Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
Text in englischer Sprache verfügbar
Corey Hart quickly followed the success of his 1984 debut album, First Offense, and its blockbuster single, "Sunglasses at Night," with Boy in the Box in 1985. If First Offense used new wave synths as flair for Hart's rock-oriented mainstream pop, Boy in the Box is a thoroughly modern album, at least according to the standards of 1985. Most of the rhythms are synthesized, all the arrangements are built on keyboards, the guitars are processed so they're clean, brittle, and echoey, all adding up to an album that pretty much defines the sound of mainstream contemporary pop in 1985. Although none of the songs here have the sleek ominous undertow of "Sunglasses at Night," as an album Boy in the Box is more distinctive than First Offense, building on the vibe of "Sunglasses at Night" often to strong results. Hart spends a lot of time brooding on this album, cultivating the sullen loner vibe that "Sunglasses" captured so well; even the lively title track has a touch of emotional claustrophobia running beneath it. But it's isn't just introspection here -- Hart tackles Communism on "Komrade Kiev," and the album's hit, "Never Surrender," is a soaring power ballad of empowerment, giving this album a greater musical and emotional range than his debut. If Boy in the Box still sounds tied to its time, so be it -- most albums can't help but reflect the times that made them. But among mainstream new wave-influenced pop/rock albums from 1985, this is one of the more intriguing ones.
© Stephen Thomas Erlewine /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Producer, MainArtist, ComposerLyricist
℗ 1985 Capitol Records, LLC
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Composer, Producer, MainArtist
℗ 1985 Capitol Records, LLC
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Composer, Author, Producer, MainArtist
℗ 1985 Capitol Records, Inc. All rights reserved
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Composer, Producer, MainArtist
℗ 1985 Capitol Records, LLC
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Producer, MainArtist, ComposerLyricist
℗ 1985 EMI Records USA
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Producer, MainArtist, ComposerLyricist
℗ 1985 Capitol Records, LLC
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Composer, Producer, MainArtist
℗ 1985 Capitol Records, LLC
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Composer, Producer, MainArtist
℗ 1985 Capitol Records, LLC
Jon Astley, Producer - Phil Chapman, Producer - Corey Hart, Composer, Producer, MainArtist - Russell Boswell, Composer
℗ 1985 Capitol Records, LLC
Albumbeschreibung
Corey Hart quickly followed the success of his 1984 debut album, First Offense, and its blockbuster single, "Sunglasses at Night," with Boy in the Box in 1985. If First Offense used new wave synths as flair for Hart's rock-oriented mainstream pop, Boy in the Box is a thoroughly modern album, at least according to the standards of 1985. Most of the rhythms are synthesized, all the arrangements are built on keyboards, the guitars are processed so they're clean, brittle, and echoey, all adding up to an album that pretty much defines the sound of mainstream contemporary pop in 1985. Although none of the songs here have the sleek ominous undertow of "Sunglasses at Night," as an album Boy in the Box is more distinctive than First Offense, building on the vibe of "Sunglasses at Night" often to strong results. Hart spends a lot of time brooding on this album, cultivating the sullen loner vibe that "Sunglasses" captured so well; even the lively title track has a touch of emotional claustrophobia running beneath it. But it's isn't just introspection here -- Hart tackles Communism on "Komrade Kiev," and the album's hit, "Never Surrender," is a soaring power ballad of empowerment, giving this album a greater musical and emotional range than his debut. If Boy in the Box still sounds tied to its time, so be it -- most albums can't help but reflect the times that made them. But among mainstream new wave-influenced pop/rock albums from 1985, this is one of the more intriguing ones.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 9 Track(s)
- Gesamte Laufzeit: 00:41:11
- Künstler: Corey Hart
- Komponist: Various Composers
- Label: CAPITOL CATALOG MKT (C92)
- Genre: Pop/Rock Pop
© 1985 Capitol Records, LLC ℗ 1985 Capitol Records, LLC
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.