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Rogue Wave|Descended Like Vultures

Descended Like Vultures

Rogue Wave

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Rogue Wave's second album is at its heart no great departure from their first. Like Out of the Shadow, Descended Like Vultures is indie rock through and through. There isn't a moment that doesn't feel influenced, borrowed, or previously released by Death Cab, Elliott Smith, Yo La Tengo, Lou Barlow, and so on. Luckily there also isn't a moment that's not tuneful, exciting, or ingratiating; it's second-hand but runs just like new. Indeed, sweet vocal harmonies, melodies that hook you instantly, and arrangements that envelop you in their gooey goodness are still the backbone of the Rogue Wave sound. And again there is a nice mix of rockers ("10:1," "Publish My Love"), mellow and intimate acoustic ballads ("California," "Temporary"), and moody pop tunes ("Catform," "Are You on My Side"). This time out Zach Rogue is joined by a full band, though it's mainly Pat Spurgeon who plays jack of all by providing able backing on drums, guitars, keys, bass, and autoharp. This reliance on other people doesn't tamper with the winning formula much, though the production does. Unlike the first album, which had a homey, lo-fi energy, this one feels shiny and professional like it was cut by real musicians doing it for real in a real studio. The guitars are thick and layered, the drums upfront and loud, the lead vocals very lush and reverbed. It gives the album's big ballads like the opening "Bird on a Wire" or the ebbing-and-flowing "You" a naturally epic feel that other bands have to try way too hard to achieve. Unfortunately, on the rest of the record it adds an extra layer of studio realness that takes away most of the intimate charm the group had so much of previously. With Descended Like Vultures, Rogue Wave have become just another indie rock band, one that has delivered a strong album without a weak song on it, but a real band just the same. Hopefully, the people who fell in love with the first album will stick with Rogue Wave and see through the shine to the substance, because it is there and the album is good, just in a different way.
© Tim Sendra /TiVo

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Descended Like Vultures

Rogue Wave

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1
Bird on a Wire
00:03:40

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

2
Publish My Love
00:03:43

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

3
Salesman at the Day of the Parade
00:02:36

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

4
Catform
00:03:12

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

5
Love's Lost Guarantee
00:04:44

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

6
0,4173611111
00:03:20

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

7
California
00:04:06

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

8
Are You on My Side
00:04:19

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

9
Medicine Ball
00:01:54

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

10
You
00:05:46

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

11
Temporary
00:02:45

Rogue Wave, Composer, Lyricist, MainArtist

2005 Sub Pop Records 2005 Sub Pop Records

Albumbeschreibung

Rogue Wave's second album is at its heart no great departure from their first. Like Out of the Shadow, Descended Like Vultures is indie rock through and through. There isn't a moment that doesn't feel influenced, borrowed, or previously released by Death Cab, Elliott Smith, Yo La Tengo, Lou Barlow, and so on. Luckily there also isn't a moment that's not tuneful, exciting, or ingratiating; it's second-hand but runs just like new. Indeed, sweet vocal harmonies, melodies that hook you instantly, and arrangements that envelop you in their gooey goodness are still the backbone of the Rogue Wave sound. And again there is a nice mix of rockers ("10:1," "Publish My Love"), mellow and intimate acoustic ballads ("California," "Temporary"), and moody pop tunes ("Catform," "Are You on My Side"). This time out Zach Rogue is joined by a full band, though it's mainly Pat Spurgeon who plays jack of all by providing able backing on drums, guitars, keys, bass, and autoharp. This reliance on other people doesn't tamper with the winning formula much, though the production does. Unlike the first album, which had a homey, lo-fi energy, this one feels shiny and professional like it was cut by real musicians doing it for real in a real studio. The guitars are thick and layered, the drums upfront and loud, the lead vocals very lush and reverbed. It gives the album's big ballads like the opening "Bird on a Wire" or the ebbing-and-flowing "You" a naturally epic feel that other bands have to try way too hard to achieve. Unfortunately, on the rest of the record it adds an extra layer of studio realness that takes away most of the intimate charm the group had so much of previously. With Descended Like Vultures, Rogue Wave have become just another indie rock band, one that has delivered a strong album without a weak song on it, but a real band just the same. Hopefully, the people who fell in love with the first album will stick with Rogue Wave and see through the shine to the substance, because it is there and the album is good, just in a different way.
© Tim Sendra /TiVo

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