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Michael Andrews|Donnie Darko (Original Motion Picture Soundtrack)

Donnie Darko (Original Motion Picture Soundtrack)

Michael Andrews

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The most remarkable thing about Richard Kelly's directorial debut, Donnie Darko, is its sheer tenacity. After suffering the fatal blow of a post-September 11 release date, the ominous film, which features the destruction of a sleepy suburban household by a falling jet engine, was pulled from theaters. Its subsequent release on video garnered a rabid fan base that elevated the movie to cult status, spawning hundreds of websites devoted to untangling its spidery threads of time-travel logic and spiritual chicanery. Rookie composer Michael Andrews, whose only previous work was for television's Freaks and Geeks, captures the underlying dread and unsettling beauty of the film by remaining reverent to it. Clocking in at just over 30 minutes, the heart of the piece is a pulsing, hypnotic waltz that transports you to the alternate-reality Middlesex, VA where the film takes place. His use of period (1980s) synths and a voxophone, tastefully punctuated by sparse choral arrangements, evoke a Danny Elfman score leached of bombast and quivering in its naked form. Like Air's soundtrack to The Virgin Suicides, Andrews' songs create such a specific sense of place that an entirely different film would emerge in their absence, robbing the consumer of its dizzying afterglow -- the soft, walking pianos on "The Artifact and Living" and "Rosie Darko" tiptoe through your subconscious for weeks. Due to the sparse, six-million-dollar budget of the movie, the producers had to decide whether or not to include celluloid-only tracks like "Killing Moon" by Echo & the Bunnymen and "Under the Milky Way" by the Church or pay for the special effects. They wisely opted for the latter, threw in an extra quarter and allowed Andrews and singer-songwriter Gary Jules to construct the heartbreaking re-working of Tears for Fears' 1983 hit "Mad World," that delivers the last play on Donnie Darko's haunting, apocalyptic jukebox.

© TiVo

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Donnie Darko (Original Motion Picture Soundtrack)

Michael Andrews

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1
Carpathian Ridge
00:01:34

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

2
The Tangent Universe
00:01:49

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

3
The Artifact & Living
00:02:28

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

4
Middlesex Times
00:01:41

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

5
Manipulated Living
00:02:09

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

6
Philosophy of Time Travel
00:02:02

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

7
Liquid Spear Waltz
00:01:33

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

8
Gretchen Ross
00:00:51

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

9
Burn It to the Ground
00:01:58

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

10
Slipping Away
00:01:15

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

11
Rosie Darko
00:01:25

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

12
Cellar Door
00:01:03

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

13
Ensurance Trap
00:03:11

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

14
Waltz in the 4th Dimension
00:02:46

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

15
Time Travel
00:03:02

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

16
Did You Know Him?
00:01:50

Michael Andrews, Composer, MainArtist - Elgonix Music / Sockeye Music Inc. (BMI), MusicPublisher

2002 Everloving, Inc. 2001 Elgonix Music / Sockeye Music Inc. (BMI)

17
Mad World
00:03:04

Michael Andrews, MainArtist - Gary Jules, FeaturedArtist - BMG Blue (BMI), MusicPublisher - Roland Orzibal, Composer

2002 Everloving, Inc. 1983 BMG Blue (BMI)

18
Mad World (Alternate Version)
00:03:40

Michael Andrews, MainArtist - Gary Jules, FeaturedArtist - BMG Blue (BMI), MusicPublisher - Roland Orzibal, Composer

2002 Everloving, Inc. 1983 BMG Blue (BMI)

Albumbeschreibung

The most remarkable thing about Richard Kelly's directorial debut, Donnie Darko, is its sheer tenacity. After suffering the fatal blow of a post-September 11 release date, the ominous film, which features the destruction of a sleepy suburban household by a falling jet engine, was pulled from theaters. Its subsequent release on video garnered a rabid fan base that elevated the movie to cult status, spawning hundreds of websites devoted to untangling its spidery threads of time-travel logic and spiritual chicanery. Rookie composer Michael Andrews, whose only previous work was for television's Freaks and Geeks, captures the underlying dread and unsettling beauty of the film by remaining reverent to it. Clocking in at just over 30 minutes, the heart of the piece is a pulsing, hypnotic waltz that transports you to the alternate-reality Middlesex, VA where the film takes place. His use of period (1980s) synths and a voxophone, tastefully punctuated by sparse choral arrangements, evoke a Danny Elfman score leached of bombast and quivering in its naked form. Like Air's soundtrack to The Virgin Suicides, Andrews' songs create such a specific sense of place that an entirely different film would emerge in their absence, robbing the consumer of its dizzying afterglow -- the soft, walking pianos on "The Artifact and Living" and "Rosie Darko" tiptoe through your subconscious for weeks. Due to the sparse, six-million-dollar budget of the movie, the producers had to decide whether or not to include celluloid-only tracks like "Killing Moon" by Echo & the Bunnymen and "Under the Milky Way" by the Church or pay for the special effects. They wisely opted for the latter, threw in an extra quarter and allowed Andrews and singer-songwriter Gary Jules to construct the heartbreaking re-working of Tears for Fears' 1983 hit "Mad World," that delivers the last play on Donnie Darko's haunting, apocalyptic jukebox.

© TiVo

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