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Gunther Rost|BACH, J.S.: Goldberg Variations (Rost)

BACH, J.S.: Goldberg Variations (Rost)

Johann Sebastian Bach

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Text in englischer Sprache verfügbar

Bach's Goldberg Variations for harpsichord, BWV 988, have been played on the organ before, with the justification that Baroque musicians often viewed keyboard instruments as, if not interchangeable, at least potentially amenable to substitutions. That's the the reason advanced here by organist Gunther Rost, however. Instead he outlines, in an extensive booklet essay (in German and English parallel texts), an argument that the work, although composed for the harpsichord and to all appearances secular in intent, is actually an elaborate piece of religious symbolism whose significance is brought into relief, one might say, by playing it on the organ. The vogue for numerological and symbolic interpretations of Bach's music, especially strong in Germany, certainly rests on solid foundations; both the general aesthetics of the time and Bach's own personality tended toward hidden meanings and toward symbolic crossings of the sacred-secular boundary of the sort that Rost is generally trying to identify here. But listeners will have to decide for themselves whether the idea can be taken this far. An abridgment of Rost's argument would both distort it and rob it of its all-encompassing glory, but suffice it to say that even the quotation of a song about cabbage and turnips in the quodlibet that takes the place of the final canon is worked into the sacred framework. Curiously, though, what one might regard as the most religious aspect of the work's structure, the clear organization of the variations into sets of three doesn't play a role beyond the appearance of a canon in every third spot. Rost's reading rests entirely on circumstantial evidence, most of it coming from the manipulation of small integers; there isn't a shred of physical confirmation that would permit a definitive evaluation. If you enjoy this kind of speculation, Rost's recording will appeal to you; his performance, on an extremely colorful contemporary organ in Paris, is designed to emphasize the piety he hears in the work, and the engineers from the Oehms label display it beautifully.
© TiVo

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BACH, J.S.: Goldberg Variations (Rost)

Gunther Rost

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Goldberg Variations, BWV 988 (Johann Sebastian Bach)

1
Aria
00:02:43

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

2
Variatio 1. A 1 Clav.
00:01:08

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

3
Variatio 2. A 1 Clav.
00:00:54

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

4
Variatio 3. Canone all'Unisuono a 1 Clav.
00:01:05

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

5
Variatio 4. A 1 Clav.
00:00:35

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

6
Variatio 5. A 1 o vero 2 Clav.
00:00:37

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

7
Variatio 6. Canone alla Seconda. A 1 Clav.
00:00:53

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

8
Variatio 7. A 1 o vero 2 Clav.
00:00:51

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

9
Variatio 8. A 2 Clav.
00:00:52

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

10
Variatio 9. Canzone alla Terza. A 1 Clav.
00:00:54

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

11
Variatio 10. Fughetta. A 1 Clav.
00:00:52

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

12
Variatio 11. A Clav.
00:01:06

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

13
Variatio 12. Canone alla Quarta. A 1 Clav.
00:01:25

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

14
Variatio 13. A 2 Clav.
00:03:09

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

15
Variatio 14. A 2 Clav.
00:00:56

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

16
Variatio 15. Canone alla Quinta. A 1 Clav.
00:02:26

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

17
Variatio 16. Ouverture. A 1 Clav.
00:01:28

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

18
Variatio 17. A 2 Clav.
00:00:58

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

19
Variatio 18. Canone alla Sexta. A 1 Clav.
00:00:55

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

20
Variatio 19. A 1 Clav.
00:00:50

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

21
Variatio 20. A 2 Clav.
00:00:56

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

22
Variatio 21. Canone alla Settima. A 1 Clav.
00:01:50

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

23
Variatio 22. A 1 Clav.
00:00:41

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

24
Variatio 23. A 2 Clav.
00:01:04

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

25
Variatio 24. Canone all´ Ottava. A 1 Clav.
00:01:23

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

26
Variatio 25. A 2 Clav.
00:06:00

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

27
Variatio 26. A 2 Clav.
00:01:05

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

28
Variatio 27. Canone alla Nona. A 2 Clav.
00:00:51

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

29
Variatio 28. A 2 Clav.
00:01:00

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

30
Variatio 29. A 1 o vero 2 Clav.
00:01:08

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

31
Variatio 30. Quodlibet. A 1 Clav.
00:01:00

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

32
Aria da capo
00:03:05

Johann Sebastian Bach, Composer - Gunther Rost, Artist, MainArtist

(C) 2007 Oehms Classics (P) 2007 Oehms Classics

Albumbeschreibung

Bach's Goldberg Variations for harpsichord, BWV 988, have been played on the organ before, with the justification that Baroque musicians often viewed keyboard instruments as, if not interchangeable, at least potentially amenable to substitutions. That's the the reason advanced here by organist Gunther Rost, however. Instead he outlines, in an extensive booklet essay (in German and English parallel texts), an argument that the work, although composed for the harpsichord and to all appearances secular in intent, is actually an elaborate piece of religious symbolism whose significance is brought into relief, one might say, by playing it on the organ. The vogue for numerological and symbolic interpretations of Bach's music, especially strong in Germany, certainly rests on solid foundations; both the general aesthetics of the time and Bach's own personality tended toward hidden meanings and toward symbolic crossings of the sacred-secular boundary of the sort that Rost is generally trying to identify here. But listeners will have to decide for themselves whether the idea can be taken this far. An abridgment of Rost's argument would both distort it and rob it of its all-encompassing glory, but suffice it to say that even the quotation of a song about cabbage and turnips in the quodlibet that takes the place of the final canon is worked into the sacred framework. Curiously, though, what one might regard as the most religious aspect of the work's structure, the clear organization of the variations into sets of three doesn't play a role beyond the appearance of a canon in every third spot. Rost's reading rests entirely on circumstantial evidence, most of it coming from the manipulation of small integers; there isn't a shred of physical confirmation that would permit a definitive evaluation. If you enjoy this kind of speculation, Rost's recording will appeal to you; his performance, on an extremely colorful contemporary organ in Paris, is designed to emphasize the piety he hears in the work, and the engineers from the Oehms label display it beautifully.
© TiVo

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