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Marcus Bosch, sinfonieorchester Aachen|Brahms: Symphonies Nos. 2 & 3

Brahms: Symphonies Nos. 2 & 3

Marcus Bosch

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After recording the symphonies of Anton Bruckner for Coviello, Marcus Bosch and the Aachen Symphony Orchestra turn their attention to the symphonies of Johannes Brahms. This hybrid SACD offers the Symphony No. 2 in D major and the Symphony No. 3 in F major in spacious sound and deep dimensions, with the clean and airy reproduction for which this label is known. However, there are a few idiosyncrasies about the performances that take some getting used to, such as the curiously brittle tone of the timpani, which are ostensibly played with hard mallets, and the pronounced staccato accents and clipped phrases, which at times make the music choppy. It would seem that Bosch is trying to avoid luxurious sounds at all costs and aims instead to supply lean textures and sinewy lines, giving these pieces edginess and muscularity, an unusual approach when compared with any number of lush and leisurely interpretations on the market. While this is a valid way to make the symphonies sound fresh and vital, one might wish that the orchestral blend was richer, rounder, and more burnished in tone, if only to take full advantage of the multichannel audiophile recording.

© TiVo

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Brahms: Symphonies Nos. 2 & 3

Marcus Bosch, sinfonieorchester Aachen

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1
Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo
Marcus Bosch
00:18:59

Aachen Symphony Orchestra, Orchestra - Marcus Bosch, Conductor - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

2
Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo
Marcus Bosch
00:08:07

Aachen Symphony Orchestra, Orchestra - Marcus Bosch, Conductor - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

3
Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso
Marcus Bosch
00:04:47

Aachen Symphony Orchestra, Orchestra - Marcus Bosch, Conductor - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

4
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito
Marcus Bosch
00:09:38

Aachen Symphony Orchestra, Orchestra - Marcus Bosch, Conductor - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

5
Symphony No. 3 in F Major, Op. 90: I. Allegro con brio
Marcus Bosch
00:12:29

Marcus Bosch, Conductor - Aachen Symphony Orchestra, Orchestra - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

6
Symphony No. 3 in F Major, Op. 90: II. Andante
Marcus Bosch
00:07:04

Marcus Bosch, Conductor - Aachen Symphony Orchestra, Orchestra - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

7
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto
Marcus Bosch
00:05:27

Marcus Bosch, Conductor - Aachen Symphony Orchestra, Orchestra - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

8
Symphony No. 3 in F Major, Op. 90: IV. Allegro
Marcus Bosch
00:08:11

Marcus Bosch, Conductor - Aachen Symphony Orchestra, Orchestra - Johannes Brahms, Composer

2012 Mielke Bergfeld Musikproduktion KG 2012 Mielke Bergfeld Musikproduktion KG

Albumbeschreibung

After recording the symphonies of Anton Bruckner for Coviello, Marcus Bosch and the Aachen Symphony Orchestra turn their attention to the symphonies of Johannes Brahms. This hybrid SACD offers the Symphony No. 2 in D major and the Symphony No. 3 in F major in spacious sound and deep dimensions, with the clean and airy reproduction for which this label is known. However, there are a few idiosyncrasies about the performances that take some getting used to, such as the curiously brittle tone of the timpani, which are ostensibly played with hard mallets, and the pronounced staccato accents and clipped phrases, which at times make the music choppy. It would seem that Bosch is trying to avoid luxurious sounds at all costs and aims instead to supply lean textures and sinewy lines, giving these pieces edginess and muscularity, an unusual approach when compared with any number of lush and leisurely interpretations on the market. While this is a valid way to make the symphonies sound fresh and vital, one might wish that the orchestral blend was richer, rounder, and more burnished in tone, if only to take full advantage of the multichannel audiophile recording.

© TiVo

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