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The Beautiful South|Choke

Choke

The Beautiful South

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Text in englischer Sprache verfügbar

Their 1989 debut was hailed for reinserting cynicism, doubt, and biting sarcasm into pop music. But when Choke arrived a year later, Paul Heaton and the Beautiful South encountered a good amount of critical blowback. "Too clever!" they cried. "Too cynical!" It was true -- kind of. As before, tales of codependence and things seen that should never have been unfolded over the course of irresistible little pop songs. But "I Hate You (But You're Interesting)" twisted the knife even deeper. While the main thrust of the song suggested sitting on a beach lost in painful memory, sprightly piano kept drowning out the seagulls like a memory too strong to shake. Maybe this sort of thing hit too close to home for some; for others, it was just an extension of the Smiths' self-love/hate. So even if Choke wasn't as successful as its predecessor, that it would give people fits at all probably pleased Heaton to no end. A lounge-y cover of "What You See Is What You Get" smirked with its own effeteness, "Tonight I Fancy Myself" gave the band's three vocalists a peppy arrangement over which to harmonize and numerous songs showcased the bracing vocals of Briana Corrigan playing off of Heaton's ironic croon. All of Choke's light, jazz-tinged arrangements had a great time concealing the Beautiful South's ghastly tales in their own way. Perhaps the only reason they were accused of being too clever was because their skewering of society was too accurate.

© Johnny Loftus /TiVo

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Choke

The Beautiful South

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1
Tonight I Fancy Myself
00:03:27

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

2
My Book (Album Version)
00:03:19

Simon Law, ComposerLyricist - Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - NELLEE HOOPER, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Caron Wheeler, ComposerLyricist - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Trevor Romeo, ComposerLyricist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

3
Let Love Speak Up Itself
00:05:06

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

4
Should've Kept My Eyes Shut
00:03:25

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

5
I've Come For My Award
00:03:13

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - The Beautiful South, MainArtist

℗ 1990 Go! Discs Ltd.

6
Lips
00:01:13

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

7
I Think The Answer's Yes
00:05:17

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

8
A Little Time
00:02:59

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

9
Mother's Pride
00:02:04

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

10
I Hate You (But You're Interesting)
00:03:45

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

11
The Rising Of Grafton Street
00:03:05

Michael Hedges, Producer - Dave Rotheray, ComposerLyricist - Paul Heaton, ComposerLyricist - Rupert Coulson, Engineer, StudioPersonnel - Ben Kape, Engineer, StudioPersonnel - The Beautiful South, MainArtist - Lance Phillips, Engineer, StudioPersonnel

℗ 1990 Go! Discs Ltd.

Albumbeschreibung

Their 1989 debut was hailed for reinserting cynicism, doubt, and biting sarcasm into pop music. But when Choke arrived a year later, Paul Heaton and the Beautiful South encountered a good amount of critical blowback. "Too clever!" they cried. "Too cynical!" It was true -- kind of. As before, tales of codependence and things seen that should never have been unfolded over the course of irresistible little pop songs. But "I Hate You (But You're Interesting)" twisted the knife even deeper. While the main thrust of the song suggested sitting on a beach lost in painful memory, sprightly piano kept drowning out the seagulls like a memory too strong to shake. Maybe this sort of thing hit too close to home for some; for others, it was just an extension of the Smiths' self-love/hate. So even if Choke wasn't as successful as its predecessor, that it would give people fits at all probably pleased Heaton to no end. A lounge-y cover of "What You See Is What You Get" smirked with its own effeteness, "Tonight I Fancy Myself" gave the band's three vocalists a peppy arrangement over which to harmonize and numerous songs showcased the bracing vocals of Briana Corrigan playing off of Heaton's ironic croon. All of Choke's light, jazz-tinged arrangements had a great time concealing the Beautiful South's ghastly tales in their own way. Perhaps the only reason they were accused of being too clever was because their skewering of society was too accurate.

© Johnny Loftus /TiVo

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