Rosinha De Valença
Rosinha de Valença was at her peak during the '60s when she was performing at the Bottle's nightclub in Rio (one of the focal points of bossa nova). In that decade, she was celebrated by important artists like Baden Powell, Maria Bethânia, Aloysio de Oliveira (who invited her to record her first album), Sérgio Mendes (with whom she and his band, Brasil 65, performed during an eight-month American tour), Sivuca, Martinho da Vila, and others. She was forced to abandon her artistic career prematurely in 1992 due to brain damage caused by a heart attack. She left her hometown for Rio de Janeiro in 1963, sitting in several nightclubs until she became acquainted with de Oliveira, who at the time owned the Elenco recording company. At his invitation, Valença recorded her debut album, Apresentando Rosinha de Valença, which was followed by a very successful eight-month season at the Bottle's nightclub, at the Beco das Garrafas. The popularity she achieved in that period yielded her several invitations for participation in TV and radio shows, ultimately bringing her to the stage at the historic show O Fino da Bossa (the first bossa nova show in the city of São Paulo), at the Paramount Theater. She left for her eight-month tour through the U.S. that same year, accompanying Sérgio Mendes and Brasil 65. During that tour, she participated in the recording of two live albums: Brasil '65 -- Wanda de Sah Featuring the Sergio Mendes Trio and In Person at El Matador -- Sergio Mendes & Brasil '65. In late 1965, she toured Europe, performing in 24 countries under the auspices of the Brazilian diplomatic service. In 1968, she departed for a long international season in which she performed in several countries of Africa, Europe, and Middle East, returning to Brazil in 1971. After intense activity that comprised more tours abroad, she formed a band in Brazil which counted on João Donato, Miúcha, Ivone Lara, and Copinha. Along with her nine albums released in Brazil, Valença also recorded others in Europe and the U.S.
© Alvaro Neder /TiVo
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Um Violão em Primeiro Plano
MPB - Paru chez RCA Records Label le 9 déc. 1971
16-Bit CD Quality 44.1 kHz - Stereo -
Kuela / Down
MPB - Paru chez Sony Music Entertainment le 1 juil. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Apresentando
Amérique latine - Paru chez Planet Blue Records USA le 1 janv. 1963
16-Bit CD Quality 44.1 kHz - Stereo -
Rosinha De Valença Apresenta O Ipanema Beat
Pop/Rock - Paru chez RCA Records Label le 22 févr. 1970
16-Bit CD Quality 44.1 kHz - Stereo -
Sivuca e Rosinha De Valença (Ao Vivo)
Samba - Paru chez RCA Records Label le 8 nov. 1977
16-Bit CD Quality 44.1 kHz - Stereo -
Rosinha De Valença E Banda Ao Vivo (Ao Vivo)
MPB - Paru chez Universal Music Ltda. le 5 janv. 1975
16-Bit CD Quality 44.1 kHz - Stereo -
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Flavio Faria - Omonimo
Jazz - Paru chez HHO Licensing le 15 sept. 2005
16-Bit CD Quality 44.1 kHz - Stereo -
Ao Vivo
Amérique latine - Paru chez Planet Blue Records USA le 1 janv. 1967
16-Bit CD Quality 44.1 kHz - Stereo -
Apresentando
Jazz - Paru chez exclusiv for streaming partners le 1 janv. 1963
16-Bit CD Quality 44.1 kHz - Stereo -
Apresentando
Amérique latine - Paru chez Latin Central Records le 1 janv. 1963
24-Bit 48.0 kHz - Stereo -
Essential Collection
Amérique latine - Paru chez Essential Collection le 13 oct. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Tema do Boneco de Palha
Musiques du monde - Paru chez Toucan Music le 10 juin 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Splash Of Color
Amérique latine - Paru chez Sandmann & Walther le 30 août 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Ela É Carioca
Musiques du monde - Paru chez Toucan Music le 10 juin 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Traditions
Amérique latine - Paru chez Traditions le 28 nov. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Confectioner's
Amérique latine - Paru chez fsp analog le 25 mars 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Noble Blue
Amérique latine - Paru chez classics & more le 26 juin 2016
16-Bit CD Quality 44.1 kHz - Stereo -