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Pierre-Laurent Aimard|Bartok: Concertos

Bartok: Concertos

Aimard, Stefanovich, Kremer, Bashmet, Boulez

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Text in englischer Sprache verfügbar

This disc completes Pierre Boulez's survey of the major orchestral works of Béla Bartók with superlative recordings of three concertos: the Concerto for Two Pianos, Percussion and Orchestra, the Concerto No. 1 for Violin and Piano, and the Concerto for Viola and Piano. The works themselves come from three different periods in the Hungarian composer's career; the Violin Concerto from his expressionist youth, the Concerto for Two Pianos and Percussion from his modernist maturity, and the Viola Concerto from his American exile. Fortunately, Boulez has matured enough to give all three works the performances they deserve. With violinist Gidon Kremer and the Berliner Philharmoniker, the Violin Concerto comes off as a deeply expressive and lovingly lyrical work with astringent harmonies but achingly beautiful melodies. With pianists Pierre-Laurent Aimard and Tamara Stefanovich, percussionists Nigel Thomas and Neil Percy and the London Symphony, the Concerto for Two Pianos and Percussion gets a more acerbic but brightly colorful and wonderfully rhythmic treatment. And with violist Yuri Bashmet and the BPO, the Viola Concerto receives a brilliant performance touched with longing and nostalgia. In every case, the soloists are first-rate, with Kremer perhaps coming in first with his beautiful take on the Violin Concerto's opening Andante sostenuto. And in every case, the accompaniment is ideal. Both orchestras are among the world's greatest and Boulez elicits from each of them performances of unsurpassed power and cogency. Recorded in crystalline digital sound, this disc should be heard by every Bartók fan and by any fan of twentieth century music.

© TiVo

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Bartok: Concertos

Pierre-Laurent Aimard

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Concerto for 2 Pianos, Percussion, and Orchestra, BB 121 (Sz.115) (Béla Bartók)

1
I. Assai lento - Allegro molto
Pierre Boulez
00:12:48

Bela Bartok, Composer - London Symphony Orchestra, Orchestra, MainArtist - Pierre Boulez, Conductor, MainArtist - Neil Percy, Percussion, MainArtist, AssociatedPerformer - Pierre-Laurent Aimard, Piano, MainArtist, AssociatedPerformer - Nigel Thomas, Percussion, MainArtist, AssociatedPerformer - Christian Gansch, Producer, Recording Producer - Sam O'Kell, Asst. Recording Engineer, StudioPersonnel - Tamara Stefanovich, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Editor, Recording Engineer, StudioPersonnel - Bastian Schick, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

2
II. Lento ma non troppo
Pierre Boulez
00:06:28

Bela Bartok, Composer - London Symphony Orchestra, Orchestra, MainArtist - Pierre Boulez, Conductor, MainArtist - Neil Percy, Percussion, MainArtist, AssociatedPerformer - Pierre-Laurent Aimard, Piano, MainArtist, AssociatedPerformer - Nigel Thomas, Percussion, MainArtist, AssociatedPerformer - Christian Gansch, Producer, Recording Producer - Sam O'Kell, Asst. Recording Engineer, StudioPersonnel - Tamara Stefanovich, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Editor, Recording Engineer, StudioPersonnel - Bastian Schick, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

3
III. Allegro ma non troppo
Pierre Boulez
00:06:17

Bela Bartok, Composer - London Symphony Orchestra, Orchestra, MainArtist - Pierre Boulez, Conductor, MainArtist - Neil Percy, Percussion, MainArtist, AssociatedPerformer - Pierre-Laurent Aimard, Piano, MainArtist, AssociatedPerformer - Nigel Thomas, Percussion, MainArtist, AssociatedPerformer - Christian Gansch, Producer, Recording Producer - Sam O'Kell, Asst. Recording Engineer, StudioPersonnel - Tamara Stefanovich, Piano, MainArtist, AssociatedPerformer - Rainer Maillard, Editor, Recording Engineer, StudioPersonnel - Bastian Schick, Asst. Recording Engineer, StudioPersonnel - Ute Fesquet, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

Violin Concerto No. 1, BB 48a (Op. posth), Sz. 36 (Béla Bartók)

4
I. Andante sostenuto
Pierre Boulez
00:09:32

Bela Bartok, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Gidon Kremer, Violin, MainArtist, AssociatedPerformer - Pierre Boulez, Conductor, MainArtist - Christian Gansch, Producer, Recording Producer - Rainer Maillard, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Mark Buecker, Editor - Dr. Marion Thiem, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

5
II. Allegro giocoso
Pierre Boulez
00:11:47

Bela Bartok, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Gidon Kremer, Violin, MainArtist, AssociatedPerformer - Pierre Boulez, Conductor, MainArtist - Christian Gansch, Producer, Recording Producer - Rainer Maillard, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Mark Buecker, Editor - Dr. Marion Thiem, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

Concerto For Viola And Orchestra, Op. Post. - Version: Tibor Serly (Béla Bartók)

6
I. Moderato - Lento parlando
Pierre Boulez
00:14:31

Bela Bartok, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Pierre Boulez, Conductor, MainArtist - Yuri Bashmet, Viola, MainArtist, AssociatedPerformer - Christian Gansch, Producer, Recording Producer - Tibor Serly, Contributor, Work Editor - Rainer Maillard, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Mark Buecker, Editor - Dr. Marion Thiem, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

7
II. Adagio religioso - Allegretto
Pierre Boulez
00:04:36

Bela Bartok, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Pierre Boulez, Conductor, MainArtist - Yuri Bashmet, Viola, MainArtist, AssociatedPerformer - Christian Gansch, Producer, Recording Producer - Tibor Serly, Contributor, Work Editor - Rainer Maillard, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Mark Buecker, Editor - Dr. Marion Thiem, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

8
III. Allegro vivace
Pierre Boulez
00:04:15

Bela Bartok, Composer - Berliner Philharmoniker, Orchestra, MainArtist - Pierre Boulez, Conductor, MainArtist - Yuri Bashmet, Viola, MainArtist, AssociatedPerformer - Christian Gansch, Producer, Recording Producer - Tibor Serly, Contributor, Work Editor - Rainer Maillard, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Mark Buecker, Editor - Dr. Marion Thiem, Producer

℗ 2008 Deutsche Grammophon GmbH, Berlin

Albumbeschreibung

This disc completes Pierre Boulez's survey of the major orchestral works of Béla Bartók with superlative recordings of three concertos: the Concerto for Two Pianos, Percussion and Orchestra, the Concerto No. 1 for Violin and Piano, and the Concerto for Viola and Piano. The works themselves come from three different periods in the Hungarian composer's career; the Violin Concerto from his expressionist youth, the Concerto for Two Pianos and Percussion from his modernist maturity, and the Viola Concerto from his American exile. Fortunately, Boulez has matured enough to give all three works the performances they deserve. With violinist Gidon Kremer and the Berliner Philharmoniker, the Violin Concerto comes off as a deeply expressive and lovingly lyrical work with astringent harmonies but achingly beautiful melodies. With pianists Pierre-Laurent Aimard and Tamara Stefanovich, percussionists Nigel Thomas and Neil Percy and the London Symphony, the Concerto for Two Pianos and Percussion gets a more acerbic but brightly colorful and wonderfully rhythmic treatment. And with violist Yuri Bashmet and the BPO, the Viola Concerto receives a brilliant performance touched with longing and nostalgia. In every case, the soloists are first-rate, with Kremer perhaps coming in first with his beautiful take on the Violin Concerto's opening Andante sostenuto. And in every case, the accompaniment is ideal. Both orchestras are among the world's greatest and Boulez elicits from each of them performances of unsurpassed power and cogency. Recorded in crystalline digital sound, this disc should be heard by every Bartók fan and by any fan of twentieth century music.

© TiVo

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