Walter Berry
Bass Walter Berry grew, by measured and steady advancement, into one of the leading artists of his time. Beginning at the Vienna Staatsoper at the early age of 21, he progressed through the major Mozart baritone and bass roles to such weightier challenges as Beethoven's Pizarro and Wagner's Kurwenal, Telramund, and even Wotan. He was able to transmute the sunny, rounded, very Viennese sound of his wide-ranging instrument into something more potent, more incisive for his Wagner roles and he became one of the most celebrated Wozzecks of his day. His musicianship and sturdy voice made him a welcome guest at many of the world's leading opera venues and he was regarded as an affecting recitalist as well.
Originally intending to pursue a career in engineering, Berry switched to vocal study and trained with Hermann Gallos at the Vienna Musical Academy. He made his debut as a soloist in Honegger's Jeanne-d'Arc and soon thereafter joined the Staatsoper. As early as 1953, he was singing Masetto at Salzburg, the first of an outstanding gallery of Mozart characterizations. At the festival, he also participated in the premieres of Gottfried von Einem's Prozess (1953), Rolf Leibermann's Penelope (1954), and Werner Egk's Irische Legende (1954).
America heard Berry for the first time when he presented his genial Mozart Figaro at Chicago's Lyric Opera in 1957. Three years later, he returned to Chicago as part of a more stellar cast (Schwarzkopf, Streich, his then-wife Christa Ludwig, and Eberhard Wächter) to offer a Figaro unchallenged by any other than Cesare Siepi's. Berry subsequently sang Leporello, Don Alfonso, Fernando (Fidelio), and Baron Ochs in Chicago.
On October 2, 1966, Berry made his debut at the Metropolitan Opera in a production of Strauss' Die Frau Ohne Schatten conducted by Karl Böhm. Together with James King's Emperor, Leonie Rysanek's Empress and Christa Ludwig's Dyer's Wife, Berry's Barak was hailed as a magnificent accomplishment and an immense popular success. A live recording with that same quartet of principals, captured in Salzburg in 1974, reveals each singer performing at such a pitch of vocal and interpretive splendor as to have made the collaboration legendary. Although his marriage to Ludwig had ended in 1971, Berry was still the partner of choice for the mezzo-soprano's intense and soaring Dyer's Wife. Berry made his Covent Garden debut as Barak in 1976 and sang the role in San Francisco that same year.
Berry's increasingly powerful voice tended toward the lower end of bass-baritone spectrum and his Baron Ochs managed the bottommost notes with authority. His recording with Bernstein is both substantially sung and interpreted with Viennese lightness. Berry had accumulated an extensive discography by the time of his death, remaining in good voice until the very end of his life (he participated in a Renée Fleming Strauss recital shortly before his death). His hearty and endearing Papageno was recorded twice. His Pizarro in the 1961 Klemperer recording of Fidelio, despite the conductor's slow pacing, served notice that his was an art destined for more than Mozart. His singing of the bass arias in Klemperer's recording of Bach's St. Matthew Passion is fluent and deeply felt, notwithstanding, once again, some glacial tempi.
Though never quite viewed as a star personality, Berry crafted his own unique spot among the great singers who reigned in the twentieth century's second half.
© TiVo
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Humperdinck: Hansel und Gretel
Lucia Popp, Brigitte Fassbaender, Walter Berry, Wiener Philharmonic Orchestra, Sir Georg Solti
Classique - Paru chez Decca Music Group Ltd. le 1 janv. 1978
16-Bit CD Quality 44.1 kHz - Stereo -
Schumann : Spanisches Liederspiel - Brahms : 18 Liebeslieder Waltzes (Live)
Edith Mathis, Peter Schreier, Brigitte Fassbaender, Walter Berry, Erik Werba, Paul von Schilhawsky
Lieder (Allemagne) - Paru chez Orfeo le 19 oct. 2018
Diapason d'or24-Bit 96.0 kHz - Stereo -
Christoph Willibald Gluck: Iphigénie en Aulide [German version] (1961)
Wiener Philharmonic Orchestra, Karl Böhm, Walter Berry
Classique - Paru chez Classical Moments le 30 avr. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Die Zauberflöte
Classique - Paru chez Decca Music Group Ltd. le 1 janv. 1956
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Symphony No. 25, Piano Concerto No. 26 & Mass "Coronation" (Mono Version)
Camillo Wanausek, Walter Berry, Ingrid Haebler
Divers - Paru chez BNF Collection le 1 janv. 1960
24-Bit 96.0 kHz - Stereo -
Beethoven: Fidelio
Gundula Janowitz, Christa Ludwig, Jon Vickers, Walter Berry, Orchester der Wiener Staatsoper, Herbert von Karajan
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Messe In C-Moll KV 427
Symphonies - Paru chez Preiser Records le 7 févr. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Don Giovanni, Wozzek, Fidelio, Frau ohne Schatten, Lohengrin, Cosi fan tutte, Nozze di Figaro, Rosenkavalier, Parsifal, Falstaff & Capriccio
Opéra - Paru chez Orfeo le 17 mars 2009
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Requiem Mass in D minor, K. 626
Wilma Lipp, Anton Dermota, Walter Berry
Classique - Paru chez Past Classics le 21 oct. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Don Giovanni, Nozze di Figaro & Cosi fan tutte
Wiener Philharmonic Orchestra, Walter Berry, Herbert von Karajan, Leonyte Pice
Opéra - Paru chez Forlane le 1 janv. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: La flûte enchantée, extraits (Mono Version)
Hilde Gueden, Walter Berry, Wiener Philharmonic Orchestra, Karl Böhm
Divers - Paru chez BNF Collection le 1 janv. 1958
24-Bit 96.0 kHz - Stereo -
Ullmann: Der Kaiser von Atlantis; Hölderlin-Lieder
Classique - Paru chez Decca Music Group Ltd. le 4 oct. 1994
16-Bit CD Quality 44.1 kHz - Stereo -
Mozart: Le nozze di Figaro (Mono Version)
Wiener Symphoniker, Karl Böhm, Rita Streich, Walter Berry
Classique - Paru chez BNF Collection le 1 janv. 1957
24-Bit 96.0 kHz - Stereo -
Beethoven: Fidelio
Gundula Janowitz, Christa Ludwig, Jon Vickers, Walter Berry, Orchester der Wiener Staatsoper, Herbert von Karajan
Classique - Paru chez Deutsche Grammophon (DG) le 1 janv. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
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Bach: Ein feste Burg ist unser Gott, BWV 80 (Mono Version)
Walter Berry, Wiener Kammerorchester, Felix Prohaska
Divers - Paru chez BNF Collection le 1 janv. 1953
24-Bit 96.0 kHz - Stereo -
Siv Wennberg: A Great Primadonna, Vol. 3
Matti Kastu, Siv Wennberg, Walter Berry
Opéra - Paru chez Sterling Records le 1 janv. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Egk: Irische Legende (Live)
Opéra - Paru chez Orfeo le 1 mars 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Bach: Oratorio de Pâques (Mono Version)
Walter Berry, Wiener Kammerorchester, Felix Prohaska
Divers - Paru chez BNF Collection le 1 janv. 1953
24-Bit 96.0 kHz - Stereo -
Beethoven: Messe, Op. 86 (Mono Version)
Walter Berry, Wiener Symphoniker, Rudolf Moralt
Divers - Paru chez BNF Collection le 1 janv. 1953
24-Bit 96.0 kHz - Stereo -
Puccini: Manon Lescaut (Sung in German) [Recorded 1954]
Classique - Paru chez Walhall Eternity Series le 1 févr. 2015
16-Bit CD Quality 44.1 kHz - Stereo