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Daryl Hall & John Oates|Along The Red Ledge

Along The Red Ledge

Daryl Hall & John Oates

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Continuing the more rock-oriented approach of Beauty on a Back Street, Along the Red Ledge is more successful than its predecessor, as the duo landed on a polished melodic pop/rock style that managed to retain their Philly soul influences without drowning their voices in distorted guitar flourishes. They would refine this sound two years later on Voices, the record that established them as pop/rock superstars.

© Stephen Thomas Erlewine /TiVo

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Along The Red Ledge

Daryl Hall & John Oates

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1
It's A Laugh
00:03:50

Daryl Hall & John Oates, Performer - David Foster, Producer - David Foster, Arranger - John Oates, Arranger - Pat Martin, Mastering Engineer - Daryl Hall, Arranger - Daryl Hall, Composer

(P) 1978 RCA Records, a division of Sony Music Entertainment

2
Melody For A Memory
00:04:51

Daryl Hall & John Oates, Performer - David Foster, Arranger - David Foster, Producer - John Oates, Composer - John Oates, Arranger - John Oates, Lyricist - Pat Martin, Mastering Engineer - Daryl Hall, Arranger

(P) 1978 RCA Records, a division of Sony Music Entertainment

3
The Last Time
00:02:51

Daryl Hall & John Oates, Performer - David Foster, Arranger - David Foster, Producer - John Oates, Arranger - Pat Martin, Mastering Engineer - Daryl Hall, Lyricist - Daryl Hall, Arranger - Daryl Hall, Composer

(P) 1978 RCA Records, a division of Sony Music Entertainment

4
I Don't Wanna Lose You (7" Remix)
00:03:46

David Foster, Producer - David Foster, Arranger - John Oates, Performer - John Oates, Arranger - John Oates, Composer - David Page, Strings - Pat Martin, Mastering Engineer - Daryl Hall, Performer - Daryl Hall, Composer - Daryl Hall, Arranger

(P) 1978 RCA Records, a division of Sony Music Entertainment

5
Have I Been Away Too Long
00:04:20

Daryl Hall & John Oates, Performer - David Foster, Arranger - David Foster, Producer - John Oates, Arranger - Daryl Hall, Composer - Daryl Hall, Arranger - Daryl Hall, Lyricist - Pat Martin, Mastering Engineer

(P) 1978 RCA Records, a division of Sony Music Entertainment

6
Alley Katz
00:03:05

Daryl Hall & John Oates, Performer - David Foster, Arranger - David Foster, Producer - John Oates, Arranger - John Oates, Composer - John Oates, Lyricist - Pat Martin, Mastering Engineer - Daryl Hall, Composer - Daryl Hall, Arranger - Daryl Hall, Lyricist

(P) 1978 RCA Records, a division of Sony Music Entertainment

7
Don't Blame It On Love
00:03:54

Daryl Hall & John Oates, Performer - David Foster, Arranger - David Foster, Producer - John Oates, Lyricist - John Oates, Composer - John Oates, Arranger - Pat Martin, Mastering Engineer - Daryl Hall, Arranger - Daryl Hall, Lyricist - Daryl Hall, Composer

(P) 1978 RCA Records, a division of Sony Music Entertainment

8
Serious Music
00:04:09

Daryl Hall & John Oates, Performer - David Foster, Producer - David Foster, Arranger - John Oates, Lyricist - John Oates, Arranger - John Oates, Composer - Daryl Hall, Arranger - Pat Martin, Mastering Engineer - George Bitzer, Lyricist - George Bitzer, Composer

(P) 1978 RCA Records, a division of Sony Music Entertainment

9
Pleasure Beach
00:03:09

Daryl Hall & John Oates, Performer - David Foster, Producer - David Foster, Arranger - John Oates, Composer - John Oates, Lyricist - John Oates, Arranger - Daryl Hall, Arranger - Pat Martin, Mastering Engineer

(P) 1978 RCA Records, a division of Sony Music Entertainment

10
August Day
00:03:04

Sandy Allen, Composer - Sandy Allen, Lyricist - Daryl Hall & John Oates, Performer - David Foster, Arranger - David Foster, Producer - John Oates, Arranger - Pat Martin, Mastering Engineer - Daryl Hall, Arranger - Daryl Hall, Composer - Daryl Hall, Lyricist

(P) 1978 RCA Records, a division of Sony Music Entertainment

Albumbeschreibung

Continuing the more rock-oriented approach of Beauty on a Back Street, Along the Red Ledge is more successful than its predecessor, as the duo landed on a polished melodic pop/rock style that managed to retain their Philly soul influences without drowning their voices in distorted guitar flourishes. They would refine this sound two years later on Voices, the record that established them as pop/rock superstars.

© Stephen Thomas Erlewine /TiVo

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