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Christopher Purves|Handel: Finest Arias for Base (Bass) Voice, Vol. 1

Handel: Finest Arias for Base (Bass) Voice, Vol. 1

Arcangelo, Christopher Purves, Jonathan Cohen

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There's no shortage of Handel aria recitals these days, especially in Britain, but this one by bass baritone Christopher Purves stands out from the crowd in several respects. First of all, it is rare in collecting arias for bass voice, which was, in Handel's time as it was later on, generally associated with a few fixed and generally negative character types (tyrants, rogues, repressive patriarchs). Second, it's a very pleasantly varied collection of tunes, including displays of brilliant passagework, out-of-the-norm writing in service of characterization (Fra l'ombre e gl'orrori, from Aci, Galatea e Polifemo, track 4), and high climactic drama (the big, three-part Revenge, Timotheus cries, from Alexander's Feast, track 19, is a familiar example). Finally, Purves unearths some rarely heard pieces and programs them intelligently. When did anyone last year anything from Muzio Scevola, or Riccardo Primo, rè d'Inghilterra, which must have pleased London audiences in 1727 despite its Italian-language text. Purves does not have the biggest voice in the bass baritone universe, and there could be a bit more sound in the very low notes. But the dimensions of the music are right for the period. He's pleasingly accurate in the passagework, and he's a real actor who makes these potentially stilted characters come alive. Listeners will want to hear Purves in a small production of one of these operas after hearing this album, preferably accompanied by the strong historical-instrument group Arcangelo under Jonathan Cohen, as he is here.

© TiVo

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Handel: Finest Arias for Base (Bass) Voice, Vol. 1

Christopher Purves

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1
Rinaldo, HWV 7a, Act I: No. 10, Aria. Sibilar gli angui d'Aletto (Argante)
Arcangelo
00:04:49

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Giacomo Rossi, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

2
Acis and Galatea, HWV 49a, Act II: No. 2, Accompagnato. I Rage, I Melt, I Burn! (Polyphemus)
Jonathan Cohen
00:01:20

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - John Hughes, Author - John Gay, Author - Alexander Pope, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

3
Acis and Galatea, HWV 49a, Act II: No. 3, Air. O Ruddier Than the Cherry (Polyphemus)
Christopher Purves
00:03:12

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - John Hughes, Author - John Gay, Author - Alexander Pope, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

4
Aci, Galatea e Polifemo, HWV 72: No. 23, Aria. Fra l'ombre e gl'orrori (Polifemo)
Christopher Purves
00:06:58

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist - Nicola Giuvo, Author

℗ 2012 Hyperion Records Limited

5
L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: No. 14, Recit. If I Give Thee Honour Due (L'Allegro)
Arcangelo
00:00:11

George Frideric Handel, Composer - John Milton, Author - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - JAMES HARRIS, Author - Charles Jennens, Author - Robert King, Contributor, Work Editor - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

6
L'Allegro, il Penseroso ed il Moderato, HWV 55, Pt. 1: No. 15, Air. Mirth, Admit Me of Thy Crew (L'Allegro)
Jonathan Cohen
00:02:33

George Frideric Handel, Composer - John Milton, Author - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - JAMES HARRIS, Author - Charles Jennens, Author - Robert King, Contributor, Work Editor - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

7
La resurrezione, HWV 47, Pt. 1: No. 3, Accompagnato. Qual'insolita luce (Lucifero)
Jonathan Cohen
00:01:09

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Carlo Sigismondo Capece, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

8
La resurrezione, HWV 47, Pt. 1: No. 4, Aria. Caddi, è ver (Lucifero)
Jonathan Cohen
00:04:14

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Carlo Sigismondo Capece, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

9
Deborah, HWV 51, Pt. 3: No. 2, Air. Tears, Such as Tender Fathers Shed (Abinoam)
Arcangelo
00:02:30

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist - Samuel Humphreys, Author

℗ 2012 Hyperion Records Limited

10
Belshazzar, HWV 61, Act III Scene 3: Air. To Pow'r Immortal My First Thanks Are Due (Gobrias)
Jonathan Cohen
00:03:54

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Charles Jennens, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

11
Orlando, HWV 31, Act III: No. 10, Accompagnato. Impari ognun da Orlando (Zoroastro)
Jonathan Cohen
00:01:11

George Frideric Handel, ComposerLyricist - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

12
Orlando, HWV 31, Act III: No. 11, Aria. Sorge infausta una procella (Zoroastro)
Jonathan Cohen
00:04:35

George Frideric Handel, ComposerLyricist - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

13
Theodora, HWV 68, Act I, Scene 1: No. 6. Aria. Racks, Gibbets, Sword and Fire (Valens)
Christopher Purves
00:03:55

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Thomas Morell, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

14
Muzio Scevola, HWV 13, Act III: No. 6, Aria. Volate più dei venti (Porsena)
Christopher Purves
00:03:23

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Paolo Antonio Rolli, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

15
Agrippina, HWV 6, Act I: Aria. Vieni, o cara (Claudio)
Arcangelo
00:01:45

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Vincenzo Grimani, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

16
Riccardo Primo, Re d'Inghilterra, HWV 23, Act III: Aria. Nel mondo e nell'abisso (Isacio)
Christopher Purves
00:03:12

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Paolo Antonio Rolli, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

17
Apollo e Dafne, HWV 122: No. 17, Aria. Mie piante correte (Apollo)
Christopher Purves
00:02:49

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist - Nicola Giuvo, Author

℗ 2012 Hyperion Records Limited

18
Apollo e Dafne, HWV 122: No. 18, Aria. Cara pianta (Apollo)
Christopher Purves
00:07:27

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist - Nicola Giuvo, Author

℗ 2012 Hyperion Records Limited

19
Alexander's Feast, HWV 75, Pt. 2: No. 2, Air. Revenge, Timotheus Cries
Arcangelo
00:07:54

George Frideric Handel, Composer - Newburgh Hamilton, Author - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - John Dryden, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

20
Semele, HWV 58, Act III: No. 2, Air. Leave Me, Loathsome Light (Somnus)
Arcangelo
00:03:40

George Frideric Handel, Composer - Christopher Purves, Baritone, MainArtist, AssociatedPerformer - William Congreve, Author - Arcangelo, Chamber Ensemble, MainArtist, AssociatedPerformer - Jonathan Cohen, Conductor, MainArtist

℗ 2012 Hyperion Records Limited

Albumbeschreibung

There's no shortage of Handel aria recitals these days, especially in Britain, but this one by bass baritone Christopher Purves stands out from the crowd in several respects. First of all, it is rare in collecting arias for bass voice, which was, in Handel's time as it was later on, generally associated with a few fixed and generally negative character types (tyrants, rogues, repressive patriarchs). Second, it's a very pleasantly varied collection of tunes, including displays of brilliant passagework, out-of-the-norm writing in service of characterization (Fra l'ombre e gl'orrori, from Aci, Galatea e Polifemo, track 4), and high climactic drama (the big, three-part Revenge, Timotheus cries, from Alexander's Feast, track 19, is a familiar example). Finally, Purves unearths some rarely heard pieces and programs them intelligently. When did anyone last year anything from Muzio Scevola, or Riccardo Primo, rè d'Inghilterra, which must have pleased London audiences in 1727 despite its Italian-language text. Purves does not have the biggest voice in the bass baritone universe, and there could be a bit more sound in the very low notes. But the dimensions of the music are right for the period. He's pleasingly accurate in the passagework, and he's a real actor who makes these potentially stilted characters come alive. Listeners will want to hear Purves in a small production of one of these operas after hearing this album, preferably accompanied by the strong historical-instrument group Arcangelo under Jonathan Cohen, as he is here.

© TiVo

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