weisband, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

4
Potential (Commentary)
00:03:16

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

5
Potential
00:03:37

Danielle Bradbery, MainArtist, ComposerLyricist - Emily Weisband, ComposerLyricist - Johan Lindbrandt, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

6
What Are We Doing (Commentary)
00:03:33

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

7
What Are We Doing
00:03:19

Sam Ellis, ComposerLyricist - Thomas Rhett, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist - Emily Weisband, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

8
Worth It (Commentary)
00:04:21

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

9
Worth It
00:03:28

Jeff Pardo, ComposerLyricist - Molly Reed, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

10
Can’t Stay Mad (Commentary)
00:06:30

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

11
Can't Stay Mad
00:03:28

Steph Jones, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist - Andrew Haas, ComposerLyricist - Ian Franzino, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

12
Messy (Commentary)
00:02:32

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

13
Messy
00:03:26

Danielle Bradbery, MainArtist, ComposerLyricist - Josh Kerr, ComposerLyricist - Hannah Ellis, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

14
Red Wine + White Couch (Commentary)
00:04:30

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

15
Red Wine + White Couch
00:03:11

Nicolle Galyon, ComposerLyricist - Danielle Bradbery, MainArtist - Emily Weisband, ComposerLyricist - Alysa Vanderheym, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

16
Hello Summer (Commentary)
00:04:18

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

17
Hello Summer
00:03:00

Rhett Akins, ComposerLyricist - Julian Bunetta, ComposerLyricist - Jaren Johnston, ComposerLyricist - Thomas Rhett, ComposerLyricist - Danielle Bradbery, MainArtist

℗ 2017 Big Machine Label Group, LLC

18
Human Diary (Commentary)
00:03:32

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

19
Human Diary
00:03:46

Danielle Bradbery, MainArtist - Emily Weisband, ComposerLyricist - Josh Kerr, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

20
Laying Low (Commentary)
00:03:15

Danielle Bradbery, MainArtist, ComposerLyricist - Becca Walls, ComposerLyricist

℗ 2018 Big Machine Label Group, LLC

21
Laying Low
00:02:52

Heather Morgan, ComposerLyricist - Jason Gantt, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

Albumbeschreibung

Danielle Bradbery calls her second album I Don't Believe We've Met for a reason: the country singer doesn't believe she's had a proper introduction on record. She released an eponymous debut in 2013, not long after she took home the crown on the fourth season of The Voice, and while it was a hit, it was certainly the product of the Music City machine -- straight-ahead mainstream country that didn't dare take risks. That's not the case with I Don't Believe We've Met. Bradbery makes sure her sophomore album fits into the fluid musical landscape of 2017, adding in hefty doses of electronics, shades of soul, and the occasional retro flashback (best heard on the lead single, "Sway"). All of these accouterments suit a set of songs that alternate between affirmations, inspirations, and confessions. Bradbery dispenses with any old-fashioned notions of country, preferring to sing about the messiness of modern life, which can include such inconveniences as sipping red wine on a white couch. Occasionally, her words can be a little too on the nose -- "I'm in love with your potential" seems like a dismissal -- but the lyrical ambition is nearly as admirable as the shifting, multidimensional pop on I Don't Believe We've Met.

© Stephen Thomas Erlewine /TiVo

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