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A respectable record that, even more than many Stax albums from the late '60s and early '70s, has a substantial gospel influence. Gospel was an influence in just about every soul record, of course, but you really hear it with this quartet, especially in the opening, eight-minute "I Want to Be Loved." The mood is funky but a bit more low-key and subdued than was the case on many such LPs of the time, which is a plus -- it makes the record stand out from the crowd a little. The presence of different male and female lead singers, and shared leads within the same song, also gives it some welcome variety, even if the group didn't have what it took to be considered among the top tier of soulsters, either in terms of vocals or material. J. Blackfoot's hoarse, scratchy leads (like a muted mixture of James Brown and Otis Redding) provide the most distinctive voice. And it's his lead that paces "Hearsay," the album's upbeat hit single, which made number five on the R&B charts and the middle of the pop charts. The album was paired with 1974's Friction on a single-disc CD reissue.
© Richie Unterberger /TiVo
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Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - Marvell Thomas, Keyboards, AssociatedPerformer - Howard Grimes, Drums, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer - Samuel D. Bell, ComposerLyricist
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - Marvell Thomas, Keyboards, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Bobby Newsome, ComposerLyricist - Daryl Williams, Recording Engineer, StudioPersonnel - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - Norman West, ComposerLyricist - Marvell Thomas, Keyboards, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - John Colbert, ComposerLyricist - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records
Al Jackson, Jr., Producer - John Gary, ComposerLyricist - Larry Nix, Mastering Engineer, StudioPersonnel - Tommy Tate, ComposerLyricist - Marvell Thomas, Keyboards, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - Marvell Thomas, Keyboards, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Bettye Crutcher, ComposerLyricist - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - Bob Manuel, ComposerLyricist - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - James Mitchell, ComposerLyricist - Marvell Thomas, Keyboards, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - Steve Cropper, ComposerLyricist - Eddie Floyd, ComposerLyricist - Marvell Thomas, Keyboards, AssociatedPerformer - Al Bell, ComposerLyricist - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - Eddie Floyd, ComposerLyricist - Marvell Thomas, Keyboards, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Al Jackson, Jr., Producer - Larry Nix, Mastering Engineer, StudioPersonnel - Marvell Thomas, Keyboards, AssociatedPerformer - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Bettye Crutcher, ComposerLyricist - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - Bob Manuel, ComposerLyricist - The M.G.'s, Ensemble - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Raymond Jackson, Guitar, AssociatedPerformer, ComposerLyricist - Al Jackson, Jr., Drums, AssociatedPerformer - Larry Nix, Mastering Engineer, StudioPersonnel - Carl Hampton, Producer, Recording Producer, ComposerLyricist - The Bar-Kays, Ensemble - Marvell Thomas, Keyboards, AssociatedPerformer - Homer Banks, Producer, Recording Producer, ComposerLyricist - Bobby Manuel, Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Eddie Marion, Recording Engineer, StudioPersonnel - The Soul Children, MainArtist - Daryl Williams, Recording Engineer, StudioPersonnel - John Keister, Keyboards, AssociatedPerformer
℗ 1972 Stax Records, a division of Concord Music Group, Inc.
Albumbeschreibung
A respectable record that, even more than many Stax albums from the late '60s and early '70s, has a substantial gospel influence. Gospel was an influence in just about every soul record, of course, but you really hear it with this quartet, especially in the opening, eight-minute "I Want to Be Loved." The mood is funky but a bit more low-key and subdued than was the case on many such LPs of the time, which is a plus -- it makes the record stand out from the crowd a little. The presence of different male and female lead singers, and shared leads within the same song, also gives it some welcome variety, even if the group didn't have what it took to be considered among the top tier of soulsters, either in terms of vocals or material. J. Blackfoot's hoarse, scratchy leads (like a muted mixture of James Brown and Otis Redding) provide the most distinctive voice. And it's his lead that paces "Hearsay," the album's upbeat hit single, which made number five on the R&B charts and the middle of the pop charts. The album was paired with 1974's Friction on a single-disc CD reissue.
© Richie Unterberger /TiVo
Informationen zu dem Album
- 1 Disc(s) - 10 Track(s)
- Gesamte Laufzeit: 00:44:22
- Künstler: The Soul Children
- Komponist: Various Composers
- Label: Craft Recordings
- Genre: Soul/Funk/R&B R&B
© 2019 Craft Recordings. ℗ 2019 Craft Recordings.
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