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Gladys Knight & The Pips|Feelin' Bluesy

Feelin' Bluesy

Gladys Knight & The Pips

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By then Knight & the Pips seemed to be locked in a "cutting contest" with several other Motown acts (Marvin Gaye, the Temptations, Edwin Starr, even Jimmy Ruffin) as they were covering differing versions of songs producer/writer Norman Whitfield has in his catalogue. The best track here is a stunning rendition of Kim Weston's "It Should Have Been Me," given a glossy pop veneer that effectively contrasted Knight's grittiness. It was said that the group cut a series of tracks in a much rawer R&B idiom with writer/producer Ivy Joe Hunter early on their tenure, but save for a few album cuts, many of them were shelved and are still in Motown's vaults to this day.

© John Lowe /TiVo

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Feelin' Bluesy

Gladys Knight & The Pips

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1
The End Of Our Road (Single Version)
00:02:16

Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist - Rodger Penzabene, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

2
That's The Way Love Is
00:02:34

Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

3
Don't You Miss Me A Little Bit Baby
00:02:39

Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist - Rodger Penzabene, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

4
The Boy From Crosstown
00:03:06

Eddie Holland, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

5
Ain't You Glad You Chose Love
00:02:56

Gladys Knight, Vocals, AssociatedPerformer - SMOKEY ROBINSON, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

6
I Know Better
00:02:45

Gladys Knight, Vocals, AssociatedPerformer - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist - R. Dean Taylor, ComposerLyricist

℗ 1968 UMG Recordings, Inc.

7
Don't Let Her Take Your Love From Me (Single Version)
00:02:49

Gladys Knight, Vocals, AssociatedPerformer - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1968 UMG Recordings, Inc.

8
It Should Have Been Me
00:02:46

Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist - William Mickey Stevenson, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

9
Don't Turn Me Away
00:02:52

William Weatherspoon, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist - James Dean, Producer, ComposerLyricist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

10
What Good Am I Without You
00:03:20

Sylvia Rose Moy, ComposerLyricist - Johnny Bristol, Producer, ComposerLyricist - HARVEY FUQUA, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

11
Your Old Standby
00:02:32

William Robinson, Jr., ComposerLyricist - Janie Bradford, ComposerLyricist - Gladys Knight, Vocals, AssociatedPerformer - SMOKEY ROBINSON, Producer - Gladys Knight & The Pips, MainArtist

℗ 1968 Motown Records, a Division of UMG Recordings, Inc.

12
It's Time To Go Now
00:02:29

Gladys Knight, Vocals, AssociatedPerformer - Barrett Strong, ComposerLyricist - Norman Whitfield, Producer, ComposerLyricist - Gladys Knight & The Pips, MainArtist

℗ 1967 Motown Records, a Division of UMG Recordings, Inc.

Albumbeschreibung

By then Knight & the Pips seemed to be locked in a "cutting contest" with several other Motown acts (Marvin Gaye, the Temptations, Edwin Starr, even Jimmy Ruffin) as they were covering differing versions of songs producer/writer Norman Whitfield has in his catalogue. The best track here is a stunning rendition of Kim Weston's "It Should Have Been Me," given a glossy pop veneer that effectively contrasted Knight's grittiness. It was said that the group cut a series of tracks in a much rawer R&B idiom with writer/producer Ivy Joe Hunter early on their tenure, but save for a few album cuts, many of them were shelved and are still in Motown's vaults to this day.

© John Lowe /TiVo

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