Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Clarence Carter's first major-hit album remains a must-own record, holding up extraordinarily well across four decades. Carter's singing possesses an immediacy and emotional impact that is as striking today as it was in 1970, and displays a vast range as well. The title track is the best-known song here, though "It's All in Your Mind" was also a hit later in the year, and "I Can't Leave Your Love Alone" and "Your Love Lifted Me" could easily have joined it and topped the pop charts as well. Carter even provides a bracing authentic gospel approach to the then-new Beatles song "Let It Be," taking the song back to the roots whence Paul McCartney drew his inspiration. He also assumes a more pop-oriented persona on "Till I Can't Take It Anymore," on which Carter starts to sound a bit like Elvis Presley, while on "It's All in Your Mind" he seems to invoke the ghost of Sam Cooke. On his own "C.C. Blues," Carter's bluesiest persona emerges, his crunchy guitar playing off beautifully against a soaring horn section and Clayton Ivey's piano, and he returns to a soul sound for the finale, the soaring "Getting the Bills (But No Merchandise)."
© Bruce Eder /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Tony Joe White, Writer - Clarence Carter, Performed by, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
G. Jackson, Writer - C. Carter, Writer - Clarence Carter, Performance, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
G. Jackson, Writer - E. Harris, Writer - Clarence Carter, Performance, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
John Lennon, Writer - Paul Mccartney, Writer - Clarence Carter, Performance, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
Clayton Ivey, Keyboards - Harrison Calloway, Jr., Brass Arranger, Trumpet - Rick Hall, Producer - George Jackson, Writer - Clarence Carter, Guitar, Writer, MainArtist - Charles Chalmers, Backing Vocals - Aaron Varnell, Tenor Saxophone - Bob Wray, Bass Guitar - Cornell McFadden, Drums - Ronnie Eades, Tenor Saxophone - Travis Wammack, Guitar - Harvey Thompson, Saxophone - Jack Peck, Trumpet - Jerry Masters, Bass Guitar - Donna Rhodes, Backing Vocals - Sandy Rhodes, Backing Vocals - Jimmy Haskell, String Arranger - Albert Lowe, Jr], Guitar - Fred Pouty, Drums
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1968 Atlantic Recording Corporation
O.B. McClinton, Writer - Clarence Carter, Performance, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
Dorian Burton, Writer - Clarence Carter, Performance, MainArtist - CLYDE OTIS, Writer
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
Clayton Ivey, Keyboards - RONALD DUNBAR, Composer, Writer - Rick Hall, Producer - Clarence Carter, Guitar, Vocals, MainArtist - Aaron Varnell, Tenor Saxophone - Albert Lowe, Guitar - Bob Wray, Bass Guitar - Cornell McFadden, Drums - Fred Prouty, Drums - Harrison Calloway, Trumpet - Ronnie Eades, Saxophone - Travis Wammack, Guitar - Harvey Thompson, Tenor Saxophone - Jack Peck, Trumpet - Jerry Masters, Bass Guitar - General Johnson, Composer, Writer
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1968 Atlantic Recording Corporation
Clayton Ivey, Keyboards - Harrison Calloway, Jr., Brass Arranger, Trumpet - Rick Hall, Producer - George Jackson, Writer - Clarence Carter, Guitar, MainArtist - Charles Chalmers, Backing Vocals - Aaron Varnell, Tenor Saxophone - Bob Wray, Bass Guitar - Cornell McFadden, Drums - Ronnie Eades, Tenor Saxophone - Travis Wammack, Guitar - Harvey Thompson, Saxophone - Jack Peck, Trumpet - Jerry Masters, Bass Guitar - Donna Rhodes, Backing Vocals - Sandy Rhodes, Backing Vocals - Jimmy Haskell, String Arranger - Albert Lowe, Jr], Guitar - Raymond Moore, Writer - Fred Pouty, Drums
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1968 Atlantic Recording Corporation
S. Dees, Writer - Clarence Carter, Performance, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
Clarence Carter, Writer, Performance, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
G. Jackson, Writer - R. Moore, Writer - Clarence Carter, Performance, MainArtist
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation
Chronique
Clarence Carter's first major-hit album remains a must-own record, holding up extraordinarily well across four decades. Carter's singing possesses an immediacy and emotional impact that is as striking today as it was in 1970, and displays a vast range as well. The title track is the best-known song here, though "It's All in Your Mind" was also a hit later in the year, and "I Can't Leave Your Love Alone" and "Your Love Lifted Me" could easily have joined it and topped the pop charts as well. Carter even provides a bracing authentic gospel approach to the then-new Beatles song "Let It Be," taking the song back to the roots whence Paul McCartney drew his inspiration. He also assumes a more pop-oriented persona on "Till I Can't Take It Anymore," on which Carter starts to sound a bit like Elvis Presley, while on "It's All in Your Mind" he seems to invoke the ghost of Sam Cooke. On his own "C.C. Blues," Carter's bluesiest persona emerges, his crunchy guitar playing off beautifully against a soaring horn section and Clayton Ivey's piano, and he returns to a soul sound for the finale, the soaring "Getting the Bills (But No Merchandise)."
© Bruce Eder /TiVo
À propos
- 1 disque(s) - 12 piste(s)
- Durée totale : 00:36:51
- Artistes principaux : Clarence Carter
- Compositeur : Various Composers
- Label : Rhino Atlantic
- Genre : Pop/Rock Rock
© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.