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Embrace|Embrace

Embrace

Embrace

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The band's one album, taken from two separate mid-'80s recording sessions, finds the fusion of Faith's instrumentalists and Minor Threat's singer -- Ian MacKaye himself, older brother of Faith's singer Alex -- a successful enough blast of post-hardcore. It's no surprise per se that MacKaye wanted to push himself more strongly in future; compared to Fugazi, Embrace is fine but nowhere near as gripping or inventive. As a vehicle for his righteous, cutting lyrics and strong voice, though, it's more than fine. With engineering help from the legendary Don Zientara, everything's well-recorded and produced, MacKaye clearly cutting through the heavy band crunch. Interestingly, the instruments that come through the best are Ivor Hanson's drums, a neat switch around from the usual domination via guitar. Not that Michael Hampton's work sounds weak or poor; if anything, he brings a sharp turn-of-the-'80s U.K. style to fore, with the understated inventiveness of John McGeoch's early work in Magazine and Siouxsie and the Banshees. Consider his exuberant performance on "Dance of Days," both fiery and just pretty enough. Compared to both Faith's and Minor Threat's work in general, Embrace tries for something a touch poppier and a little less immediately frenetic, like a pause for breath after a full-on rampage. MacKaye's lyrical aim dwells as much on personal concerns and a search for courage as much as anything, continuing the themes of earlier efforts as "Look Back and Laugh." "Building" revolves around self-accusations of failure, while the shimmering, reverb-touched drive of "Do Not Consider Yourself Free" urges vigilance with the realization that "there are others held captive." It's not quite the birth of emo -- if anything, Rites of Spring found themselves saddled with that peculiar honor -- but it's easy enough to imagine more than a few '90s bands taking the words as holy writ.

© Ned Raggett /TiVo

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Embrace

Embrace

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1
Give Me Back
00:02:30

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

2
Dance Of Days
00:02:16

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

3
Building
00:01:58

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

4
Past
00:01:53

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

5
Spoke
00:01:59

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

6
Do Not Consider Yourself Free
00:02:23

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

7
No More Pain
00:03:11

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

8
I Wish I
00:02:10

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

9
Said Gun
00:02:10

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

10
Can't Forgive
00:02:31

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

11
Money
00:02:37

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

12
If I Never Thought About It
00:02:31

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

13
End Of A Year
00:02:36

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

14
Last Song
00:02:39

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

15
Money (alternate version)
00:02:48

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

16
Dance Of Days (alternate version)
00:02:41

Ian MacKaye, Composer, Lyricist - Embrace, MainArtist - Michael Hampton, Composer - Chris Bald, Composer - Ivor Hanson, Composer

1987 Dischord Records 1987 Dischord Records

Albumbeschreibung

The band's one album, taken from two separate mid-'80s recording sessions, finds the fusion of Faith's instrumentalists and Minor Threat's singer -- Ian MacKaye himself, older brother of Faith's singer Alex -- a successful enough blast of post-hardcore. It's no surprise per se that MacKaye wanted to push himself more strongly in future; compared to Fugazi, Embrace is fine but nowhere near as gripping or inventive. As a vehicle for his righteous, cutting lyrics and strong voice, though, it's more than fine. With engineering help from the legendary Don Zientara, everything's well-recorded and produced, MacKaye clearly cutting through the heavy band crunch. Interestingly, the instruments that come through the best are Ivor Hanson's drums, a neat switch around from the usual domination via guitar. Not that Michael Hampton's work sounds weak or poor; if anything, he brings a sharp turn-of-the-'80s U.K. style to fore, with the understated inventiveness of John McGeoch's early work in Magazine and Siouxsie and the Banshees. Consider his exuberant performance on "Dance of Days," both fiery and just pretty enough. Compared to both Faith's and Minor Threat's work in general, Embrace tries for something a touch poppier and a little less immediately frenetic, like a pause for breath after a full-on rampage. MacKaye's lyrical aim dwells as much on personal concerns and a search for courage as much as anything, continuing the themes of earlier efforts as "Look Back and Laugh." "Building" revolves around self-accusations of failure, while the shimmering, reverb-touched drive of "Do Not Consider Yourself Free" urges vigilance with the realization that "there are others held captive." It's not quite the birth of emo -- if anything, Rites of Spring found themselves saddled with that peculiar honor -- but it's easy enough to imagine more than a few '90s bands taking the words as holy writ.

© Ned Raggett /TiVo

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