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Gustav Leonhardt|J.S. Bach: Harpsichord Concerto No. 1 in D Minor, BWV 1052 - C.P.E. Bach: Harpsichord Concerto in D Minor, Wq. 23

J.S. Bach: Harpsichord Concerto No. 1 in D Minor, BWV 1052 - C.P.E. Bach: Harpsichord Concerto in D Minor, Wq. 23

Gustav Leonhardt

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Langue disponible : anglais

What a brilliant idea to couple J.S. Bach's Harpsichord Concerto in D minor, BWV 1052, with C.P.E. Bach's Harpsichord Concerto in D minor, H 427! Both works, the father's and the son's, are powerful works with emotional themes, dramatic forms, and cadenzas that only a virtuoso could play. Plus, for all their virtuoso display, both works are at heart deeply expressive works that refuse to pander to mere technique. Thankfully, in this 1981 recording by Gustav Leonhardt, both works have a champion who, for all his tremendous technique, is less interested in displaying it than in getting to the heart of the works' expressivity. Leonhardt had recorded the J.S. Bach Harpsichord Concerto before and he would record it again, but this recording is every bit as fine as the best of them. But this is Leonhardt's only recording of C.P.E. Bach's D minor concerto and he gives it the performance of a lifetime. For all its structural and harmonic strangeness, C.P.E.'s Sturm und Drang concerto sounds completely compelling and nearly as good as J.S.'s high Baroque concerto. Seon's original sound was rich and real, and Sony's digital remastering is every bit as rich, if not quite as real.

© TiVo

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J.S. Bach: Harpsichord Concerto No. 1 in D Minor, BWV 1052 - C.P.E. Bach: Harpsichord Concerto in D Minor, Wq. 23

Gustav Leonhardt

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Harpsichord Concerto No. 1 in D Minor, BWV 1052 (Johann Sebastian Bach)

1
I. Allegro
00:08:01

Gustav Leonhardt, Associated Performer, Director, Harpsichord, Main Artist - Wolf Erichson, Producer - Johann Sebastian Bach, Composer - Marie Leonhardt, Violin - Lucy Van Dael, Violin - Alda Stuurop, Violin - Ruth Hesseling, Violin - Janneke van der Meer, Violin - Antoinette van den Hombergh, Violin - Nicolette Moonen, Violin - Nicholas Pap, Bass - Richte van der Meer, Violoncello - Lidewij Scheifes, Violoncello - Linda Ashworth, Viola - Staas Swierstra, Viola

(P) 1982 Sony Classical, a division of Sony Music Entertainment Inc. GmbH

2
II. Adagio
00:06:16

Gustav Leonhardt, Associated Performer, Director, Harpsichord, Main Artist - Wolf Erichson, Producer - Johann Sebastian Bach, Composer - Marie Leonhardt, Violin - Lucy Van Dael, Violin - Alda Stuurop, Violin - Ruth Hesseling, Violin - Janneke van der Meer, Violin - Antoinette van den Hombergh, Violin - Nicolette Moonen, Violin - Nicholas Pap, Bass - Richte van der Meer, Violoncello - Lidewij Scheifes, Violoncello - Linda Ashworth, Viola - Staas Swierstra, Viola

(P) 1982 Sony Classical, a division of Sony Music Entertainment Inc. GmbH

3
III. Allegro
00:08:37

Gustav Leonhardt, Associated Performer, Director, Harpsichord, Main Artist - Wolf Erichson, Producer - Johann Sebastian Bach, Composer - Marie Leonhardt, Violin - Lucy Van Dael, Violin - Alda Stuurop, Violin - Ruth Hesseling, Violin - Janneke van der Meer, Violin - Antoinette van den Hombergh, Violin - Nicolette Moonen, Violin - Nicholas Pap, Bass - Richte van der Meer, Violoncello - Lidewij Scheifes, Violoncello - Linda Ashworth, Viola - Staas Swierstra, Viola

(P) 1982 Sony Classical, a division of Sony Music Entertainment Inc. GmbH

Harpsichord Concerto in D Minor, Wq. 23, H. 427 (Carl Philipp Emanuel Bach)

4
I. Allegro
00:08:06

Gustav Leonhardt, Associated Performer, Director, Harpsichord, Main Artist - Wolf Erichson, Producer - Carl Philipp Emanuel Bach, Composer - Marie Leonhardt, Violin - Lucy Van Dael, Violin - Alda Stuurop, Violin - Ruth Hesseling, Violin - Janneke van der Meer, Violin - Antoinette van den Hombergh, Violin - Nicolette Moonen, Violin - Nicholas Pap, Bass - Richte van der Meer, Violoncello - Lidewij Scheifes, Violoncello - Linda Ashworth, Viola - Staas Swierstra, Viola

(P) 1982 Sony Classical, a division of Sony Music Entertainment Inc. GmbH

5
II. Poco andante
00:08:43

Gustav Leonhardt, Associated Performer, Director, Harpsichord, Main Artist - Wolf Erichson, Producer - Carl Philipp Emanuel Bach, Composer - Marie Leonhardt, Violin - Lucy Van Dael, Violin - Alda Stuurop, Violin - Ruth Hesseling, Violin - Janneke van der Meer, Violin - Antoinette van den Hombergh, Violin - Nicolette Moonen, Violin - Nicholas Pap, Bass - Richte van der Meer, Violoncello - Lidewij Scheifes, Violoncello - Linda Ashworth, Viola - Staas Swierstra, Viola

(P) 1982 Sony Classical, a division of Sony Music Entertainment Inc. GmbH

6
III. Allegro assai
00:07:12

Gustav Leonhardt, Associated Performer, Director, Harpsichord, Main Artist - Wolf Erichson, Producer - Carl Philipp Emanuel Bach, Composer - Marie Leonhardt, Violin - Lucy Van Dael, Violin - Alda Stuurop, Violin - Ruth Hesseling, Violin - Janneke van der Meer, Violin - Antoinette van den Hombergh, Violin - Nicolette Moonen, Violin - Nicholas Pap, Bass - Richte van der Meer, Violoncello - Lidewij Scheifes, Violoncello - Linda Ashworth, Viola - Staas Swierstra, Viola

(P) 1982 Sony Classical, a division of Sony Music Entertainment Inc. GmbH

Chronique

What a brilliant idea to couple J.S. Bach's Harpsichord Concerto in D minor, BWV 1052, with C.P.E. Bach's Harpsichord Concerto in D minor, H 427! Both works, the father's and the son's, are powerful works with emotional themes, dramatic forms, and cadenzas that only a virtuoso could play. Plus, for all their virtuoso display, both works are at heart deeply expressive works that refuse to pander to mere technique. Thankfully, in this 1981 recording by Gustav Leonhardt, both works have a champion who, for all his tremendous technique, is less interested in displaying it than in getting to the heart of the works' expressivity. Leonhardt had recorded the J.S. Bach Harpsichord Concerto before and he would record it again, but this recording is every bit as fine as the best of them. But this is Leonhardt's only recording of C.P.E. Bach's D minor concerto and he gives it the performance of a lifetime. For all its structural and harmonic strangeness, C.P.E.'s Sturm und Drang concerto sounds completely compelling and nearly as good as J.S.'s high Baroque concerto. Seon's original sound was rich and real, and Sony's digital remastering is every bit as rich, if not quite as real.

© TiVo

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