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Clarence Carter|Patches

Patches

Clarence Carter

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Langue disponible : anglais

Clarence Carter's first major-hit album remains a must-own record, holding up extraordinarily well across four decades. Carter's singing possesses an immediacy and emotional impact that is as striking today as it was in 1970, and displays a vast range as well. The title track is the best-known song here, though "It's All in Your Mind" was also a hit later in the year, and "I Can't Leave Your Love Alone" and "Your Love Lifted Me" could easily have joined it and topped the pop charts as well. Carter even provides a bracing authentic gospel approach to the then-new Beatles song "Let It Be," taking the song back to the roots whence Paul McCartney drew his inspiration. He also assumes a more pop-oriented persona on "Till I Can't Take It Anymore," on which Carter starts to sound a bit like Elvis Presley, while on "It's All in Your Mind" he seems to invoke the ghost of Sam Cooke. On his own "C.C. Blues," Carter's bluesiest persona emerges, his crunchy guitar playing off beautifully against a soaring horn section and Clayton Ivey's piano, and he returns to a soul sound for the finale, the soaring "Getting the Bills (But No Merchandise)."

© Bruce Eder /TiVo

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Patches

Clarence Carter

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1
Willie and Laura Mae Jones (Album Version)
00:04:22

Tony Joe White, Writer - Clarence Carter, Performed by, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

2
Say Man (LP Version)
00:03:28

G. Jackson, Writer - C. Carter, Writer - Clarence Carter, Performance, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

3
I'm Just a Prisoner (Of Your Good Lovin') (LP Version)
00:02:18

G. Jackson, Writer - E. Harris, Writer - Clarence Carter, Performance, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

4
Let It Be (LP Version)
00:03:32

John Lennon, Writer - Paul Mccartney, Writer - Clarence Carter, Performance, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

5
I Can't Leave Your Love Alone (LP Version)
00:02:37

Clayton Ivey, Keyboards - Harrison Calloway, Jr., Brass Arranger, Trumpet - Rick Hall, Producer - George Jackson, Writer - Clarence Carter, Guitar, Writer, MainArtist - Charles Chalmers, Backing Vocals - Aaron Varnell, Tenor Saxophone - Bob Wray, Bass Guitar - Cornell McFadden, Drums - Ronnie Eades, Tenor Saxophone - Travis Wammack, Guitar - Harvey Thompson, Saxophone - Jack Peck, Trumpet - Jerry Masters, Bass Guitar - Donna Rhodes, Backing Vocals - Sandy Rhodes, Backing Vocals - Jimmy Haskell, String Arranger - Albert Lowe, Jr], Guitar - Fred Pouty, Drums

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1968 Atlantic Recording Corporation

6
Your Love Lifted Me (LP Version)
00:02:39

O.B. McClinton, Writer - Clarence Carter, Performance, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

7
Till I Can't Take It Anymore (LP Version)
00:03:16

Dorian Burton, Writer - Clarence Carter, Performance, MainArtist - CLYDE OTIS, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

8
Patches (LP Version)
00:03:14

Clayton Ivey, Keyboards - RONALD DUNBAR, Composer, Writer - Rick Hall, Producer - Clarence Carter, Guitar, Vocals, MainArtist - Aaron Varnell, Tenor Saxophone - Albert Lowe, Guitar - Bob Wray, Bass Guitar - Cornell McFadden, Drums - Fred Prouty, Drums - Harrison Calloway, Trumpet - Ronnie Eades, Saxophone - Travis Wammack, Guitar - Harvey Thompson, Tenor Saxophone - Jack Peck, Trumpet - Jerry Masters, Bass Guitar - General Johnson, Composer, Writer

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1968 Atlantic Recording Corporation

9
It's All in Your Mind (LP Version)
00:02:39

Clayton Ivey, Keyboards - Harrison Calloway, Jr., Brass Arranger, Trumpet - Rick Hall, Producer - George Jackson, Writer - Clarence Carter, Guitar, MainArtist - Charles Chalmers, Backing Vocals - Aaron Varnell, Tenor Saxophone - Bob Wray, Bass Guitar - Cornell McFadden, Drums - Ronnie Eades, Tenor Saxophone - Travis Wammack, Guitar - Harvey Thompson, Saxophone - Jack Peck, Trumpet - Jerry Masters, Bass Guitar - Donna Rhodes, Backing Vocals - Sandy Rhodes, Backing Vocals - Jimmy Haskell, String Arranger - Albert Lowe, Jr], Guitar - Raymond Moore, Writer - Fred Pouty, Drums

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1968 Atlantic Recording Corporation

10
Changes (LP Version)
00:02:58

S. Dees, Writer - Clarence Carter, Performance, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

11
C.C. Blues (LP Version)
00:03:27

Clarence Carter, Writer, Performance, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

12
Getting the Bills (But No Merchandise) (LP Version)
00:02:21

G. Jackson, Writer - R. Moore, Writer - Clarence Carter, Performance, MainArtist

© 2004 Atlantic Recording Corp. Manufactured & Marketed by Warner Strategic Marketing ℗ 1970 Atlantic Recording Corporation

Chronique

Clarence Carter's first major-hit album remains a must-own record, holding up extraordinarily well across four decades. Carter's singing possesses an immediacy and emotional impact that is as striking today as it was in 1970, and displays a vast range as well. The title track is the best-known song here, though "It's All in Your Mind" was also a hit later in the year, and "I Can't Leave Your Love Alone" and "Your Love Lifted Me" could easily have joined it and topped the pop charts as well. Carter even provides a bracing authentic gospel approach to the then-new Beatles song "Let It Be," taking the song back to the roots whence Paul McCartney drew his inspiration. He also assumes a more pop-oriented persona on "Till I Can't Take It Anymore," on which Carter starts to sound a bit like Elvis Presley, while on "It's All in Your Mind" he seems to invoke the ghost of Sam Cooke. On his own "C.C. Blues," Carter's bluesiest persona emerges, his crunchy guitar playing off beautifully against a soaring horn section and Clayton Ivey's piano, and he returns to a soul sound for the finale, the soaring "Getting the Bills (But No Merchandise)."

© Bruce Eder /TiVo

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